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Howard’s End, Hayley Atwell

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Hereditary, Alex Wolff

MCN Originals

The Weekend Report

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Friday Box Office Estimates

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The DVD Wrapup: Goldstone, Westwood, That Summer, Irish Surf, Wyeth, Barbershop, Jess Franco, Mambo Cool, Watcher, Rolling Stone at 50 … More

When a movie is set in the Outback, it tends to take on the characteristics of a Western. It doesn’t matter if there isn’t a horse in sight, because the usual laws don’t apply in a land where kangaroos outnumber human beings and, it’s said, everything else wants to kill you.

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The Updated Gurus Of Gold Opening Chart Is Here

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The Weekend Report

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Friday Box Office Estimates

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The DVD Wrapup: Hereditary, Ghost Stories, Found Footage 3D, Beast, Venus, This Is Our Land, The Big Take, Brothers, Bloody Spear at Mount Fuji, Sid Caesar, Good Karma Hospital … More

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variety

“The bad grade, in this case, raises a question: Why are so many people turning on Hereditary who’d be all too happy to sit through the limb-severing, soundtrack-gonging, ghost-face-in-the-mirror megaplex horror implement of the week? The reason they’ve turned on it, of course, is that it’s not the horror implement of the week.”
Variety Stretches, Yawns, Has a Deep Think, Composes Nearly 1,300-Word Thumbsucker On Hereditary And Tracking Aid CinemaScore

“As an actor, I have periods of intense work and then a break. As you get older, learning lines gets harder, since your brain is slower. I have a little office space at home where I often stare out the window at the bird feeders in the garden.”
Alison Steadman

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch