THB #93: The Batman (no spoilers)
| March 6, 2022
| Rank | Last Chart | Best Picture | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 2 |
1917 |
1 | 1 | 2 | 2 | 1 | 2 | 3 | 2 | 1 | 1 | 1 | 2 | 1 | 13 | 110 |
| 2 | 1 |
Once Upon A Time... In Hollywood |
2 | 2 | 3 | 1 | 3 | 1 | 2 | 1 | 2 | 3 | 3 | 4 | 3 | 13 | 100 |
| 3 | 3 |
Parasite |
4 | 3 | 1 | 3 | 2 | 3 | 4 | 3 | 3 | 2 | 2 | 3 | 2 | 13 | 95 |
| 4 | 4 |
The Irishman |
3 | 4 | 5 | 6 | 4 | 4 | 1 | 4 | 6 | 4 | 5 | 7 | 6 | 13 | 71 |
| 5 | 5 |
Joker |
6 | 5 | 6 | 4 | 6 | 5 | 5 | 5 | 4 | 6 | 4 | 5 | 5 | 13 | 64 |
| 6 | 6 |
Jojo Rabbit |
5 | 6 | 4 | 5 | 5 | 6 | 9 | 6 | 5 | 5 | 6 | 1 | 4 | 13 | 63 |
| 8 | 8 |
Little Women |
7 | 7 | 7 | 8 | 8 | 8 | 8 | 8 | 7 | 8 | 8 | 6 | 8 | 13 | 32 |
| 7 | 7 |
Marriage Story |
8 | 8 | 8 | 7 | 7 | 7 | 6 | 7 | 9 | 9 | 7 | 8 | 7 | 13 | 32 |
| 9 | 9 |
Ford v Ferrari |
9 | 9 | 9 | 9 | 9 | 9 | 7 | 9 | 8 | 7 | 9 | 9 | 9 | 13 | 18 |
| Rank | Last Chart | Best Director | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Sam Mendes 1917 |
3 | 1 | 1 | 3 | 1 | 2 | 3 | 1 | 1 | 2 | 1 | 2 | 1 | 13 | 56 |
| 2 | t-2 |
Bong Joon-ho Parasite |
2 | 3 | 2 | 1 | 2 | 3 | 4 | 2 | 2 | 1 | 2 | 1 | 2 | 13 | 51 |
| 3 | t-2 |
Quentin Tarantino Once Upon A Time ... |
4 | 2 | 3 | 2 | 3 | 1 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 13 | 43 |
| 4 | 4 |
Martin Scorsese The Irishman |
1 | 4 | 4 | 4 | 4 | 4 | 1 | 4 | 4 | 4 | 4 | 5 | 4 | 13 | 31 |
| 5 | 5 |
Todd Phillips Joker |
5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 13 | 14 |
| Rank | Last Chart | Best Actress | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Renee Zellweger Judy |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 |
| 2 | 2 |
Scarlett Johansson Marriage Story |
4 | 3 | 3 | 2 | 2 | 3 | 2 | 2 | 4 | 3 | 2 | 2 | 3 | 13 | 43 |
| 3 | 3 |
Charlize Theron Bombshell |
2 | 4 | 2 | 5 | 4 | 2 | 2 | 3 | 2 | 2 | 3 | 3 | 4 | 13 | 40 |
| 4 | 4 |
Saoirse Ronan Little Women |
3 | 2 | 5 | 3 | 3 | 5 | 5 | 5 | 3 | 4 | 4 | 5 | 5 | 13 | 26 |
| 5 | 5 |
Cynthia Erivo Harriet |
5 | 5 | 4 | 4 | 5 | 4 | 4 | 4 | 5 | 5 | 5 | 4 | 2 | 13 | 22 |
| Rank | Last Chart | Best Actor | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total | ||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 62 |
Joaquin Phoenix Joker |
2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 64 | ||
| 2 | 51 |
Adam Driver Marriage Story |
3 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 3 | 2 | 2 | 2 | 4 | 13 | 48 | ||
| 3 | 31 |
Antonio Banderas Pain and Glory |
1 | 4 | 3 | 4 | 5 | 4 | 4 | 3 | 4 | 3 | 3 | 3 | 2 | 13 | 35 | ||
| 4 | 34 |
Leonardo DiCaprio Once Upon A Time... |
2 | 3 | 4 | 3 | 3 | 3 | 3 | 4 | 5 | 4 | 5 | 5 | 5 | 13 | 29 | ||
| 5 | 18 |
Jonathan Pryce Two Popes |
5 | 5 | 5 | 5 | 4 | 5 | 5 | 5 | 2 | 5 | 4 | 4 | 3 | 13 | 21 |
| Rank | Last Chart | Best Supporting Actress | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Laura Dern Marriage Story |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 |
| 2 | 2 |
Scarlett Johansson JoJo Rabbit |
2 | 2 | 4 | 3 | 2 | 2 | 4 | 2 | 2 | 2 | 4 | 4 | 2 | 13 | 43 |
| 3 | t-3 |
Florence Pugh Little Women |
3 | 3 | 2 | 2 | 3 | 4 | 2 | 5 | 3 | 4 | 3 | 3 | 3 | 13 | 38 |
| 4 | t-3 |
Margot Robbie Bombshell |
4 | 4 | 3 | 4 | 4 | 3 | 5 | 4 | 4 | 3 | 2 | 2 | 4 | 13 | 32 |
| 5 | 17 |
Kathy Bates Richard Jewell |
5 | 5 | 5 | 5 | 5 | 5 | 3 | 3 | 5 | 5 | 5 | 5 | 5 | 13 | 17 |
| Rank | Last Chart | Best Supporting Actor | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Brad Pitt Once Upon a Time... |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 |
| 2 | 2 |
Joe Pesci The Irishman |
2 | 2 | 2 | 2 | 2 | 2 | 3 | 2 | 2 | 2 | 2 | 2 | 2 | 13 | 51 |
