Can TV Engage Racism Without Being Racist?
| April 18, 2021
There are sturdy favorites in the handicapping—Nomadland a few lengths ahead of the tied pair Minari and Trial of Chicago 7—but also categories with stirrings of a horserace. Sentiment has turned heavily toward Carey Mulligan (versus Frances McDormand) as well as Yuh-Jung Youn. Riz Ahmed and Anthony Hopkins draw about the same favor but some yards behind Chadwick Boseman; Daniel Kaluuya is prize among supporting male performances.
Nomadland is a far reach from other Adapted Screenplay nominees, including surprise back-of-the-pack The White Tiger. Stalk-and-talk Promising Young Woman and walk-and-talk Trial Of Chicago 7 are only words away from each other.
Nomadland leads for cinematography, but Mank is smoking right behind; Nomadland vies with close-at-hand Trial of Chicago 7 in the Editing heat.
The Gurus are definitely drunk on Another Round for International, while Production design seems to be on the scent of Mank while Tenet is lost to time.
Emma. and Mank are right on Ma Rainey’s Black Bottom in the Costume Design department. In Makeup & Hair, Ma Rainey reigns over Meemaw in Hillbilly Elegy and Mank inside Mank.
Tenet suits up for lead in Visual Effects.
Rank | Last Chart | Best Picture | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Nomadland |
3 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 101 | |
2 |
Minari |
4 | 2 | 2 | 3 | 3 | 2 | 3 | 2 | 5 | 4 | 2 | 4 | 4 | 13 | 77 | |
2 |
The Trial of the Chicago 7 |
2 | 5 | 4 | 4 | 1 | 3 | 1 | 3 | 2 | 3 | 3 | 3 | 6 | 13 | 77 | |
4 |
Promising Young Woman |
7 | 3 | 3 | 2 | 4 | 5 | 4 | 4 | 4 | 2 | 7 | 6 | 2 | 13 | 64 | |
5 |
Judas and the Black Messiah |
6 | 7 | 5 | 8 | 5 | 6 | 5 | 6 | 3 | 7 | 5 | 2 | 3 | 13 | 49 | |
6 |
Mank |
1 | 4 | 8 | 6 | 7 | 4 | 6 | 5 | 6 | 6 | 8 | 8 | 5 | 13 | 43 | |
7 |
The Father |
8 | 6 | 6 | 5 | 6 | 8 | 8 | 8 | 8 | 5 | 4 | 7 | 8 | 13 | 30 | |
8 |
Sound of Metal |
5 | 8 | 7 | 7 | 8 | 7 | 7 | 7 | 7 | 8 | 6 | 5 | 7 | 13 | 28 |
Rank | Last Chart | Best Director | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Nomadland |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 | |
2 |
Promising Young Woman |
5 | 3 | 2 | 2 | 2 | 4 | 5 | 3 | 2 | 2 | 4 | 3 | 2 | 13 | 39 | |
4 |
Minari |
3 | 2 | 2 | 3 | 3 | 3 | 3 | 4 | 5 | 5 | 2 | 2 | 4 | 13 | 37 | |
3 |
Mank |
2 | 4 | 5 | 4 | 4 | 2 | 2 | 2 | 3 | 4 | 3 | 4 | 3 | 13 | 36 | |
5 |
Another Round |
4 | 5 | 4 | 5 | 5 | 5 | 4 | 5 | 4 | 3 | 5 | 5 | 5 | 13 | 19 |
Rank | Last Chart | Best Actress | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Carey Mulligan |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 13 | 63 | |
2 |
Frances McDormand |
4 | 2 | 2 | 3 | 3 | 2 | 4 | 2 | 2 | 2 | 1 | 2 | 4 | 13 | 45 | |
3 |
Viola Davis |
2 | 3 | 3 | 2 | 2 | 5 | 2 | 3 | 3 | 3 | 4 | 3 | 3 | 13 | 40 | |
4 |
Andra Day |
3 | 4 | 5 | 4 | 4 | 3 | 3 | 4 | 4 | 4 | 2 | 4 | 2 | 13 | 32 | |
5 |
Vanessa Kirby |
