THB #93: The Batman (no spoilers)
| March 6, 2022
The Gurus certify a lock or two in the last days before Oscar, especially in Supporting: our bakers’ dozen brain trust see Yuh-Jung Youn and Daniel Kaluuya as ready wins. Chadwick Boseman is expected as a posthumous win, while Best Actress shows movement in the first three slots, with the Gurus narrowly expecting Viola Davis, and then a neck-and-neck guesstimation on Carey Mulligan and Frances McDormand. The biggest mover is My Octopus Teacher, wrapping its kindly long arms around all comers.
Rank | Last Chart | Best Picture | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 1 |
Nomadland |
2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 103 |
2 | 2 |
The Trial of the Chicago 7 |
1 | 2 | 3 | 2 | 2 | 3 | 2 | 2 | 2 | 2 | 2 | 7 | 2 | 13 | 85 |
3 | 3 |
Minari |
3 | 3 | 2 | 4 | 4 | 2 | 3 | 4 | 4 | 6 | 3 | 2 | 5 | 13 | 72 |
4 | 4 |
Promising Young Woman |
5 | 4 | 5 | 3 | 3 | 5 | 5 | 3 | 5 | 3 | 6 | 5 | 3 | 13 | 62 |
5 | 5 |
Judas and the Black Messiah |
7 | 5 | 7 | 7 | 5 | 4 | 4 | 5 | 3 | 4 | 4 | 4 | 7 | 13 | 51 |
6 | 8 |
The Father |
6 | 8 | 4 | 5 | 7 | 7 | 7 | 8 | 8 | 8 | 5 | 3 | 8 | 13 | 33 |
7 | 7 |
Mank |
4 | 7 | 8 | 8 | 6 | 6 | 6 | 6 | 7 | 7 | 7 | 8 | 6 | 13 | 31 |
7 | 6 |
Sound of Metal |
8 | 6 | 6 | 6 | 8 | 8 | 8 | 7 | 6 | 5 | 8 | 6 | 4 | 13 | 31 |
Rank | Last Chart | Best Actress | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 3 |
Viola Davis |
2 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 3 | 4 | 2 | 3 | 2 | 13 | 53 |
2 | 1 |
Carey Mulligan |
1 | 3 | 3 | 3 | 3 | 3 | 2 | 1 | 2 | 1 | 4 | 2 | 3 | 13 | 47 |
3 | 2 |
Frances McDormand |
4 | 1 | 2 | 2 | 4 | 2 | 4 | 4 | 1 | 3 | 1 | 1 | 4 | 13 | 45 |
4 | 4 |
Andra Day |
3 | 5 | 4 | 4 | 2 | 4 | 3 | 3 | 5 | 2 | 3 | 4 | 1 | 13 | 35 |
5 | 5 |
Vanessa Kirby |
5 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 5 | 5 | 5 | 13 | 15 |
Rank | Last Chart | Best Actor | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 1 |
Chadwick Boseman |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 |
2 | 3 |
Anthony Hopkins |
2 | 3 | 2 | 3 | 2 | 2 | 2 | 2 | 3 | 2 | 2 | 2 | 2 | 13 | 49 |
3 | 2 |
Riz Ahmed |
3 | 2 | 3 | 2 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 3 | 13 | 42 |
4 | 4 |
Steven Yeun |
4 | 4 | 4 | 4 | 4 | 4 | 5 | 4 | 4 | 5 | 4 | 4 | 4 | 13 | 24 |
5 | 5 |
Gary Oldman |
5 | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 5 | 4 | 5 | 5 | 5 | 13 | 15 |
Rank | Last Chart | Supporting Actress | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 1 |
Yuh-Jung Youn |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 |
2 | 4 |
Glenn Close |
3 | 2 | 4 | 4 | 2 | 5 | 2 | 3 | 2 | 4 | 2 | 4 | 2 | 13 | 39 |
3 | 2 |
Maria Bakalova |
4 | 3 | 3 | 2 | 3 | 3 | 3 | 2 | 5 | 2 | 3 | 2 | 5 | 13 | 38 |
4 | 3 |
Olivia Colman |
2 | 4 | 2 | 3 | 4 | 2 | 4 | 4 | 3 | 3 | 5 | 3 | 3 | 13 | 36 |
5 | 5 |
Amanda Seyfried |
5 | 5 | 5 | 5 | 5 | 4 | 5 | 5 | 4 | 5 | 4 | 5 | 4 | 13 | 17 |
