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Critics Top Ten List 2012: Cameron McAllister, Reel Georgia

1. Beasts of the Southern Wild
2. Silver Linings Playbook
3. Rust and Bone
4. Amour
5. Lincoln
6. Restoration
7. Zero Dark Thirty
8. Killing Them Softly
9. Moonrise Kingdom
10. Sound of My Voice

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Critics Top Ten List 2012: Edward Douglas, Coming Soon

1. Life of Pi
2. Searching for Sugar Man
3. The Intouchables
4. The Impossible
5. Chico and Rita
6. The Perks of Being a Wallflower
7. Skyfall
8. Samsara
9. Les Miserables
10. The Cabin in the Woods
1. Life of Pi
2. Searching for Sugar Man
3. The Intouchables
4. The Impossible
5. Chico and Rita
6. The Perks of Being a Wallflower
7. Skyfall
8. Samsara
9. Les Miserables
10. The Cabin in the Woods

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Critics Top Ten List 2012: Jeffrey Wells, Hollywood Elsewhere

1. Silver Linings Playbook/Zero Dark Thirty
3. Anna Karenina
4. Holy Motors
5. The Master
6. Amour
7. The Dark Knight Rises
8. Argo
9. Arbitrage
10. Beasts of the Southern Wild

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Critics Top Ten List 2012: Peter Suderman

Peter Suderman The Washington Times Zero Dark Thirty The Avengers Django Unchained The Master The Cabin in the Woods The Grey Magic Mike Killing Me Softly Beasts of the Southern Wild Skyfall  

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Critics Top Ten List 2012: Ryan Painter

Ryan Painter KUTV Argo Beasts of the Southern Wild The Dark Knight Rises Frankenweenie Holy Motors Lincoln Looper The Perks of Being a Wallflower Silver Linings Playbook Zero Dark Thirty  

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Critics Top Ten List 2012: Bob Bloom

Bob Bloom JC Online Zero Dark Thirty Safety Not Guaranteed Les Miserables The Dark Knight Rises Argo Lincoln Silver Linings Playbook Searching for Sugar Man Django Unchained Skyfall  

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Critics Top Ten List 2012: Randy Myers

Randy Myers San Jose Mercury News Zero Dark Thirty Argo The Master Amour Beasts of the Southern Wild Moonrise Kingdom Silver Linings Playbook Looper The Grey In the Family  

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Critics Top Ten List 2012: Duane Dudek

Duane Dudek JS Online Lincoln Argo Zero Dark Thirty Moonrise Kingdom Life of Pi Beasts of the Southern Wild Mea Maxima Culpa: Silence in the House of GOd The Imposter Searching for Sugar Man Amour

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Critics Top Ten List 2012: Mack Rawden

Mack Rawden Cinema Blend Argo Silver Linings Playbook Zero Dark Thirty Skyfall Lincoln Pitch Perfect Looper Beasts of the Southern Wild 21 Jump Street Life of Pi

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Critics Top Ten List 2012: Bill Wine

Bill Wine CBS Argo Silver Linings Playbook Skyfall Zero Dark Thirty Les Miserables The Dark Knight Rises The Sessions The Other Son Looper Bully      

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Critics Top Ten List 2012: Joe Williams

Joe Williams St. Louis Today Argo Django Unchained The Impossible Life of Pi The Master Moonrise Kingdom On the Road Samsara Searching for Sugar Man Silver Linings Playbook  

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Critics Top Ten List 2012: Mike Scott

Mike Scott Nola.com Beasts of the Southern Wild Zero Dark Thirty Lincoln Moonrise Kingdom The Sessions Django Unchained Argo Killer Joe Silver Linings Playbook Life of Pi  

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Critics Top Ten List 2012: Tom Charity

Tom Charity CNN Django Unchained The Master Zero Dark Thirty Silver Linings Playbook Beasts of the Southern WIld Life of Pi Killing Them Softly Bernie Skyfall Frankenweenie      

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Critics Top Ten List 2012: Bob Grimm

Bob Grimm Anchorage Press Les Miserables The Impossible Zero Dark Thirty Moonrise Kingdom Looper Safety Not Guaranteed Ruby Sparks Seven Psychopaths Beasts of the Southern Wild The Grey

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Critics Top Ten List 2012: David Poland, Movie City News

David Poland 1. (tie) Zero Dark Thirty 1. (tie) Amour 3. Rust & Bone 4. The Master 5. The Grey 6. Lincoln 7. The Gatekeepers 8. The Perks of Being A Wallflower 9. Ted 10. Cloud Atlas

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Critics Top Ten List 2012: Ray Pride, Movie City News

1. Zero Dark Thirty
2. Oslo, August 31
3. Moonrise Kingdom
4. Rust & Bone
5. Once Upon A Time In Anatolia
6. Looper
7. Life Without Principle
8. Amour
9. The Turin Horse
10. Miss Bala

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Critics Top Ten List 2012: Brad Brevet, Rope Of Silicon

1. Django Unchained
2. Moonrise Kingdom
3. Silver Linings Playbook
4. End of Watch
5. Magic Mike
6. Zero Dark Thirty
7. Killing Them Softly
8. The Perks of Being a Wallflower
9. Rust and Bone
10. Lincoln

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Critics Top Ten List 2012: Richard Crouse

The Dark Knight Rises
Django Unchained
The Impossible
Looper
The Master
Moonrise Kingdom
The Sessions
Skyfall
Stories We Tell
Zero Dark Thirty

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Critics Top Ten List 2012: Brad Schreiber

Polisse
Generation P
The Sessions
Flight
Perfect Sense
Arbitrage
Monsieur Lazhar
A Royal Affair
The Story of Film: An Odyssey
Turn Me On, Dammit

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Critics Top Ten List 2012: Robert Horton

Margaret
Once Upon a Time In Anatolia
Silver Linings Playbook
This is Not A Film
Lincoln
The Turin Horse
The Master
Bernie
Searching for Sugar Man
To Rome With Love

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Quote Unquotesee all »

“I don’t really think, Sean, that you need to know about my various sexual liaisons. Or that anyone else needs to. I did write about them. I filled a hundred pages of Moleskine notebooks with my one-night stands, my affairs. But I decided they didn’t belong in a professional memoir. First of all, these are real people we’re talking about. Many of them were enjoyable. Some were abject failures. My wife said to me when she read the pages, ‘Of what purpose is this in a memoir? Of what purpose is this other than to titillate?’ The point is, I never see them. It’s because I have nothing in common with them, frankly. And probably didn’t at the time. I could not provide a sensible reason why I married these women. The thing is, in the case of my marriages, it takes two people to fuck up a marriage. It wasn’t simply the fault of these women that I lost interest in them and realised they were insignificant relationships. Which is how I look at them right now–as being insignificant. I see them as blips.”
~ William Friedkin On Cutting Interviewers Off At The Sass

“I have to imagine from Mr. Spielberg’s point of view, the paradigm shift in the 1970s was just the new “normal,” a “halcyon era” from which we are straying in the 21st century–because theatrical exhibition is tenuous (as it has been since the 1940s), the home video market has dried up and people are watching pirated movies on their phone. Spielberg’s coming-of-age era was for him the halcyon period that the 21st century “implosion” will cause to go “crashing into the ground.” But he is wrong. The market for movies is actually diverse and highly segmented–although from the top-down movie industry vantage point and media punditry you would not think this to be true.  Would we really mourn for Mr. Spielberg or ourselves if Lincoln would have been made for cable or had played on public television?  Is it bad for humanity that cable television is creating wonderful, resonant stories in long-form series that people want to watch at home on TV (or streamed onto their computer)? I don’t think so, but it is a paradigm shift and it might affect people’s theatrical moviegoing habits. Televisions in people’s homes have had that effect for seven decades–it is not a new phenomenon. As Art House cinema impresarios we need to focus on what WE can do at our theaters and in our communities. It is not productive for us to fret over what pundits say or about what well-meaning filmmakers like the Stevens–Spielberg and Soderbergh–say. We should fret about what we can do in our communities. What we can do to support filmmakers.”
~ From A Response By Russ Collins, CEO, Michigan Theater–Ann Arbor And Director, Art House Convergence, To Mr. Spielberg