5 | 5 | 4 | 5 | 5 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 13 | 15 |
Rank | Last Chart | Best Actor | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Chadwick Boseman |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 | |
2 |
Riz Ahmed |
3 | 2 | 2 | 2 | 2 | 3 | 2 | 3 | 2 | 3 | 2 | 2 | 2 | 13 | 48 | |
3 |
Anthony Hopkins |
2 | 3 | 3 | 3 | 3 | 2 | 3 | 2 | 5 | 2 | 3 | 3 | 3 | 13 | 41 | |
4 |
Steven Yeun |
5 | 4 | 4 | 5 | 4 | 4 | 4 | 5 | 3 | 4 | 4 | 4 | 5 | 13 | 23 | |
5 |
Gary Oldman |
4 | 5 | 5 | 4 | 5 | 5 | 5 | 4 | 4 | 5 | 5 | 5 | 4 | 13 | 18 |
Rank | Last Chart | Supporting Actress | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Yuh-Jung Youn |
3 | 1 | 1 | 2 | 2 | 2 | 5 | 2 | 5 | 2 | 2 | 1 | 1 | 13 | 49 | |
2 |
Maria Bakalova |
4 | 3 | 2 | 3 | 3 | 4 | 2 | 3 | 1 | 1 | 3 | 2 | 3 | 13 | 44 | |
3 |
Olivia Colman |
2 | 2 | 3 | 1 | 4 | 1 | 3 | 4 | 2 | 3 | 5 | 3 | 5 | 13 | 40 | |
4 |
Glenn Close |
5 | 4 | 4 | 5 | 1 | 5 | 1 | 1 | 4 | 4 | 1 | 4 | 4 | 13 | 35 | |
5 |
Amanda Seyfried |
1 | 5 | 5 | 4 | 5 | 3 | 4 | 5 | 3 | 5 | 4 | 5 | 2 | 13 | 27 |
Rank | Last Chart | Supporting Actor | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Daniel Kaluuya |
2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 64 | |
3 |
Sacha Baron Cohen |
1 | 2 | 5 | 2 | 2 | 3 | 2 | 2 | 2 | 4 | 2 | 5 | 4 | 13 | 42 | |
2 |
Leslie Odom, Jr. |
3 | 3 | 4 | 3 | 3 | 2 | 3 | 3 | 4 | 2 | 3 | 3 | 2 | 13 | 40 | |
4 |
Paul Raci |
4 | 4 | 3 | 5 | 4 | 4 | 5 | 4 | 3 | 5 | 4 | 2 | 5 | 13 | 26 | |
5 |
Lakeith Stanfield |
5 | 5 | 2 | 4 | 5 | 5 | 4 | 5 | 5 | 3 | 5 | 4 | 3 | 13 | 23 |
Rank | Last Chart | Original Screenplay | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Promising Young Woman |
3 | 1 | 1 | 1 | 2 | 3 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 13 | 57 | |
2 |
The Trial of the Chicago 7 |
1 | 3 | 3 | 5 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 2 | 2 | 13 | 52 | |
3 |
Minari |
2 | 2 | 2 | 3 | 3 | 2 | 3 | 3 | 4 | 3 | 2 | 5 | 4 | 13 | 40 | |
5 |
Judas and the Black Messiah |
5 | 5 | 4 | 4 | 5 | 4 | 4 | 5 | 3 | 4 | 5 | 3 | 3 | 13 | 24 | |
4 |
Sound of Metal |
4 | 4 | 5 | 2 | 4 | 5 | 5 | 4 | 5 | 5 | 4 | 4 | 5 | 13 | 22 |
Rank | Last Chart | Adapted Screenplay | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Nomadland |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 13 | 63 | |
2 |
The Father |
2 | 3 | 2 | 3 | 2 | 3 | 2 | 3 | 3 | 2 | 1 | 3 | 3 | 13 | 46 | |
3 |
One Night In Miami... |
4 | 2 | 3 | 2 | 3 | 2 | 3 | 2 | 5 | 3 | 3 | 2 | 2 | 13 | 42 | |
4 |
Borat Subsequent Moviefilm |
3 | 4 | 4 | 4 | 4 | 5 | 5 | 4 | 1 | 5 | 5 | 5 | 4 | 13 | 25 | |
5 |
The White Tiger |
5 | 5 | 5 | 5 | 5 | 4 | 4 | 5 | 4 | 4 | 4 | 4 | 5 | 13 | 19 |
Rank | Last Chart | International Feature | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Another Round |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 | |
5 |
Quo Vadis, Aida? |
2 | 2 | 2 | 3 | 2 | 3 | 3 | 2 | 4 | 2 | 2 | 3 | 3 | 13 | 45 | |
2 |
Collective |
3 | 3 | 3 | 2 | 4 | 2 | 2 | 3 | 2 | 5 | 3 | 2 | 2 | 13 | 42 | |
3 |
The Man Who Sold His Skin |
5 | 4 | 4 | 5 | 3 | 5 | 5 | 4 | 5 | 3 | 4 | 5 | 4 | 13 | 22 | |
4 |
Better Days |
4 | 5 | 5 | 4 | 5 | 4 | 4 | 5 | 3 | 4 | 5 | 4 | 5 | 13 | 21 |
Rank | Last Chart | Documentary Feature | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Time |
1 | 2 | 1 | 2 | 1 | 3 | 1 | 2 | 3 | 1 | 1 | 1 | 2 | 13 | 57 | |
2 |
Crip Camp |
3 | 1 | 3 | 1 | 4 | 4 | 4 | 1 | 2 | 2 | 2 | 3 | 1 | 13 | 47 | |
3 |
Collective |
2 | 3 | 2 | 3 | 2 | 1 | 2 | 3 | 1 | 3 | 3 | 2 | 5 | 13 | 46 | |
4 |
My Octopus Teacher |
3 | 5 | 4 | 5 | 3 | 2 | 5 | 4 | 4 | 5 | 4 | 4 | 3 | 13 | 27 | |
5 |
The Mole Agent |
4 | 4 | 5 | 4 | 5 | 5 | 3 | 5 | 5 | 4 | 5 | 5 | 4 | 13 | 20 |
Rank | Last Chart | Best Cinematography | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Nomadland |
2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 13 | 62 | |
2 |
Mank |
1 | 2 | 1 | 2 | 2 | 2 | 2 | 2 | 3 | 1 | 2 | 2 | 1 | 13 | 55 | |
3 |
News of the World |
3 | 3 | 4 | 3 | 3 | 5 | 5 | 3 | 4 | 3 | 3 | 3 | 5 | 13 | 31 | |
4 |
Judas and the Black Messiah |
4 | 5 | 3 | 5 | 5 | 3 | 4 | 4 | 2 | 4 | 4 | 4 | 3 | 13 | 28 | |
5 |
The Trial of the Chicago 7 |
5 | 4 | 5 | 4 | 4 | 4 | 3 | 5 | 5 | 5 | 5 | 5 | 4 | 13 | 20 |
Rank | Last Chart | Editing | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Nomadland |
2 | 1 | 1 | 1 | 2 | 1 | 3 | 2 | 3 | 4 | 3 | 1 | 4 | 13 | 50 | |
2 |
The Trial of the Chicago 7 |
3 | 5 | 5 | 5 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 2 | 2 | 13 | 46 | |
3 |
Sound of Metal |
4 | 4 | 2 | 3 | 3 | 5 | 1 | 3 | 4 | 1 | 4 | 4 | 1 | 13 | 39 | |
4 |
The Father |
1 | 2 | 3 | 4 | 5 | 4 | 4 | 4 | 5 | 5 | 2 | 3 | 5 | 13 | 31 | |
5 |
Promising Young Woman |
5 | 3 | 4 | 2 | 4 | 3 | 5 | 5 | 2 | 3 | 5 | 5 | 3 | 13 | 29 |
Rank | Last Chart | Production Designer | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Mank |
1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 64 | |
2 |
Ma Rainey's Black Bottom |
3 | 1 | 4 | 2 | 2 | 2 | 4 | 4 | 3 | 3 | 2 | 4 | 2 | 13 | 42 | |
3 |
News of the World |
4 | 3 | 5 | 3 | 3 | 4 | 2 | 2 | 4 | 5 | 3 | 2 | 4 | 13 | 34 | |
5 |
Tenet |
5 | 4 | 3 | 5 | 5 | 5 | 3 | 3 | 2 | 2 | 5 | 3 | 5 | 13 | 28 | |
4 |
The Father |
2 | 5 | 2 | 5 | 4 | 3 | 5 | 5 | 5 | 4 | 4 | 5 | 3 | 13 | 26 |
Rank | Last Chart | Costume Design | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Ma Rainey's Black Bottom |
1 | 1 | 2 | 1 | 1 | 3 | 1 | 1 | 3 | 4 | 1 | 2 | 2 | 13 | 55 | |
2 |
Emma. |
3 | 3 | 1 | 2 | 3 | 2 | 2 | 2 | 2 | 1 | 2 | 3 | 3 | 13 | 49 | |
3 |
Mank |
2 | 5 | 3 | 3 | 2 | 1 | 5 | 3 | 4 | 2 | 3 | 4 | 1 | 13 | 40 | |
4 |
Mulan |
4 | 2 | 4 | 4 | 4 | 4 | 3 | 4 | 1 | 3 | 4 | 1 | 4 | 13 | 36 | |
5 |
Pinocchio |
5 | 4 | 5 | 5 | 5 | 5 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 13 | 15 |
Rank | Last Chart | Animated Feature | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Soul |