Rank | Last Chart | Supporting Actor | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 1 |
Daniel Kaluuya |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 |
2 | 2 |
Sacha Baron Cohen |
2 | 3 | 5 | 2 | 2 | 2 | 2 | 2 | 3 | 3 | 3 | 3 | 4 | 13 | 42 |
3 | 4 |
Paul Raci |
4 | 4 | 2 | 3 | 3 | 4 | 3 | 4 | 2 | 2 | 2 | 2 | 5 | 13 | 38 |
4 | 3 |
Leslie Odom, Jr. |
3 | 2 | 3 | 4 | 4 | 3 | 4 | 3 | 5 | 4 | 4 | 4 | 3 | 13 | 32 |
5 | 5 |
Lakeith Stanfield |
5 | 5 | 4 | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 5 | 5 | 2 | 13 | 18 |
Rank | Last Chart | Best Director | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 1 |
Nomadland |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 |
2 | 4 |
Mank |
2 | 4 | 2 | 4 | 4 | 4 | 2 | 3 | 3 | 4 | 2 | 4 | 2 | 13 | 38 |
3 | 2 |
Promising Young Woman |
5 | 3 | 3 | 2 | 2 | 3 | 4 | 2 | 4 | 2 | 5 | 2 | 3 | 13 | 38 |
4 | 3 |
Minari |
4 | 2 | 4 | 3 | 3 | 2 | 3 | 4 | 5 | 5 | 3 | 3 | 4 | 13 | 33 |
5 | 5 |
Another Round |
3 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 2 | 3 | 4 | 5 | 5 | 13 | 21 |
Rank | Last Chart | Documentary Feature | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 4 |
My Octopus Teacher |
1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 64 |
2 | 1 |
Time |
4 | 3 | 2 | 2 | 2 | 2 | 2 | 4 | 2 | 2 | 3 | 2 | 5 | 13 | 43 |
3 | 2 |
Crip Camp |
3 | 1 | 4 | 4 | 3 | 3 | 4 | 2 | 3 | 4 | 2 | 3 | 2 | 13 | 40 |
4 | 3 |
Collective |
2 | 4 | 3 | 3 | 4 | 4 | 3 | 3 | 4 | 3 | 4 | 4 | 3 | 13 | 34 |
5 | 5 |
The Mole Agent |
5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 4 | 13 | 14 |
Rank | Last Chart | International Feature | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 1 |
Another Round |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 |
2 | 2 |
Quo Vadis, Aida? |
2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 3 | 2 | 2 | 2 | 5 | 13 | 48 |
3 | 3 |
Collective |
4 | 3 | 3 | 3 | 4 | 4 | 4 | 3 | 2 | 4 | 3 | 3 | 3 | 13 | 35 |
4 | 4 |
The Man Who Sold His Skin |
3 | 4 | 4 | 5 | 3 | 5 | 3 | 4 | 5 | 3 | 4 | 4 | 4 | 13 | 27 |
5 | 5 |
Better Days |
5 | 5 | 5 | 4 | 5 | 3 | 5 | 5 | 4 | 5 | 5 | 5 | 2 | 13 | 20 |
Rank | Last Chart | Original Screenplay | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 1 |
Promising Young Woman |
1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 13 | 63 |
2 | 2 |
The Trial of the Chicago 7 |
2 | 2 | 2 | 2 | 2 | 1 | 2 | 2 | 2 | 2 | 1 | 2 | 2 | 13 | 54 |
3 | 3 |
Minari |
3 | 3 | 3 | 3 | 3 | 3 | 4 | 3 | 3 | 5 | 3 | 5 | 4 | 13 | 33 |
4 | 4 |
Judas and the Black Messiah |
5 | 5 | 5 | 5 | 4 | 4 | 3 | 4 | 5 | 3 | 4 | 3 | 5 | 13 | 23 |
5 | 5 |
Sound of Metal |
4 | 4 | 4 | 4 | 5 | 5 | 5 | 5 | 4 | 4 | 5 | 4 | 3 | 13 | 22 |
Rank | Last Chart | Adapted Screenplay | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 1 |
Nomadland |
1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 13 | 61 |
2 | 2 |
The Father |
