Gurus o’ Gold

Gurus o’ Gold: 6 Days Of Voting Left

It’s almost time for the party. The Gurus’ Best Picture chart features just one film moving up.

In addition, The Gurus offer which name they would not be surprised to hear on Oscar night when conventional wisdom says otherwise. And in that category, the is one clear standout.

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Gurus o’ Gold: Final Voting Starts This Week (2 of 2)

Page 1 of 2 Page 1 of 2 Pre-Venice/Telluride/Toronto Best Picture Field Post-Venice/Telluride/Toronto Best Picture Field After New York… Just Before Selma & American Sniper Just After Selma & American Sniper Gurus o’ Gold: A Week From Thanksgiving, aka Screener Time Thanksgiving Week The Rise of Selma Gurus o’ Gold-n-Globes) The Top 8 Categories Heading…

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Gurus o’ Gold: Final Voting Starts This Week (1 of 2)

The Gurus go the whole 22 (excluding shorts) as The Academy voting is about to begin. There is a lot of movement, though the projected winner has only changed in 2 categories since Nomination Day.

Part 2 is here

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Gurus o’ Gold: A Week After Nominations… Any Changes?

The Gurus update their Best Picture picks and answer this question: Has the leader in any of the other categories changed, in your view, over the last week?

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Gurus o’ Gold: Nomination Day (1 of 2)

The Gurus have voted on the slotting of 22 categories (no shorts yet) after today’s nominations. And if you listen to the Gurus today, 14 of those awards will be split pretty evenly between Boyhood, Birdman, and The Grand Budapest Hotel.

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Gurus o’ Gold: Nomination Day (2 of 2)

Page 1 of 2 Pre-Venice/Telluride/Toronto Best Picture Field Post-Venice/Telluride/Toronto Best Picture Field After New York… Just Before Selma & American Sniper Just After Selma & American Sniper Gurus o’ Gold: A Week From Thanksgiving, aka Screener Time Thanksgiving Week The Rise of Selma Gurus o’ Gold-n-Globes) The Top 8 Categories Heading Into The Holiday Break…

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Gurus o’ Gold: One Last Guess Before Nominations

The Gurus are back for one more round before nominations are announced on Thursday morning. The last slots for Best Director and Best Adapted Screenplay are the most contentious slots for The Gurus. And Grand Budapest Hotel moves up slightly while Selma moves down slightly.

Look for the Gurus rankings of all the categories (other than shorts) on Thursday afternoon.

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Gurus o’ Gold: Back From The Holidays, Polls Close Thursday

The Gurus are back from the holidays and just after PGA nominations, another look at the Best Picture race as the Oscar nominations speed towards a close on Thursday. Eleven different films got Top 10 votes from more than half the Gurus, keeping things interesting.

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Gurus o’ Gold: Academy Members, Please Watch…

The Gurus wish you a Merry Christmas and whisper the names of the films they hope will end up in the Academy membership’s viewing stockings to be watched before the new year. At the top of the list, NightcrawlerA Most Violent YearTwo Days, One Night

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Gurus o’ Gold: The Top 8 Categories Heading Into The Holiday Break

The Gurus take on the “Top 8″ categories… Picture, Acting, Screenplay, and Director. Selma continues to fly high, but the big mover this week is The Grand Budapest Hotel. And the biggest loser? Foxcatcher across the board.

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Gurus o’ Gold(-n-Globes)

The Gurus pay tribute to The Golden Globe nominations (due Thursday morning), but projecting the Picture, Actor & Actress races. And of course, this week’s update on Oscar’s Best Picture race.

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Gurus o’ Gold: The Rise of Selma

The Gurus are back from the holidays with a look at Best Picture and Best Director, where Ava Duvernay is red hot and some of the big names aren’t diddly squat.

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Gurus o’ Gold: Thanksgiving Week

This week, The Gurus offer up opinions on Best Picture and the two Supporting Acting categories. Also, what movies should voters try to see this holiday weekend before nominations commence? It’s a pretty big list, which is a sign of a strong year of movies, if not easy awards choices.

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Gurus o’ Gold: A Week From Thanksgiving, aka Screener Time

There’s been a march on the Top Ten and the man leading the charge has moved up the Actors list as well. The field narrows as the holiday gets closer.

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Gurus o Gold: Just After Selma & American Sniper

The Gurus voted on Best Picture again this week after the Tuesday screenings of Selma and American Sniper. One of the films skyrocketed into the Top 6.

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Gurus o Gold: Just Before Selma & American Sniper

The Gurus rank the Top 6 categories right before the AFI double feature of Selma and American Sniper. Will either film move into the Top 10? You’ll have to wait for the next charts to find out…

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Gurus o’ Gold: After New York…

This week, the Gurus take on Picture, Actor, Actress, Supporting Actress, Supporting Actor, and Director. And if The Gurus are right at this point, all five of these individual honors would got to first-time winners and 3 of the 5 would have never been nominated before.

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Gurus o’ Gold: Post-Venice/Telluride/Toronto Best Picture Field

Do the fall festivals matter? The Gurus chime in with their look at the Best Picture race, which has changed, particularly with the rise of 2 titles, but still finds the pre-fest Top 7 all residing int he Top 9 of this new chart.

Also, the actors and actresses who got the biggest festival bumps.

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Gurus o' Gold

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“When the writing is flowing, I am powerful and cheerful and can’t imagine it ever being otherwise. And when the writing becomes blocked, I am crestfallen and palsied, and there, too, I can’t imagine it ever being otherwise. In either case, my visions of the future are at all times characterized by a spurious permanence.”
~ Oliver Sacks To Lawrence Wechsler

“By literature, I mean literature in the normative sense, the sense in which literature incarnates and defends high standards. By society, I mean society in the normative sense, too—which suggests that a great writer of fiction, by writing truthfully about the society in which she or he lives, cannot help but evoke (if only by their absence) the better standards of justice and of truthfulness that we have the right (some would say the duty) to militate for in the necessarily imperfect societies in which we live. Obviously, I think of the writer of novels and stories and plays as a moral agent. This doesn’t entail moralizing in any direct or crude sense. Serious fiction writers think about moral problems practically. They tell stories. They narrate. They evoke our common humanity in narratives with which we can identify, even though the lives may be remote from our own. They stimulate our imagination. The stories they tell enlarge and complicate—and, therefore, improve—our sympathies. They educate our capacity for moral judgment.”
~ Susan Sontag

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