MCN Originals

The Weekend Report

Weekend Estimates 21917 930a

The Lego Batman Movie and Fifty Shades Darker once again topped weekend releases. The films were estimated at $34 million and $20.9 million for the three-day portion. All figures reflect the 3-day portion. A trio of new national releases failed to catch fire with the Chinese epic The Great Wall fairing best with good results of $18 million. The comedy Fist Fight bowed to a disappointing $12 million while thriller A Cure for Wellness debuted with a moribund $4.3 million.

Read the full article »

Friday Box Office Estimates

Friday Estimates 02-18 at 8.53.14 AM copy

Lego Batman rolls along, though it is not up to par with The Lego Movie and doesn’t bode well for the future Lego-branded titles that don’t have the most powerful franchise brands in the movie business. Fifty Shades Darker is more than 40% off the first of the series, but it will still cross $100m+ domestic. Newcomer The Great Wall is outperforming low expectations, but hardly a hit. Fist Fight is looking at the worst Ice Cube opening in over a decade. And Fox doesn’t find much interest in A Cure for Wellness, sold as horror/thriller in-betweener.

Read the full article »

The DVD Wrapup: Edge of 17, Gimme Danger, Cameraperson, Tree Of Wooden Clogs, London Town, Coffin Joe, King Cobra and more

edge seventeen

When Stevie Nicks wrote the song after which Kelly Fremon Craig’s coming-of-age comedy-drama was named, she was addressing the grief that resulted from the death of her beloved uncle, Jonathan, and the murder of John Lennon, during the same week of December, 1980. It probably didn’t have much to do with the angst, optimism and anxiety that comes with entering the final year of one’s childhood or experiencing the first genuine pangs of love or pain as young adult, as most of us assumed.

Read the full article »

Gurus o’ Gold: Final Voting Has Begun… The Gurus Weigh In

Read the full article »

Keith Maitland’s TOWER On Independent Lens

Read the full article »

The Weekend Report

Read the full article »

20 Weeks To Oscar: Cash & Carrying Gold

Read the full article »
View More MCN Originals »
LA Times

“I just like to be there in the dark watching something — almost anything, if truth be known. In this habit — I don’t know if it is amiable or a mild, chronic illness — I have been indulged by wives, girlfriends, just plain friends and children. Of course, a lot of the time I’m alone, unashamedly killing an evening, no questions asked.”
Longtime TIME Movie Reviewer Richard Schickel Was 84

LA Times

“ABC’s rate increase comes as advertisers scramble to buy time in shows that will be watched live, which is becoming increasingly important at a time when consumers actively seek out ways to  avoid commercials.”
Oscar Ad Time Sells Out At $2 Million Per 30 Seconds

“As someone who has worked in British and American television for most of this Millennium, on a variety of shows, I thought it might be fun and agreed to do it without any fee.”
Piers Morgan Quits Host Gig Of TV Awards Show After Ongoing Worldwide Shellacking
Notably ByJ. K. Rowling

“From the outset, the museum failed to address our concerns about the misleading framing of our piece as a political rally, rather than as a participatory performance artwork resisting the normalization of division.”
LaBeouf, Rönkkö & Turner  Relocate Livestream To Albuquerque

“A poem of light and colour, of faces and the play of physique, of passions revealed by glance or gesture. Where its dialogue is all shy withholding or plain statements camouflaging mystery or the unsaid, its visuals — and the music with its matching abstract expressiveness (soul and rap to classical) — define the drama and its meaning… Words are awkwardly muttered, but words barely matter. That’s true in life sometimes and cinema always. The eyes have it. The words dance attendance, annotations to a higher harmony.”
Nigel Andrews Defines Cinema (And Moonlight)

NY Times

“I had a Caucasian girlfriend a while ago. I remember specifically asking if the parents knew I was black. She said no. That scared me. It turned out to be totally fine, but I didn’t want to even see an adjustment on someone’s face when they realized it’s not what they thought.”
Jordan Peele On The Inspirations For Get Out

“The subject of A Cure for Wellness is the toxic effect of having too much money, and it’s a fitting sign of the movie’s obliviousness that it looks fulsomely expensive from beginning to end. It drips with gaudy display from the very first sequence.”
Richard Brody Has No Special Eeling For Gore Verbinski

View More Curated Headlines »

Quote Unquotesee all »

“Let me put this bluntly, in language even a busy blogger can understand: Criticism — and its humble cousin, reviewing — is not a democratic activity. It is, or should be, an elite enterprise, ideally undertaken by individuals who bring something to the party beyond their hasty, instinctive opinions of a book (or any other cultural object). It is work that requires disciplined taste, historical and theoretical knowledge and a fairly deep sense of the author’s (or filmmaker’s or painter’s) entire body of work, among other qualities.”
~ Richard Schickel

“When Barry Jenkins introduced Moonlight, he said he hoped we see ourselves in the characters. We’re thrown into neighborhood combat with 10-year-old Chiron in Miami’s Liberty City where the empty lots, abandoned buildings, sidewalks — the shortcuts and escape routes — are his total known world. We intake vividly, like a 10-year-old, the cruel, the generous, the strangeness of others, the crack-addled neglect in a home he can’t escape. Jenkins’ characters’ lives move on, get stunted, are dulled to stupefaction, end tragically, end in separation. Moonlight is Chiron’s world. It’s the current lower-middle class, working class, disenfranchised- and-alienated-class world. Intimacy is Jenkins’ accomplishment. But, what we’re intimate with is another consciousness so totally and truthfully created, that we’re looking outward and inward simultaneously. That’s why Jenkins’ work is profound. Chiron is us and we are him, asking ourselves, ‘Who am I? Where do I fit?'”
~ Michael Mann On Moonlight