2 | 3 | 1 | 2 | 2 | 2 | 1 | 2 | 4 | 2 | 1 | 2 | 2 | 13 | 52 |
3 | 3 |
One Night In Miami... |
5 | 2 | 3 | 4 | 3 | 3 | 4 | 4 | 1 | 3 | 3 | 5 | 4 | 13 | 34 |
4 | 4 |
Borat Subsequent Moviefilm |
3 | 4 | 4 | 3 | 4 | 5 | 3 | 3 | 3 | 4 | 4 | 3 | 3 | 13 | 32 |
5 | 5 |
The White Tiger |
4 | 5 | 5 | 5 | 5 | 4 | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 13 | 16 |
Rank | Last Chart | Best Cinematography | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 1 |
Nomadland |
2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 13 | 61 |
2 | 2 |
Mank |
1 | 2 | 2 | 2 | 2 | 1 | 3 | 2 | 1 | 2 | 2 | 2 | 1 | 13 | 55 |
3 | 4 |
Judas and the Black Messiah |
3 | 5 | 3 | 3 | 5 | 4 | 2 | 5 | 4 | 5 | 4 | 3 | 3 | 13 | 29 |
4 | 3 |
News of the World |
4 | 4 | 4 | 5 | 3 | 5 | 4 | 3 | 3 | 4 | 3 | 4 | 5 | 13 | 27 |
5 | 5 |
The Trial of the Chicago 7 |
5 | 3 | 5 | 4 | 4 | 3 | 5 | 4 | 5 | 3 | 5 | 5 | 4 | 13 | 23 |
Rank | Last Chart | Editing | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 2 |
The Trial of the Chicago 7 |
1 | 1 | 3 | 1 | 2 | 1 | 4 | 1 | 1 | 2 | 1 | 1 | 1 | 13 | 58 |
2 | 3 |
Sound of Metal |
2 | 4 | 1 | 3 | 1 | 3 | 2 | 2 | 3 | 1 | 2 | 2 | 2 | 13 | 50 |
3 | 1 |
Nomadland |
4 | 2 | 2 | 2 | 3 | 2 | 1 | 3 | 2 | 4 | 4 | 4 | 3 | 13 | 42 |
4 | 4 |
The Father |
3 | 3 | 5 | 4 | 4 | 4 | 3 | 5 | 5 | 5 | 3 | 3 | 5 | 13 | 26 |
5 | 5 |
Promising Young Woman |
5 | 5 | 4 | 5 | 5 | 5 | 5 | 4 | 4 | 3 | 5 | 5 | 4 | 13 | 19 |
Rank | Last Chart | Production Designer | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 1 |
Mank |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 |
2 | 2 |
Ma Rainey's Black Bottom |
4 | 2 | 4 | 2 | 2 | 2 | 4 | 3 | 4 | 3 | 5 | 3 | 2 | 13 | 38 |
3 | 4 |
Tenet |
5 | 4 | 2 | 3 | 4 | 5 | 2 | 4 | 2 | 2 | 4 | 4 | 4 | 13 | 33 |
4 | 5 |
The Father |
3 | 5 | 3 | 5 | 3 | 3 | 3 | 5 | 5 | 4 | 3 | 2 | 3 | 13 | 31 |
5 | 3 |
News of the World |
2 | 3 | 5 | 4 | 5 | 4 | 5 | 2 | 3 | 5 | 2 | 5 | 5 | 13 | 28 |
Rank | Last Chart | Costume Design | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 1 |
Ma Rainey's Black Bottom |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 |
2 | 2 |
Emma. |
2 | 3 | 2 | 2 | 3 | 2 | 2 | 2 | 2 | 2 | 2 | 3 | 3 | 13 | 48 |
3 | 3 |
Mank |
3 | 2 | 3 | 3 | 2 | 3 | 4 | 4 | 5 | 3 | 3 | 2 | 2 | 13 | 39 |
4 | 4 |
Mulan |
4 | 4 | 4 | 4 | 5 | 4 | 3 | 3 | 3 | 4 | 5 | 5 | 4 | 13 | 26 |
5 | 5 |
Pinocchio |
5 | 5 | 5 | 5 | 4 | 5 | 5 | 5 | 4 | 5 | 4 | 4 | 5 | 13 | 17 |
Rank | Last Chart | Makeup | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 1 |
Ma Rainey's Black Bottom |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 13 | 63 |
2 | 3 |
Mank |
4 | 2 | 3 | 2 | 3 | 2 | 4 | 4 | 4 | 3 | 5 | 4 | 3 | 13 | 35 |
3 | 4 |
PInocchio |
2 | 3 | 4 | 5 | 2 | 5 | 5 | 5 | 2 | 2 | 2 | 2 | 5 | 13 | 34 |
4 | 2 |
Hillbilly Elegy |
3 | 5 | 5 | 3 | 4 | 3 | 3 | 2 | 1 | 5 | 4 | 5 | 2 | 13 | 33 |
5 | 5 |
Emma. |
5 | 4 | 2 | 4 | 5 | 4 | 2 | 3 | 5 | 4 | 3 | 3 | 4 | 13 | 30 |
