MCN Originals

Friday Movies: MIDSOMMAR, THE JUNIPER TREE, THE CURE, COOKED

MIDSOMMAR

Oh, shit: shit happens. Or “Holy shit, right?”

Read the full article »

The DVD Wrapup: Facets, Eliana, Moullet, Pet Sematary, The Loveless, Transit, Kanarie, Escape Plan 3, Island Earth, Tough Ones, Pretenders, Broad City … More

In 1978, the odds of Facets succeeding against the Goliaths were roughly the same as the Cubs making the World Series. Both persevered, however.

Read the full article »

The DVD Wrapup: War & Peace, Heiresses, Styx, Maze, Felix Austria, Winter Passage, Fatso, Horror, 24-Hour Party People, FM, Cavett’s Baseball Heroes … More

The USSR must have been pretty flush, if it could afford to send ballistic missiles to Cuba and greenlight one of the most expensive movie epics of all time … anywhere.

Read the full article »

Friday Movies: LAST BLACK MAN IN SAN FRANCISCO; DO THE RIGHT THING; ROLLING THUNDER REVUE; DEAD DON’T DIE; GARRY WINOGRAND; IN THE AISLES

Read the full article »

The DVD Wrapup: Slaughterhouse Rulez, Silver Lake, Dark Sense, Swing Kids, Cherry Grove, Karloff/Lugosi, Running Man, Between the Lines, Crypto … More

Read the full article »

The DVD Wrapup: Michelin Stars, Captain Marvel, Sower, Cielo, Frank in Palm Springs, Swing Time, Can’t Stop the Music, Entity, Blood … More

Read the full article »

The DVD Wrapup: Madea Funeral, Sharon Tate, Gloria Bell, Women at War, Guy, Farinelli, Screwball, The Kid, Andromeda Strain, Woody Guthrie, Jack Ryan, Sara Stein … More

Read the full article »
View More MCN Originals »

PROMISES WRITTEN IN WATERCould Criterion #1000 Be…

“Vincent Gallo has forever rejected any explanation of the concept, story, process, or rumors surrounding the making of his new film, stating, “None of it would fit easily into tabloid format, and so writers and journalists would be forced into simplistic interpretations to avoid their own shortcomings and the shortcomings of the press in general.” Though Gallo understands his silence may excite journalists and bloggers into easy brush-offs and perpetuate unsubstantiated rumors and hearsay, he still chooses to disconnect from the low frequency exchange required to communicate with the press.”

Spacey Nantucket Sexual Assault Charges Dropped

“I intend to dispel the myth of the mean girl. I like presenting these kinds of mean girls, but then having that meanness either be explained, justified, or unraveled.” 
Kristy Puchco Talks Knives and Skin With Jennifer Reeder

variety

“Our missed forecast was across all regions, but slightly more so in regions with price increases… Competition was a factor since there wasn’t a material change in the competitive landscape during Q2, and competitive intensity and our penetration is varied across regions (while our over-forecast was in every region). Rather, we think Q2’s content slate drove less growth in paid net adds than we anticipated. Additionally, Q1 was so large for us (9.6m net adds), there may have been more pull-forward effect than we realized. In prior quarters with over-forecasts, we’ve found that the underlying long-term growth was not affected and staying focused on the fundamentals of our business served us well.”
U. S. Netflix Subs Fall

hollywoodreporter.com

“When the film rode full-tilt-boogie into theaters, the entire landscape changed and dozens of movies looked to emulate the spirit of the drama.”
Some Writing On The Fiftieth Anniversary of Easy Rider

variety

“Now that the smoke has cleared, the mega-corporation that was formed stands before us like an unprecedented colossus, looming over all other studios, maybe over the entertainment business itself.”
OG Susses Disney Prospects

variety

“Disney has already taken two hits on two films out of the gate,” said Jeff Bock, a media analyst at Exhibitor Relations. “They’re like horses at the Santa Anita. They’re just dying on them.”
Weird, Even Gruesome and Inappropriate Metaphors Always Welcome

PAR CRAWL

View More Curated Headlines »

Quote Unquotesee all »

“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier