MCN Commentary & Analysis See All

Movie Content Scoreboard: Episode 4 (Jan 21, 2020)

David Poland | January 21, 2021

Disney, WandaVision & The Future of The Industry

David Poland | January 18, 2021

A Buncha Weeks To Oscar*

David Poland | January 14, 2021

The News Curated by Ray Pride See All

Twitter

A Quiet Place Part II Shushed Until September

Twitter | January 22, 2021

Vulture

Emerald Fennell: "I don’t work conceptually, or even in a genre-type way. Generally what happens is I’ve been thinking about something for a while. I’ve been thinking about consent, and the sort of raunch culture that I grew up with, and the kind of 'loopholes' that are exploited to take advantage of women and their bodies. With this movie, the first moment was — which is what usually happens for me — a very specific scene. The specific scene was a drunk girl on a bed having her clothes taken off and saying, drunkenly, 'What are you doing? What are you doing?' And then sitting up sober and saying, 'What are you doing?' That moment came fairly fully formed. From there, I knew who Cassie was and maybe what the film was going to be. I’m interested in Westerns and road movies and the revenge genre, and in particular, I think, kind of centering women and trying to wonder what … For me, it’s always like, What would I do? What could I do? I probably wouldn’t know where to get a gun, and I probably wouldn’t trust myself with one. I think that’s a reason women don’t resort to violence, and it very rarely ends well when they do. But what could I do? And I think that that’s what always interests me. It’s like, Okay, well, what I could do is fuck with people. I could frighten them. But it would have to be in a much more psychological and existential way. And so that was kind of the root of this, maybe: How do you write a revenge movie that feels like something real and that is based in real trauma and grief? Because I suppose the other thing with the revenge [genre] that we don’t talk about very much is revenge and vengeance aren’t good things. And I think that’s the thing that was always interesting about Cassie, and particularly the way Carey played her, was that she just did something I’ve never been able to do in my own life and just said, “Fuck off. Fuck off, everyone.'"

Vulture | January 22, 2021

Financial Times

"The best bits of a conference — the demonstrations, sales pitches and chance encounters — are impossible to replicate online. For everyday meetings, however, I think there is a better chance that video chat will outlast the pandemic. Zoom fatigue may be real but the shift to virtual meetings is one of the more helpful changes to have taken place in the past year. Not only do they cut out long commutes and jet-lagged business trips but they appear to have sharpened up start times and reduced cross-talk. Recorded meetings are very helpful for those of us who work with colleagues in different time zones, too."

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Financial Times | January 22, 2021

The Guardian

"It's A Sin"'s Russell T. Davies: "And yet, at the same time, the world turns and life moves on. The growing success of antiretroviral medication means that, perhaps, an end is in sight. A deadly disease is becoming a manageable condition. There’s now an ambitious United Nations campaign dedicated to ending HIV transmission by 2030. Strange to think. That it might come and go within my lifetime. That a virus can be a moment in history and no more. I wonder. It’s possible that one day, HIV and AIDS might just be a memory. A story. Like some old drama that was once on TV."

The Guardian | January 22, 2021

The Video Section See All

Mrs. America, Uzo Aduba

David Poland | September 8, 2020

The Podcast Section See All