1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 13 | 63 | |
2 |
Wolfwalkers |
2 | 2 | 2 | 1 | 2 | 2 | 2 | 2 | 1 | 2 | 2 | 2 | 2 | 13 | 54 | |
3 |
Over the Moon |
5 | 3 | 4 | 3 | 4 | 3 | 3 | 3 | 5 | 3 | 4 | 4 | 4 | 13 | 30 | |
3 |
Onward |
4 | 4 | 3 | 4 | 3 | 4 | 5 | 4 | 4 | 5 | 3 | 3 | 3 | 13 | 29 | |
5 |
Shaun the Sheep Movie: Farmageddon |
3 | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 3 | 4 | 5 | 5 | 5 | 13 | 19 |
Rank | Last Chart | Makeup | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Ma Rainey's Black Bottom |
2 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 2 | 3 | 1 | 1 | 3 | 13 | 57 | |
2 |
Hillbilly Elegy |
3 | 3 | 2 | 2 | 2 | 2 | 2 | 2 | 1 | 2 | 3 | 2 | 2 | 13 | 50 | |
3 |
Mank |
1 | 5 | 3 | 3 | 5 | 1 | 4 | 3 | 3 | 5 | 2 | 3 | 1 | 13 | 39 | |
4 |
PInocchio |
5 | 2 | 4 | 5 | 3 | 5 | 5 | 5 | 4 | 1 | 4 | 5 | 5 | 13 | 25 | |
5 |
Emma. |
4 | 4 | 5 | 4 | 4 | 4 | 3 | 4 | 5 | 4 | 5 | 4 | 4 | 13 | 24 |
Rank | Last Chart | Best Score | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Soul |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 13 | 64 | |
2 |
Mank |
2 | 2 | 3 | 2 | 3 | 2 | 3 | 3 | 4 | 2 | 5 | 2 | 2 | 13 | 43 | |
3 |
Minari |
3 | 3 | 2 | 4 | 2 | 4 | 5 | 4 | 1 | 5 | 2 | 4 | 3 | 13 | 36 | |
4 |
News of the World |
4 | 5 | 5 | 5 | 4 | 3 | 4 | 2 | 5 | 4 | 3 | 3 | 4 | 13 | 27 | |
5 |
Da 5 Bloods |
5 | 4 | 4 | 3 | 5 | 5 | 2 | 5 | 3 | 3 | 4 | 5 | 5 | 13 | 25 |
Rank | Last Chart | Best Song | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Speak Now One Night in Miami… |
1 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 5 | 2 | 1 | 1 | 2 | 13 | 57 | |
2 |
Fight For You Judas and the Black Messiah |
3 | 4 | 1 | 2 | 5 | 2 | 4 | 5 | 2 | 3 | 2 | 3 | 1 | 13 | 41 | |
2 |
Io Sô The Life Ahead |
2 | 3 | 4 | 4 | 1 | 4 | 3 | 2 | 3 | 1 | 3 | 2 | 5 | 13 | 41 | |
4 |
Hear My Voice The Trial of the Chicago 7 |
4 | 5 | 5 | 3 | 3 | 3 | 5 | 3 | 1 | 4 | 5 | 4 | 3 | 13 | 30 | |
5 |
Husavik Eurovision Song Contest: The Story of Fire Saga |
5 | 2 | 3 | 5 | 4 | 5 | 2 | 4 | 4 | 5 | 4 | 5 | 4 | 13 | 26 |
Rank | Last Chart | Best Sound | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Sound of Metal |
1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 13 | 65 | |
2 |
Mank |
3 | 3 | 2 | 4 | 4 | 2 | 2 | 2 | 3 | 4 | 3 | 4 | 2 | 13 | 40 | |
4 |
Soul |
2 | 2 | 3 | 5 | 5 | 3 | 3 | 4 | 2 | 3 | 4 | 5 | 4 | 13 | 33 | |
3 |
News of the World |
5 | 4 | 5 | 2 | 2 | 4 | 4 | 3 | 4 | 5 | 2 | 3 | 5 | 13 | 30 | |
5 |
Greyhound |
4 | 5 | 4 | 3 | 3 | 5 | 5 | 5 | 5 | 2 | 5 | 2 | 3 | 13 | 27 |
Rank | Last Chart | Visual Effects | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Tenet |
1 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 13 | 62 | |
2 |
The Midnight Sky |
2 | 2 | 3 | 2 | 2 | 2 | 1 | 2 | 3 | 2 | 2 | 2 | 3 | 13 | 50 | |
3 |
Mulan |
3 | 3 | 2 | 3 | 3 | 3 | 2 | 3 | 4 | 4 | 5 | 3 | 5 | 13 | 35 | |
4 |
