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Critics Top Ten List 2012: Cameron McAllister, Reel Georgia

1. Beasts of the Southern Wild
2. Silver Linings Playbook
3. Rust and Bone
4. Amour
5. Lincoln
6. Restoration
7. Zero Dark Thirty
8. Killing Them Softly
9. Moonrise Kingdom
10. Sound of My Voice

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Critics Top Ten List 2012: Edward Douglas, Coming Soon

1. Life of Pi
2. Searching for Sugar Man
3. The Intouchables
4. The Impossible
5. Chico and Rita
6. The Perks of Being a Wallflower
7. Skyfall
8. Samsara
9. Les Miserables
10. The Cabin in the Woods
1. Life of Pi
2. Searching for Sugar Man
3. The Intouchables
4. The Impossible
5. Chico and Rita
6. The Perks of Being a Wallflower
7. Skyfall
8. Samsara
9. Les Miserables
10. The Cabin in the Woods

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Critics Top Ten List 2012: Jeffrey Wells, Hollywood Elsewhere

1. Silver Linings Playbook/Zero Dark Thirty
3. Anna Karenina
4. Holy Motors
5. The Master
6. Amour
7. The Dark Knight Rises
8. Argo
9. Arbitrage
10. Beasts of the Southern Wild

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Critics Top Ten List 2012: Peter Suderman

Peter Suderman The Washington Times Zero Dark Thirty The Avengers Django Unchained The Master The Cabin in the Woods The Grey Magic Mike Killing Me Softly Beasts of the Southern Wild Skyfall  

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Critics Top Ten List 2012: Ryan Painter

Ryan Painter KUTV Argo Beasts of the Southern Wild The Dark Knight Rises Frankenweenie Holy Motors Lincoln Looper The Perks of Being a Wallflower Silver Linings Playbook Zero Dark Thirty  

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Critics Top Ten List 2012: Bob Bloom

Bob Bloom JC Online Zero Dark Thirty Safety Not Guaranteed Les Miserables The Dark Knight Rises Argo Lincoln Silver Linings Playbook Searching for Sugar Man Django Unchained Skyfall  

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Critics Top Ten List 2012: Randy Myers

Randy Myers San Jose Mercury News Zero Dark Thirty Argo The Master Amour Beasts of the Southern Wild Moonrise Kingdom Silver Linings Playbook Looper The Grey In the Family  

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Critics Top Ten List 2012: Duane Dudek

Duane Dudek JS Online Lincoln Argo Zero Dark Thirty Moonrise Kingdom Life of Pi Beasts of the Southern Wild Mea Maxima Culpa: Silence in the House of GOd The Imposter Searching for Sugar Man Amour

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Critics Top Ten List 2012: Mack Rawden

Mack Rawden Cinema Blend Argo Silver Linings Playbook Zero Dark Thirty Skyfall Lincoln Pitch Perfect Looper Beasts of the Southern Wild 21 Jump Street Life of Pi

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Critics Top Ten List 2012: Bill Wine

Bill Wine CBS Argo Silver Linings Playbook Skyfall Zero Dark Thirty Les Miserables The Dark Knight Rises The Sessions The Other Son Looper Bully      

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Critics Top Ten List 2012: Joe Williams

Joe Williams St. Louis Today Argo Django Unchained The Impossible Life of Pi The Master Moonrise Kingdom On the Road Samsara Searching for Sugar Man Silver Linings Playbook  

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Critics Top Ten List 2012: Mike Scott

Mike Scott Nola.com Beasts of the Southern Wild Zero Dark Thirty Lincoln Moonrise Kingdom The Sessions Django Unchained Argo Killer Joe Silver Linings Playbook Life of Pi  

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Critics Top Ten List 2012: Tom Charity

Tom Charity CNN Django Unchained The Master Zero Dark Thirty Silver Linings Playbook Beasts of the Southern WIld Life of Pi Killing Them Softly Bernie Skyfall Frankenweenie      

