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Howard’s End, Hayley Atwell

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Hereditary, Alex Wolff

MCN Originals

The Weekend Report

Orient Express   Appropriately Crazy Rich Asians debuted on Chinese Valentine’s Day and its sweet message took the weekend box office crown with an estimated $25.3 million. The session saw two other national freshmen releases. The testosterone-charged Mile 22 ranked third with $13.6 million while the tale of canine origins was a couple of slots…

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Friday Box Office Estimates

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Weekend of Dichotomies: Crazy Rich Asians continue to get love from the media and audiences… but haven’t started mining the big bucks yet. Mile 22 open shows how strong Mark Wahlberg is and that his non-franchise stardom may be fading a bit. Four new arthouse films will be over $10k per screen (The Wife, We The Animals, Juliet, Naked, and Blaze), though all of them are limited to 2, 3 or 4 screens.

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The DVD Wrapup: Avengers, Ninko, Escape, Aim for the Heart, Yellow Birds, Affairs of State, Gregorio Cortez, 200 Motels, Done to Your Daughters?, S.F. Brownrigg, Muppet Babies, BBC Earth … More

And, looking ahead, it’s entirely possible that “Infinity Wars,” “Black Panther” and “Deadpool 2″ – all based on comics by Jack Kirby and Stan Lee – could end up competing for the dubious honor of carrying home the first Oscar as Outstanding Achievement in Popular Film.

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The Weekend Report

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Friday Box Office Estimates

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The DVD Wrapup: Bye Bye Germany, John From, Marrowbone, Wildling, Dead Shack, Bitter Money, Big Fish & Begonia, Street Mobster, US Fest, No Offense … More

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The Weekend Report

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variety

“The bad grade, in this case, raises a question: Why are so many people turning on Hereditary who’d be all too happy to sit through the limb-severing, soundtrack-gonging, ghost-face-in-the-mirror megaplex horror implement of the week? The reason they’ve turned on it, of course, is that it’s not the horror implement of the week.”
Variety Stretches, Yawns, Has a Deep Think, Composes Nearly 1,300-Word Thumbsucker On Hereditary And Tracking Aid CinemaScore

“As an actor, I have periods of intense work and then a break. As you get older, learning lines gets harder, since your brain is slower. I have a little office space at home where I often stare out the window at the bird feeders in the garden.”
Alison Steadman

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch