MCN Commentary & Analysis

The State of Oscar. 021020. Oscar’s Climax (Pt 1 – The Rundown).

February 10, 2020

Simply… a rundown of the show… with a few bits of commentary. Janelle Monáe opens the show with an homage to a movie that was not nominated that turns into a really cool number paying homage to other movies that were not nominated. (There was a dancing Joker, and other costumes represented Dolemite Is My […]

The State of Oscar. 020920. Cancelling The Oscars.

February 9, 2020

There is so much to dig through that this was intended to be two columns. But it’s the day before Oscar and these pieces have sat on my desktop for two days and F.X. Feeney is dead and Orson Bean was killed while jaywalking at 91 and I don’t feel like tearing anyone specific a […]

The State of Oscar. 020420. Rebuilding The Oscar Season (Pt 2)

February 4, 2020

Final voting closes today and I want to suggest another way to tear the whole thing up. As discussed in the last column, I am putting aside all the reasons why change is agonizing in The Academy. My thought is to look at all the problems with current system and to devise a better way […]

Hamilton Flips The Streaming Script. Produced For TV, It Commits To Theatrical

February 4, 2020

The first story that everyone was all over after Lin-Manuel Miranda let the public know that Hamilton was coming to The Big Screen was the price tag. Disney paid $75 million, plus a commitment to a full theatrical release. In every story was also the fact that the “film” of Hamilton was shot live on […]

The State of Oscar. 012920. Rebuilding The Oscar Season (Pt 1)

January 29, 2020

One of the great movie experiences I had in 2019 was Apocalypse Now: The Final Cut. Francis Coppola did a recut of the film, after the original, the Redux, and however many TV and airplane cuts, and you could see in the film that he had opened to the door to changing every single moment […]

The State of Oscar. 012020. The Sadness of the Long Distance (Oscar) Runner.

January 20, 2020

It struck about halfway through the SAG Awards on Sunday night… which followed the PGAs on Saturday… which followed the ACE Awards on Friday… which followed Oscar nominations last Monday… which followed BFCA/CCAs on Sunday… which followed LAFCA on Saturday… which followed NBR on Wednesday… which followed NYFCC on Tuesday… which followed The Globes on […]

My Top 10 Motion Pictures (+10) For 2019

January 17, 2020

It turned out to be a pretty terrific year for film. Movies you can watch repeatedly and keep mining new stuff and reassessing old without getting bored. I stuck to 20 motion pictures, overall. Two sets of 10. And the only hierarchical order within the two groups is for my top choice. Top 10 Motion […]

The State of Oscar. Nomination Morning, 2020

January 13, 2020

I’ve been explaining this for years. People don’t want to understand. Next year’s Oscars are already down to 60 films being taken seriously. By March, the number will be down to 45. By the end of July, the number will be down to about 30. About 23 of those 30 (or so) will go to […]

The State of Oscar. 011119. The Fast & The Furious

January 11, 2020

People adjust. People with multimillion budgets adjust easily. The February 9 date of this year’s Oscars have led to whining beyond all whining. “People don’t have time to see all the movies!” “It’s all happening too quick!” “All the other shows are bunched up!” And here is the issue for The Academy. Who cares? The […]

The State of Oscar. 010719. PGA, DGA & The Closing Bell

January 7, 2020

The IrishmanProducers: Jane Rosenthal & Robert De Niro, Emma Tillinger Koskoff & Martin Scorsese Jojo RabbitProducers: Carthew Neal, Taika Waititi JokerProducers: Todd Phillips & Bradley Cooper, Emma Tillinger Koskoff Knives OutProducers: Rian Johnson, Ram Bergman Little WomenProducer: Amy Pascal Marriage StoryProducers: Noah Baumbach, David Heyman Once Upon a Time… in HollywoodProducers: David Heyman, Shannon McIntosh, […]

The Golden Globes Are Nothing.

January 5, 2020

I was at an event for a distributor, celebrating its Golden Globes nominees and a friend in the industry asked me, “So who is going to win?” Without much thinking, I said, “It doesn’t matter. At all. The Globes aren’t actually a thing.” He was taken aback and frankly, I was taken aback by how […]

The State of Oscar. 123119. Last Minute Please.