The One And Only Ivan |
4 | 5 | 4 | 5 | 4 | 4 | 5 | 4 | 2 | 3 | 4 | 4 | 1 | 13 | 29 | |
5 |
Love and Monsters |
5 | 4 | 5 | 4 | 5 | 5 | 4 | 5 | 5 | 5 | 3 | 5 | 4 | 13 | 19 |
Your Friendly Neighborhood Gurus
Thelma Adams: Author, Top Critic on Rotten Tomatoes, Oscar Expert Twitter
Robyn Bahr: Freelance (Washington Post, GQ, Hollywood Reporter, Vanity Fair, Guardian) Twitter
Gregory Ellwood: The Playlist Twitter
Peter Howell: Toronto Star Twitter
Mark Johnson: Awards Daily Twitter
Dave Karger: TCM, IMDb Twitter
Wilson Morales: BlackFilmAndTV.com Twitter
Michael Patterson: Michael’s Telluride Film Blog; Twitter
David Poland: Movie City News Twitter
Steve Pond: The Wrap, Twitter
NathanielR: The Film Experience Twitter
Jeff Sneider: Collider Twitter
Sasha Stone: Awards Daily Twitter
Can TV Engage Racism Without Being Racist?
| April 18, 2021
The Gurus Predict Best Picture And Make Three Little Wishes
| April 16, 2021
| April 12, 2021
Paul Schrader on Facebook: “AN OBSERVATION ABOUT FILM ECONOMICS. The clever post-nickelodeon decision to monetize motion pictures (squeezing large numbers of patrons in un-air-conditioned large rooms with (for a time) intermittent vaudeville acts worked like a charm for decades. Then came TV. Yet movies survived. Became larger scope, racier subject matter, exploitation pix, women's pix, prestige pix, horror pix, genre pix, realistic pix. bigger in scope, racier in subject matter, newsreels. serious dramas, art films, European films—and air conditioned cinemas. But now comes Phase Three: BOOM! The growing desire of audiences to see film entertainment in theater like home entertainment at great discount, a transition 14 months in the training, but, more importantly, a shift away from the standalone 2 hr ‘important’ drama inspired by literature to the ongoing episodic dramas inspired by crime series (true or otherwise), telenovelas, expanded documentary and biographic sagas, stripping storytelling of its ability to compose concise stories which land like a punch in the face.”
April 18, 2021
Kris Tapley: “With the industry awards circuit* wrapped up…
| April 18, 2021
ASC Winners Are Mank And The Truffle Hunters
April 18, 2021
DP/30: Sacha Baron Cohen, Borat Subsequent Moviefilm, The Trial of the Chicago 7
| February 15, 2021
DP/30 Audio: Bombshell, Jay Roach
| December 13, 2019
DP/30 Audio: The Last Black Man in San Francisco, Jonathan Majors
| December 4, 2019
DP/30 Audio: The Mustang, Laure de Clermont-Tonnerre
| December 4, 2019
If I was an Academy Member seeking to feel good about my vote, I’d give a BP Oscar to Ryan Coogler.
Don’t underestimate Warner’s Oscar campaigns, ever. This feels like a Warner film. Moreso than their Sci-Fi condenders of late.
Some voters might be put off by HBO+.
Anyone else feel like Chadwick Boseman’s Ma Rainey performance is good but if he hadn’t died, the Best Actor race would be between Riz Ahmed and Anthony Hopkins?