Rank | Last Chart | Animated Feature | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 1 |
Soul |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 |
2 | 2 |
Wolfwalkers |
2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 13 | 52 |
3 | 3 |
Over the Moon |
4 | 3 | 5 | 3 | 4 | 3 | 3 | 4 | 4 | 3 | 5 | 4 | 4 | 13 | 29 |
4 | 4 |
Onward |
5 | 4 | 4 | 5 | 3 | 5 | 4 | 3 | 5 | 4 | 3 | 3 | 5 | 13 | 25 |
5 | 5 |
A Shaun the Sheep Movie: Farmageddon |
3 | 5 | 3 | 4 | 5 | 4 | 5 | 5 | 3 | 5 | 4 | 5 | 3 | 13 | 24 |
Rank | Last Chart | Best Score | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 1 |
Soul |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 13 | 64 |
2 | 3 |
Minari |
3 | 4 | 2 | 2 | 2 | 3 | 5 | 4 | 1 | 5 | 2 | 2 | 3 | 13 | 40 |
3 | 2 |
Mank |
2 | 2 | 5 | 3 | 3 | 2 | 3 | 3 | 4 | 2 | 5 | 4 | 2 | 13 | 38 |
4 | 5 |
Da 5 Bloods |
5 | 3 | 4 | 4 | 5 | 5 | 2 | 5 | 3 | 3 | 4 | 3 | 5 | 13 | 27 |
5 | 4 |
News of the World |
4 | 5 | 3 | 5 | 4 | 4 | 4 | 2 | 5 | 4 | 3 | 5 | 4 | 13 | 26 |
Rank | Last Chart | Best Song | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | 1 |
Speak Now One Night in Miami… |
1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 3 | 2 | 1 | 2 | 13 | 59 |
2 | 2 |
Io Sô The Life Ahead |
3 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 3 | 1 | 4 | 2 | 5 | 13 | 42 |
3 | 5 |
Husavik Eurovision Song Contest: The Story of Fire Saga |
2 | 2 | 1 | 5 | 2 | 5 | 3 | 4 | 1 | 2 | 3 | 4 | 4 | 13 | 40 |
4 | 2 |
Fight For You Judas and the Black Messiah |
4 | 5 | 4 | 5 | 5 | 4 | 5 | 3 | 5 | 5 | 1 | 3 | 1 | 13 | 28 |
5 | 4 |
Hear My Voice The Trial of the Chicago 7 |
5 | 4 | 5 | 4 | 4 | 3 | 5 | 5 | 4 | 4 | 5 | 5 | 3 | 13 | 22 |
Rank | Last Chart | Best Sound | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Sound of Metal |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 | |
3 |
Soul |
2 | 2 | 2 | 3 | 2 | 3 | 2 | 4 | 2 | 4 | 2 | 5 | 2 | 13 | 43 | |
5 |
Greyhound |
5 | 5 | 3 | 2 | 3 | 2 | 4 | 5 | 3 | 2 | 5 | 4 | 5 | 13 | 30 | |
2 |
Mank |
3 | 3 | 4 | 4 | 5 | 4 | 5 | 3 | 4 | 3 | 4 | 2 | 4 | 13 | 30 | |
4 |
News of the World |
4 | 4 | 5 | 5 | 4 | 5 | 3 | 2 | 5 | 5 | 3 | 3 | 3 | 13 | 27 |
Rank | Last Chart | Visual Effects | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Tenet |
1 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 12 | 57 | ||
2 |
The Midnight Sky |
2 | 2 | 2 | 2 | 2 | 1 | 2 | 3 | 2 | 2 | 2 | 3 | 12 | 47 | ||
4 |
The One And Only Ivan |
5 | 4 | 5 | 3 | 3 | 5 | 4 | 2 | 3 | 4 | 4 | 1 | 12 | 29 | ||
3 |
Mulan |
3 | 3 | 3 | 5 | 4 | 2 | 3 | 4 | 4 | 5 | 3 | 5 | 12 | 28 | ||
5 |
Love and Monsters |
4 | 5 | 4 | 4 | 5 | 4 | 5 | 5 | 5 | 3 | 5 | 4 | 12 | 19 |
Rank | Last Chart | Documentary Short | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
A Concerto Is a Conversation |
2 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 2 | 2 | 2 | 13 | 57 | |
2 |
A Love Song for Latasha |