| 3 | 3 |
Al Pacino The Irishman |
3 | 4 | 3 | 3 | 3 | 3 | 2 | 3 | 4 | 4 | 3 | 3 | 3 | 13 | 37 |
| 4 | 4 |
Tom Hanks A Beautiful Day in the Neighborhood |
4 | 3 | 4 | 4 | 4 | 4 | 4 | 4 | 5 | 3 | 5 | 4 | 4 | 13 | 26 |
| 5 | 5 |
Anthony Hopkins The Two Popes |
5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 3 | 5 | 4 | 5 | 5 | 13 | 16 |
| Rank | Last Chart | Original Screenplay | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Once Upon A Time ... |
1 | 1 | 4 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 3 | 1 | 13 | 59 |
| 2 | 2 |
Parasite |
2 | 3 | 1 | 2 | 2 | 2 | 2 | 2 | 1 | 2 | 2 | 1 | 2 | 13 | 54 |
| 3 | 3 |
Marriage Story |
3 | 5 | 2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 4 | 13 | 38 |
| 4 | 5 |
1917 |
4 | 2 | 5 | 5 | 4 | 4 | 4 | 5 | 5 | 4 | 4 | 5 | 3 | 13 | 24 |
| 5 | 4 |
Knives Out |
5 | 4 | 3 | 4 | 5 | 5 | 5 | 4 | 4 | 5 | 5 | 4 | 5 | 13 | 20 |
| Rank | Last Chart | Adapted Screenplay | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | t-1 |
Little Women |
1 | 2 | 1 | 1 | 2 | 2 | 3 | 3 | 3 | 1 | 1 | 2 | 1 | 13 | 55 |
| 2 | t-1 |
The Irishman |
3 | 3 | 3 | 3 | 1 | 1 | 1 | 2 | 4 | 2 | 3 | 1 | 4 | 13 | 47 |
| 3 | 3 |
Jojo Rabbit |
2 | 1 | 2 | 4 | 3 | 3 | 5 | 3 | 2 | 3 | 2 | 5 | 2 | 13 | 41 |
| 4 | 5 |
The Two Popes |
4 | 5 | 4 | 5 | 5 | 5 | 4 | 4 | 1 | 5 | 1 | 3 | 3 | 13 | 29 |
| 5 | 4 |
Joker |
5 | 4 | 5 | 2 | 4 | 5 | 2 | 5 | 5 | 4 | 5 | 4 | 5 | 13 | 23 |
The Gurus, At Your Service
Thelma Adams: Author, Critic, Oscar Expert Twitter
Robyn Bahr: Freelance (Hollywood Reporter, Vanity Fair, Guardian) Twitter
Gregory Ellwood: The Playlist Twitter
Peter Howell: Toronto Star Twitter
Mark Johnson: Awards Circuit
Dave Karger: TCM, IMDb
Wilson Morales: BlackFilm.com
Michael Patterson: Michael’s Telluride Film Blog; Twitter; Facebook
David Poland Twitter
Steve Pond: The Wrap
NathanielR: The Film Experience Twitter
Sasha Stone: Awards Daily Twitter
Jeff Sneider: Collider Twitter
-30-
May 1, 2022
"Netflix, the great disrupter whose algorithms and direct-to-consumer platform have forced powerful media incumbents to rethink their economic models, now seems to need a big strategy change itself. It got me thinking about the simple idea that my film and TV production company Blumhouse is built on: If you give artists a lot of creative freedom and a little money upfront but a big stake in the movie’s or TV show’s commercial success, more often than not the result will be both commercial (the filmmakers are incentivized to make films that will resonate with audiences) and artistically interesting (creative freedom!). This approach has yielded movies as varied as Get Out (made for $4.5 million, with worldwide box office receipts of more than $250 million), Whiplash (made for $3.3 million, winner of three Academy Awards), The Invisible Man (made for $7 million, earned more than $140 million) and Paranormal Activity (made for $15,000, grossed more than $190 million).From the beginning, the most important strategy I used to persuade artists to work with me was to make radically transparent deals: We usually paid the artists (“participants” in Hollywood lingo) the absolute minimum allowable by union contracts upfront, with the promise of healthy bonuses based on actual box office results—instead of the opaque 'percentage points' that artists are usually offered. Anyone can see box office results immediately, so creators don’t quarrel with the payouts. In fact, when it comes time for an artist to collect a bonus based on box office receipts, I email a video clip of myself dropping the check off at FedEx to the recipient."
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