December 31, 2019

Voting for nominations is now two days away. Voters may watch another movie or two before they enter the six-day window of voting, but with such a short window, my guess is that even more voters than usual will get their votes in early in the process. It’s hard to imagine that even 20% of […]

The State of Oscar. 122819. Are The Boats Turning?

December 28, 2019

Christmas Day has come and gone and some distributors are happily sleeping, their bellies filled with the comfort of their films’ position. Others are — or should be — getting twitchy. The most comfy of all should be Netflix, for whom absolutely nothing has changed since this holiday window began last Friday the 20th. This […]

Year’s End: Box Office Rorschach, Pt 1 – Whose Disruption Is It Anyway?

December 27, 2019

There is a disease in Hollywood that is also found in many places, more so in 2019 than in the past… though it has certainly been there in the past as well. When it’s about someone else, gossip is fun, even if it might be untrue… but if people are saying it, there must be […]

The State of Oscar. 122319. The Great Settling.

December 23, 2019

It was Bill Condon who coined the phrase, “The Great Settling.” And I have used it every year since I heard it. Because even in a shortened season —perhaps more so — there is a point at which the power to try to convert voters disappears from the efforts of the often-brilliant salespeople (whatever their […]

Review/List: Star Wars: The Rise of Skywalker (SPOILERS!)

December 20, 2019

The Non-Spoiler Review is here. After chewing on this for a bit, I am just going to make a list of things I feel about the film. And I will look forward to added such issues from others. Let me start with the couple of things I loved in the film. I loved the “They […]

Review: Cats

December 18, 2019

I never liked the show, “Cats.” Critics never liked the show, “Cats.” More than 73 million people have bought tickets to the show, “Cats.” And even if just half of them liked it and one-quarter loved it, that’s over 36 million people who will enjoy this movie. Tom Hooper and co-writer Lee Hall didn’t transform […]

MCN Commentary & Analysis See All

The News Curated by Ray Pride See All


Trump Attacks Parasite In Racist Rant At Colorado Reelection Rally; NEON Reflects

Twitter | February 20, 2020


"I have been thinking about love stories where it feels like the two lovers actually see each other, and they almost always end tragically, like we can’t believe that could be a sustainable dynamic in some way. For instance, TitanicTitanic is the hugest success, and it’s because it’s totally queer. Leonardo DiCaprio was totally androgynous at the time. DiCaprio and Kate Winslet were both not known — not stars — so there was no power dynamic between them. Like, if you look at the sex scene in Titanic, she’s on top. He’s the one who’s being totally fragile and insecure. I think it was a huge success because it’s a love story with equality and with emancipation. I think the movies are in dialogue. I thought a lot about Titanic because it’s also the present of a love story and the memory of a love story. A successful love story should not be about eternal possession. No, it should be about emancipation. And it is an emancipation story, because maybe Rose lost this love, but we see her being free and riding horses and wearing pants. It’s all about emancipation. The success of a love story is not about how long it lasts. It’s not about ending your life together. Him dying is tragic, but it’s not the end of the story. In equality, there is emancipation."

Vox | February 20, 2020

"My friend Alan Stern called my psychiatrist. At one in the morning he comes to my house, and we have this long conversation. My gun, a blue steel six-cylinder revolver, is on the table. He’s just about to call Cedars to have me committed. I’m trying to talk my way out of this. Finally, he sort of agrees with me that I’m not a threat to my own life at the moment. But he says, “I have to take the gun.” Well, time goes by—I get married, have children. It’s 30 years later and I’m in Los Angeles. I’m curious, so I go to his office. He’s now in his mid-80s. I say to him, “I don’t know if you remember, but you came to my house in the middle of the night. I had a gun and you took it from me.” He opens a drawer and puts the gun on the table. He says, “I’ve kept this gun ever since, because it reminds me of what I really do for a living.” I say, “I don’t suppose you would give it back?” He says, “Oh no, I wouldn’t.”
An Oral History Of American Gigolo, Which Is 40

February 20, 2020


"For the 1st time all top North American Film Fests are directed by women and people of color. 👏🏽 I👏🏽Love👏🏽To👏🏽See👏🏽It👏🏽‼️"

Twitter | February 20, 2020

The Video Section See All

Parasite, Bong Joon Ho

David Poland | February 10, 2020

The Podcast Section See All