The News

The New York Times

Commercials Coming to Netflix?

The New York Times | April 19, 2022

LA Times

"A Chapman University student cinematographer was killed Friday when an off-road vehicle carrying a group of young filmmakers rolled over in Imperial Valley."

LA Times | April 18, 2022

Twitter

Bill Nighy: "I don’t like any film more than I like Punch-Drunk Love."

Twitter | April 18, 2022

"At around 10am on April 18, 1995, one of my Houston Post editors called me at home while I was eating breakfast to break the bad news: The Post was shutting down, effective immediately, and we had until 5pm to get all of our belongings out of the building. It was a shock. But it wasn’t a surprise. That the fourth-largest city in the United States had suddenly become a one-newspaper town was really big news for, oh, I dunno, maybe 24 hours. The next day the Oklahoma City bombing occurred. I vividly remember being interviewed by a headhunter for an out-of-town paper in a Holiday Inn hotel room. The guy was polite, and seemed truly sympathetic. But throughout our conversation, it was obvious that while he had one eye trained on me, he had the other eye trained on a TV across the room that was showing live reports on the Oklahoma City horror... To this day, I can tell you who called me within hours after news of the Post closing broke to offer condolences, job leads and/or, no kidding, office equipment. I can also tell you who returned my calls during the days and weeks afterward. And I can tell you who immediately stopped taking my calls.Clint Eastwood had one of his people call me to promise that he’d make himself available for an interview to promote his next movie, and he didn’t really care when or even if I could sell it."
Joe Leydon Remembers The End Of The Houston Post, 27 Years Ago Today

April 18, 2022

Sundance Film Festival: Asia Returns For In-Person Festival And Events In Jakarta In August

April 18, 2022

Music Critic Robert Christgau Turns Eighty

April 18, 2022

The New York Times

Marvin Chomsky, 92, Directed "Roots," "Holocaust," "Attica," ""Inside the Third Reich," "Peter the Great," "The Deliberate Stranger"

The New York Times | April 17, 2022

Financial Times

UK Households Cancel Streamers In Record Numbers

Financial Times | April 17, 2022

Deadline

Tim Cook To Deliver Address At Gallaudet University Commencement

Deadline | April 16, 2022

"There's a big boom in Canada and we're kind of part of the boom.It's a great place to film. People like the locations, love being here. It takes a while to build an industry—and you know we're not done yet."
Newfoundland-Labrador Filmmaker Paul Pope, Advocate For Independent Canadian Media

April 15, 2022

LA Times

"The weeks-long feud between Walt Disney Co. and conservatives over Florida’s Parental Rights in Education legislation—nicknamed the 'Don’t Say Gay' bill by LGBTQ activists—recently escalated into a full-blown imbroglio that has played out on cable news and social media. It’s a battle that, to people who have followed Disney’s history, has a familiar ring. The current conflict is just the latest clash to reveal underlying tensions that have existed between Disney and religious conservatives for decades as the company has increasingly embraced the LGBTQ community. It has strong echoes of the anti-Disney protests of the late 1990s, when religious leaders criticized the extension of health benefits to the partners of LGBTQ Disney employees, the coming out of Ellen DeGeneres on her sitcom on Disney-owned ABC and unofficial 'Gay Day' celebrations at the theme parks."

LA Times | April 15, 2022

Twitter Drops Poison Pill On Elon Musk's Multibillion-Dollar Hostile Offer

April 15, 2022

"It's been really disappointing to experience Another Planet Entertainment's erasure of film and queer culture in the Castro Theatre while refusing to meet with us or respond with substantive answers."

April 14, 2022

Cannes 2022 Competition: Cronenberg, Denis, Gray, Mungiu, Östlund, Reichert; George Miller, Out-Of-Competition

Les Amandiers, Valeria Bruni Tedeschi
Armageddon Time, James Gray
Boy From Heaven, Tarik Saleh
Broker, Hirokazu Kore-eda
Close, Lukas Dhont
Crimes Of The Future, David Cronenberg
Decision To Leave, Park Chan-wook
Eo, Jerzy Skolimowski
Frère Et Soeur, Arnaud Desplechin
Holy Spider, Ali Abbasi
Leila’s Brothers, Saeed Roustaee
Nostalgia, Mario Martone
RMN, Cristian Mungiu
Showing Up, Kelly Reichardt
The Stars At Noon, Claire Denis
Tchaikovski’s Wife, Kirill Serebrennikov
Tori And Lokita, Jean-Pierre and Luc Dardenne
Triangle Of Sadness, Ruben Ostlund

April 14, 2022

The New York Times

Michel Bouquet, Award-Winning French Actor, Was 96

The New York Times | April 14, 2022

LA Times

"Movies are the 20th century’s greatest art form. So says this ludicrous LACMA exhibition"

LA Times | April 14, 2022

“If you work for the public and there are numerous people out recording you telling you to please turn it off, why wouldn’t anyone in their right mind stop that?”
Copyright Enforcement Used By Police To Elude Citizen Surveillance Of Activities: "Police have been recorded playing copyrighted music in an effort to prevent videos of them from hitting YouTube and other social media sites, which can remove content containing unauthorized materials. In June, a sheriff’s deputy in Oakland, California, played Taylor Swift’s 2014 single “Blank Space” as activists filmed him in an attempt to keep it from being uploaded to YouTube. Instead, the clip remained online and went viral."

"Hernandez said he found it ironic that police in this instance played music from the Disney movies Encanto and Coco in a predominantly Latino neighborhood. 'Those were films that were used to bridge the Latino community and police are using them to silence it.'"

