"We have concluded that we are unable to sustainably continue creating the quality content that our readers and supporters expect. It is with very heavy hearts that we tell you that Bitch Media will cease all operations in June, 2022."
Bitch Concludes
April 12, 2022
"Smith’s brutality stripped the entire evening of its prestige. That was proven when stunned Oscar attendees gave a standing ovation to someone who’d just committed an assault in front of their eyes."
Harry Lennix To Will Smith: Return That Oscar
| April 11, 2022
Fifty-Four Percent Of China Theaters In COVID Shutdown
| April 11, 2022
"With a new owner, the 99-year-old movie studio appears headed back to its traditional sweet spot as an entertainment company. But the business of Hollywood is no longer the same."
Brooks Barnes Offers Mash-Up Of Industry Stuff As Sun Rises On Warner Bros. Discovery
| April 11, 2022
"I said some things that hurt people and I feel terrible about that. The gay community has been incredible to me my entire career. Friends on every level and every job description up until today. I’m sorry I hurt any of those friends and someone that I loved. And anyone else by the words that I used.”
Sam Elliott Apologizes
| April 11, 2022
"The Eagle Has Landed""s Jack Higgins Was 92
April 10, 2022
How Warner Bros. Discovery Is Branding Out Of The Gate
April 9, 2022
David Rubin And Dawn Hudson:
"The 94th Oscars were meant to be a celebration of the many individuals in our community who did incredible work this past year; however, those moments were overshadowed by the unacceptable and harmful behavior we saw Mr. Smith exhibit on stage. During our telecast, we did not adequately address the situation in the room. For this, we are sorry. This was an opportunity for us to set an example for our guests, viewers and our Academy family around the world, and we fell short—unprepared for the unprecedented. Today, the Board of Governors convened a meeting to discuss how best to respond to Will Smith's actions at the Oscars, in addition to accepting his resignation. The Board has decided, for a period of 10 years from April 8, 2022, Mr. Smith shall not be permitted to attend any Academy events or programs, in person or virtually, including but not limited to the Academy Awards. We want to express our deep gratitude to Mr. Rock for maintaining his composure under extraordinary circumstances. We also want to thank our hosts, nominees, presenters and winners for their poise and grace during our telecast. This action we are taking today in response to Will Smith's behavior is a step toward a larger goal of protecting the safety of our performers and guests, and restoring trust in the Academy. We also hope this can begin a time of healing and restoration for all involved..."
April 8, 2022
"I accept and respect the Academy’s decision."
April 8, 2022
Warner Bros. Discovery Sweeps In Own Crew
Staying: Emmerich, Bloys, Dungey; Moving Over From Discovery: Bruce Campbell, Kathleen Finch, JB Perrette
| April 8, 2022
| April 8, 2022
By Glenn Whipp, Josh Rottenberg, Times staff writers Amy Kaufman, Sonaiya Kelley, Wendy Lee, Mark Olsen and Jen Yamato contributed to this report.
“I’ve never seen a room deflate so dramatically and never recover. Never.”
“I just got punched in the face by Muhammad Ali and didn’t get a scratch."
"Security at the Oscars is always tight, with hundreds of Los Angeles Police Department officers deployed in and around the Dolby and snipers on rooftops. Backstage, the LAPD asked Rock if he wanted to file a report. If so, they were prepared to arrest Smith and forcibly remove him from the Dolby. "
“The academy thinks they want you to leave. What are you feeling?”
“I want to apologize. I think I can make it right.”
| April 7, 2022
-30-
May 1, 2022
"Netflix, the great disrupter whose algorithms and direct-to-consumer platform have forced powerful media incumbents to rethink their economic models, now seems to need a big strategy change itself. It got me thinking about the simple idea that my film and TV production company Blumhouse is built on: If you give artists a lot of creative freedom and a little money upfront but a big stake in the movie’s or TV show’s commercial success, more often than not the result will be both commercial (the filmmakers are incentivized to make films that will resonate with audiences) and artistically interesting (creative freedom!). This approach has yielded movies as varied as Get Out (made for $4.5 million, with worldwide box office receipts of more than $250 million), Whiplash (made for $3.3 million, winner of three Academy Awards), The Invisible Man (made for $7 million, earned more than $140 million) and Paranormal Activity (made for $15,000, grossed more than $190 million).From the beginning, the most important strategy I used to persuade artists to work with me was to make radically transparent deals: We usually paid the artists (“participants” in Hollywood lingo) the absolute minimum allowable by union contracts upfront, with the promise of healthy bonuses based on actual box office results—instead of the opaque 'percentage points' that artists are usually offered. Anyone can see box office results immediately, so creators don’t quarrel with the payouts. In fact, when it comes time for an artist to collect a bonus based on box office receipts, I email a video clip of myself dropping the check off at FedEx to the recipient."
Jason Blum Sees Room For "Scrappier" Netflix
| April 30, 2022
"As a critic Gavin was entertaining, wry, questioning, sensitive, perceptive"
Critic-Filmmaker Gavin Millar Was 84; Films Include Cream In My Coffee, Dreamchild
April 29, 2022
| January 24, 2022
DP/30 Audio: Bombshell, Jay Roach
| December 13, 2019
DP/30 Audio: The Last Black Man in San Francisco, Jonathan Majors
| December 4, 2019
DP/30 Audio: The Mustang, Laure de Clermont-Tonnerre
| December 4, 2019