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Critics Top Ten List 2012: Bob Grimm

Bob Grimm Anchorage Press Les Miserables The Impossible Zero Dark Thirty Moonrise Kingdom Looper Safety Not Guaranteed Ruby Sparks Seven Psychopaths Beasts of the Southern Wild The Grey

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Critics Top Ten List 2012: David Poland, Movie City News

David Poland 1. (tie) Zero Dark Thirty 1. (tie) Amour 3. Rust & Bone 4. The Master 5. The Grey 6. Lincoln 7. The Gatekeepers 8. The Perks of Being A Wallflower 9. Ted 10. Cloud Atlas

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Critics Top Ten List 2012: Ray Pride, Movie City News

1. Zero Dark Thirty
2. Oslo, August 31
3. Moonrise Kingdom
4. Rust & Bone
5. Once Upon A Time In Anatolia
6. Looper
7. Life Without Principle
8. Amour
9. The Turin Horse
10. Miss Bala

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Critics Top Ten List 2012: Brad Brevet, Rope Of Silicon

1. Django Unchained
2. Moonrise Kingdom
3. Silver Linings Playbook
4. End of Watch
5. Magic Mike
6. Zero Dark Thirty
7. Killing Them Softly
8. The Perks of Being a Wallflower
9. Rust and Bone
10. Lincoln

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Critics Top Ten List 2012: Richard Crouse

The Dark Knight Rises
Django Unchained
The Impossible
Looper
The Master
Moonrise Kingdom
The Sessions
Skyfall
Stories We Tell
Zero Dark Thirty

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Critics Top Ten List 2012: Brad Schreiber

Polisse
Generation P
The Sessions
Flight
Perfect Sense
Arbitrage
Monsieur Lazhar
A Royal Affair
The Story of Film: An Odyssey
Turn Me On, Dammit

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Critics Top Ten List 2012: Robert Horton

Margaret
Once Upon a Time In Anatolia
Silver Linings Playbook
This is Not A Film
Lincoln
The Turin Horse
The Master
Bernie
Searching for Sugar Man
To Rome With Love

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Quote Unquotesee all »

DEADLINE: How does a visualist feel about people watching your films on a phone or VOD?
REFN: It depends on what kind of movie you make. We had great success with Only God Forgives on multiple platforms in the U.S. Young people will decide how they see it, when they want to see it. Don’t try to fight it. Embrace it. That’s a wonderful opportunity. We’re at the most exciting time since the invention of the wheel, in terms of creativity because distribution and accessibility have changed everything. A camera is still a camera whether it’s digital or not; there’s still sound; an actor is an actor. Ninety-nine percent of what you do is going to be seen on a smart phone – I know this is the greatest thing ever made because it allows people to choose, watching what you do on this format or go into a theater and see it on a screen. That means more people than ever will see what I do, which is personally satisfying in terms of vanity. But you have to be able to adapt, to accept things in different order and length than we’re used to. We are in a very, very exciting time.
~ Nic Refn to Jen Yamato

DEADLINE: You mention Tarantino, who with Christopher Nolan and a few other giants, saved film stock from extinction. To him, showing a digital film in a theater is the equivalent of watching TV in public. Make an argument for why digital is a good film making canvas.
REFN: Costwise, it’s a very effective way for young people to start making movies. You can make your movie on an iPhone. It’s wonderful seeing how my own children use technology to enhance creativity. For me it’s a wonderful canvas. Sure, I love grain in film. I love celluloid. But I also like creativity. I like crayons, I like pencils, I like paint. It’s all relative. Technology is more inclusive. A hundred years ago when film was invented, it was an elitist club. Very few people got to make it, very few people controlled it and very few people owned it. A hundred years later, storytelling through images is everyone’s domain. It’s ultimate capitalism. There are no rules, and no barriers and no Hays Code. Where does this go in another hundred years? I don’t know but I would love to see it.
~ Nic Refn To Jen Yamato