1 | 2 | 4 | 1 | 2 | 5 | 1 | 2 | 5 | 1 | 3 | 1 | 1 | 13 | 49 | |
3 |
Hunger Ward |
3 | 3 | 5 | 5 | 3 | 2 | 3 | 5 | 4 | 3 | 1 | 5 | 3 | 13 | 33 | |
4 |
Colette |
4 | 4 | 3 | 3 | 4 | 3 | 4 | 3 | 3 | 5 | 4 | 3 | 5 | 13 | 30 | |
5 |
Do Not Split |
5 | 5 | 1 | 4 | 5 | 4 | 5 | 4 | 2 | 4 | 5 | 4 | 4 | 13 | 26 |
Rank | Last Chart | Live Action Short | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Two Distant Strangers |
1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 4 | 1 | 4 | 13 | 56 | |
2 |
Feeling Through |
3 | 3 | 1 | 4 | 2 | 2 | 3 | 2 | 4 | 4 | 2 | 3 | 2 | 13 | 43 | |
3 |
The Letter Room |
2 | 2 | 4 | 3 | 3 | 5 | 2 | 4 | 2 | 3 | 3 | 2 | 3 | 13 | 40 | |
4 |
The Present |
4 | 4 | 3 | 2 | 4 | 3 | 4 | 3 | 3 | 2 | 1 | 5 | 1 | 13 | 39 | |
5 |
White Eye |
5 | 5 | 5 | 5 | 5 | 4 | 5 | 5 | 5 | 1 | 5 | 4 | 5 | 13 | 19 |
Rank | Last Chart | Best Animated Short | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
If Anything Happens I Love You |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 13 | 62 | |
2 |
Burrow |
3 | 2 | 2 | 2 | 3 | 2 | 3 | 2 | 1 | 2 | 2 | 3 | 2 | 13 | 49 | |
3 |
Opera |
4 | 4 | 3 | 4 | 2 | 5 | 4 | 4 | 1 | 5 | 3 | 2 | 4 | 13 | 33 | |
4 |
Genius Loci |
2 | 3 | 4 | 5 | 5 | 3 | 2 | 3 | 5 | 4 | 5 | 5 | 3 | 13 | 29 | |
5 |
Yes-People |
5 | 5 | 5 | 3 | 4 | 4 | 5 | 5 | 3 | 3 | 4 | 4 | 5 | 13 | 23 |
Your Friendly Neighborhood Gurus
Thelma Adams: Author, Top Critic on Rotten Tomatoes, Oscar Expert Twitter
Robyn Bahr: Freelance (Washington Post, GQ, Hollywood Reporter, Vanity Fair, Guardian) Twitter
Gregory Ellwood: The Playlist Twitter
Peter Howell: Toronto Star Twitter
Mark Johnson: Awards Daily Twitter
Dave Karger: TCM, IMDb Twitter
Wilson Morales: BlackFilmAndTV.com Twitter
Michael Patterson: Michael’s Telluride Film Blog; Twitter
David Poland: Movie City News Twitter
Steve Pond: The Wrap, Twitter
NathanielR: The Film Experience Twitter
Jeff Sneider: Collider Twitter
Sasha Stone: Awards Daily Twitter
-30-
May 1, 2022
"Netflix, the great disrupter whose algorithms and direct-to-consumer platform have forced powerful media incumbents to rethink their economic models, now seems to need a big strategy change itself. It got me thinking about the simple idea that my film and TV production company Blumhouse is built on: If you give artists a lot of creative freedom and a little money upfront but a big stake in the movie’s or TV show’s commercial success, more often than not the result will be both commercial (the filmmakers are incentivized to make films that will resonate with audiences) and artistically interesting (creative freedom!). This approach has yielded movies as varied as Get Out (made for $4.5 million, with worldwide box office receipts of more than $250 million), Whiplash (made for $3.3 million, winner of three Academy Awards), The Invisible Man (made for $7 million, earned more than $140 million) and Paranormal Activity (made for $15,000, grossed more than $190 