April 13, 2022

Vox

"Our current cultural conversation around spoilers remains frustratingly stuck in the same gear it has been for decades now: Spoilers are bad, and we should not have to hear them. That conversation reduces stories only to their most shocking plot points. Too often, it is only interested in binary questions around which characters live or die. I’ve argued at length in the past that modern spoilerphobia, while understandable, is fundamentally antithetical to the discussion of art, as well as a historical anomaly in terms of how we consume stories."

Vox | April 13, 2022

Twitter

James Urbaniak: "Mamet‘s been saying flagrantly untrue stuff with a straight face for years, you should read his writings about acting. For a long time his nonfiction writing seemed to pivot on dramatic principles: “the truth lies between this point of view and what you think about it.” Maybe I’m being generous. But he seems to have dropped that dynamic. Now he just spouts crap. No drama, just hack."

A Compendium Of Mr. Mamet's Remarks While Retailing His Latest Small Slab Of Language (Item 7)

Twitter | April 12, 2022

Vulture

"It was a couple of weeks after 9/11. There was a weird feeling in New York. People were walking around in a daze. I was at the roast of Hugh Hefner, and I just wanted to be the first person to make a really-poor-taste joke about September 11. It was impromptu; I don’t remember thinking about it beforehand. I said, “I have to leave early tonight, I have a flight to California. I can’t get a direct flight — they said I have to stop at the Empire State Building first." I don’t think anyone’s lost an audience bigger than I did at that point. They were booing and hissing. One guy said, “Too soon!” He was just a face in the crowd, but now I wish I knew who it was, because his comment became part of the language. “Too soon.” I had never heard that before. I knew there were times where people wait to make jokes about something, but I always thought that concept was ridiculous. Is there an office with a guy behind a desk who decides when it’s not too soon anymore? You can do jokes about the Lincoln assassination and the Titanic, and no one says anything because everyone involved is dead, and their grandchildren are dead. I actually think that’s in worse taste. You’re saying, “Screw all those people who died, I waited for it to become unimportant to us.” When I do a joke about September 11, or the Japanese tsunami, what’s funny is that it shocks the audience. They are responding to the fact that it’s tragic, and you’re acknowledging it. With the Challenger explosion, or any other tragic event pre-internet, there were always a bunch of jokes that would come out immediately. Everyone was in a rush to tell their friends, everyone was laughing about it, and it was okay. Now, with the internet, it makes me feel sentimental about old-time angry mobs. In a mob you actually had to throw on your jacket, go outside, use your hands. Now you can join a mob sitting on your couch in your underwear. I feel like people who get outraged like that are patting themselves on the back. 'You see, I was offended.'"

Vulture | April 12, 2022

MCN Commentary & Analysis See All

THB #93: The Batman (no spoilers)

David Poland | March 6, 2022

THB #76: 9 Weeks To Oscar

David Poland | January 26, 2022

THB #73: Netflix Is Chilled

David Poland | January 24, 2022

The News Curated by Ray Pride See All

The New York Times

"Netflix, the great disrupter whose algorithms and direct-to-consumer platform have forced powerful media incumbents to rethink their economic models, now seems to need a big strategy change itself. It got me thinking about the simple idea that my film and TV production company Blumhouse is built on: If you give artists a lot of creative freedom and a little money upfront but a big stake in the movie’s or TV show’s commercial success, more often than not the result will be both commercial (the filmmakers are incentivized to make films that will resonate with audiences) and artistically interesting (creative freedom!). This approach has yielded movies as varied as Get Out (made for $4.5 million, with worldwide box office receipts of more than $250 million), Whiplash (made for $3.3 million, winner of three Academy Awards), The Invisible Man (made for $7 million, earned more than $140 million) and Paranormal Activity (made for $15,000, grossed more than $190 million).From the beginning, the most important strategy I used to persuade artists to work with me was to make radically transparent deals: We usually paid the artists (“participants” in Hollywood lingo) the absolute minimum allowable by union contracts upfront, with the promise of healthy bonuses based on actual box office results—instead of the opaque 'percentage points' that artists are usually offered. Anyone can see box office results immediately, so creators don’t quarrel with the payouts. In fact, when it comes time for an artist to collect a bonus based on box office receipts, I email a video clip of myself dropping the check off at FedEx to the recipient."
Jason Blum Sees Room For "Scrappier" Netflix

The New York Times | April 30, 2022

"As a critic Gavin was entertaining, wry, questioning, sensitive, perceptive"
Critic-Filmmaker Gavin Millar Was 84; Films Include Cream In My Coffee, Dreamchild

April 29, 2022

The New York Times

Disney Executive Geoff Morrell Out After Less Than Four Months

The New York Times | April 29, 2022

LA Times

"Responding to its dramatic slowdown, Netflix said it would test ways to encourage people to pay for sharing passwords; put out better shows, films and games; and explore a lower-cost, ad-supported version of Netflix — an option the company had long resisted. But the bleak subscriber numbers and the company’s response have stirred a mix of angst and uncertainty among many rank-and-file workers. Some are worried that the streaming heavyweight may have hired too fast and grown complacent as subscriber growth skyrocketed in the early days of the pandemic. Others are skeptical about strategic shifts and concerned that Netflix’s distinct culture is fundamentally changing, according to former employees who spoke with The Times and comments posted on a private Netflix group on Blind, an anonymous forum for people with company-verified email addresses."

LA Times | April 29, 2022

The Video Section See All

Mike Mills, C’mon C’mon

David Poland | January 24, 2022

The Podcast Section See All