| June 24, 2020
I never thought it would happen to me.
I wandered through Quibi’s programming selections the week it launched. A few minutes here, a few minutes there. A laugh or two. Pun titles all over, like Gayme Show and Dishmantled and Barkitecture. But nothing I felt compelled to stick with. After jumping on the app a bunch of times in the first week, it became just another app square staring from my phone.
And the app seemed dead.
But while sitting in a long Starbucks drive-thru line, wanting to distract myself somewhere outside of my home, I jumped back in. And the one show I had not watched but was intrigued by— to me, as in “why is she doing this?”—was Anna Kendrick and Dummy. The image of Kendrick and a sex doll that represented the show was off-putting. I mean, how could it be. On Quibi. The app with Chrissy Teigen as a judge, which seemed to be the natural extension of Kate McKinnon sexualizing Ruth Bader Ginsburg.
But there I sat. I turned the sound on in the car, turned the phone to widescreen, and it began.
The sexualized version of Anna Kendrick, who shows up now and again. When she grooms a hair on her (unseen) breast, you know something is different. Big handful of expired pot gummies. Her boyfriend is Donal Logue (Dan), who is about a decade too old for the relationship. Hmmm. Honest dialogue. Sweet kink.
And then, the sex doll. I won’t explain how she arrives. But she is found by Anna Kendrick’s Cody (same name as the writer/creator of the show) by calling for Cody.
So what is this? A fantasy? Michigan J. Frog? A set of universal rules that are outside of the norm? All of the above?
What follows for nearly an hour is a panini of the familiar and the unexpected. The Sex Doll, named Barbara (voiced by Meredith Hagner) becomes the comic driver of the piece. She is, even more than the characters we have already met, who love how super-honest they are, dead honest. Or at least she is as a reflection of the unspoken truths that Cody dare not speak.
Then there all the flavor crystals spread throughout. Dan is fully named Dan Harmon, who has been “involved with” the real Cody Heller for years. Ballsy. Though apparently Cody never met Dan’s sex doll. But the fact that she didn’t do sex doll research for the writing of this piece makes it all the more clear that it is about Cody and not about Barbara.
There is an episode where there is an exploration of feminism in terms of how women see themselves with men and how they see other women—or dolls—who are with men. And how dolls see women. The female in the Hollywood pool is a theme throughout, but most specific in the episode “The Bechdel Test.”
I really, really liked this piece. And that is really what it is. A short film with a beginning, middle and end. I like it so much that I don’t want a season two. It’s better than that.
If you are shy about words about human excretions, etcetera, this is not for you. It is rough and raw and right to the point (or the liquids left inside Barbara). But it’s fun and smart and remarkably serious at moments, though it doesn’t take itself seriously for a second.
They did take it seriously enough to hire Tricia Brock, who is a legitimate veteran TV director, to direct the piece.
I don’t know what category this fits in for the Emmys, but it is a worthy candidate for a nomination and maybe even for a win. Is Quibi going there? I don’t know. But it’s the only truly original, thoughtful, high-end piece I have seen on the app. Seriously… this could be an episode of Black Mirror and it would be all anyone could talk about for weeks.
Meanwhile, Ms. Kendrick is coming out in an HBO Max series (Love Life) in a few weeks that is already being positioned for Emmys. But I seriously hope this piece won’t be lost in the wake. It’s one of my favorite new things I have seen in these months of screening a lot of new stuff.
| June 24, 2020
| June 15, 2020
| June 8, 2020
Jessica Valenti: "The Harper’s letter also mentions editors being “fired for running controversial pieces” — a reference to the ouster of New York Times editorial page editor James Bennet. What the letter doesn’t mention is that Bennet lost his job for, among other things, running an op-ed section that published a senator advocating the use of military force against peaceful American protesters — a column that employees pointed out literally put Black lives in danger — and without even having read it before publication. Who signed the letter in Harper’s is just as important as what’s written in it. Ian Buruma, for example, was fired from his job at the New York Review of Books after he published an essay by Jian Ghomeshi — a Canadian radio personality who had been accused by more than twenty women of sexual assault. Buruma later defended the decision in a disastrous interview where he said, “The exact nature of his behavior — how much consent was involved — I have no idea nor is it really my concern.” New York Times opinion writer Bari Weiss, who has made a career for herself railing against “safe spaces,” was recently outed for reporting a Black editor to management just because she declined an invitation for coffee. Then of course there’s J.K. Rowling, who recently used her considerable platform to push forward bigoted ideas and debunked myths about trans women while fashioning herself a defender of women’s rights."
| July 9, 2020
"The move complicates the sale of the nation’s second largest news company, which had been under the control of the McClatchy family for 163 years until February’s bankruptcy filing."
Hedge Fund Alden Capital Sets Eye On McClatchy Bankruptcy, Intending To Add Miami Herald And Dozens Of Local Newspapers To Its Fold
July 8, 2020
| July 8, 2020
| December 13, 2019
| December 4, 2019
| December 4, 2019