million).From the beginning, the most important strategy I used to persuade artists to work with me was to make radically transparent deals: We usually paid the artists (“participants” in Hollywood lingo) the absolute minimum allowable by union contracts upfront, with the promise of healthy bonuses based on actual box office results—instead of the opaque 'percentage points' that artists are usually offered. Anyone can see box office results immediately, so creators don’t quarrel with the payouts. In fact, when it comes time for an artist to collect a bonus based on box office receipts, I email a video clip of myself dropping the check off at FedEx to the recipient."
Jason Blum Sees Room For "Scrappier" Netflix
| April 30, 2022
"As a critic Gavin was entertaining, wry, questioning, sensitive, perceptive"
Critic-Filmmaker Gavin Millar Was 84; Films Include Cream In My Coffee, Dreamchild
April 29, 2022
| January 24, 2022
DP/30 Audio: Bombshell, Jay Roach
| December 13, 2019
DP/30 Audio: The Last Black Man in San Francisco, Jonathan Majors
| December 4, 2019
DP/30 Audio: The Mustang, Laure de Clermont-Tonnerre
| December 4, 2019
The documentary short “Do Not Split” is seen as having little chance to win, but that is what made a government ban the Oscar television show in a specific place.
The documentary “Hunger Ward” (Director: Skye Fitzgerald) is about a famine in Yemen, and the starvation of children there. Is there a reason why “Do Not Split” would lead to banning the Oscar tv show in mainland China and Hong Kong, but “Hunger Ward” does not lead to some government banning the Oscar TV show in a place related to Yemen?
Laura Pausini has been an international star for years. I look forward to her performance.
“—If there is an Oscar television show in 2021, will they thank Congress for the movie theater stimulus money, during the TV show?”
—This was first posted on February 24, 2021. And other countries governments also provided either taxpayer money, or borrowed money, for theaters and other entertainment venues. So, not just the US Congress, a lot of tax payers and politicians should be thanked, world wide.
Enjoying the show very much. Now we know how much is gained from dropping the production numbers.
A whole lot is gained. We get to hear what the winners really want to say.
“Io sì (Seen)” by Laura Pausini did not win, but she did perform at the Oscar pre-show. Does she get a measurable form of recognition from that?
Did the movie venue bailout money get mentioned, or COVID in other places?
Anti-climatic ending!!!!! The energy went out of the show before the halfway mark, and it went downhill all the way to the end.
I bet the NFL draft, also on ABC, doubles the ratings.
Moving Best Actor to be the last award backfired. They had no plan if Hopkins wound up winning, so it resulted in the biggest anticlimax in Oscar history. Hopkins was brilliant in The Father, too.