THB #93: The Batman (no spoilers)
| March 6, 2022
| Rank | Last Chart | Best Actress | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total | ||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 |
Renee Zellweger Judy |
1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 13 | 87 | |||
| 2 |
Charlize Theron Bombshell |
2 | 4 | 1 | 5 | 3 | 2 | 2 | 5 | 1 | 2 | 1 | 2 | 2 | 13 | 72 | |||
| 3 |
Scarlett Johansson Marriage Story |
6 | 3 | 3 | 1 | 2 | 3 | 3 | 2 | 3 | 3 | 4 | 3 | 3 | 13 | 65 | |||
| 4 |
Saoirse Ronan Little Women |
3 | 2 | 5 | 4 | 4 | 4 | 5 | 7 | 4 | 4 | 6 | 5 | 4 | 13 | 47 | |||
| t-5 |
Awkwafina The Farewell |
4 | 5 | 6 | 6 | 5 | 6 | 4 | 6 | 7 | 6 | 7 | 11 | 26 | |||||
| t-5 |
Cynthia Erivo Harriet |
4 | 6 | 4 | 3 | 7 | 5 | 3 | 6 | 8 | 26 | ||||||||
|
Lupita Nyong'o US |
7 | 7 | 3 | 5 | 6 | 6 | 5 | 6 | 5 | 5 | 10 | 25 | |||||||
|
Alfre Woodard Clemency |
5 | 7 | 7 | 7 | 7 | 4 | 6 | 11 | |||||||||||
| One Vote Wonders | |||||||||||||||||||
|
Florence Pugh Midsommar |
6 | 1 | 2 | ||||||||||||||||
|
Elizabeth Moss Her Smell |
7 | 1 | 1 | ||||||||||||||||
|
Jodie Turner-Smith Queen and Slim |
7 | 1 | 1 | ||||||||||||||||
| Rank | Last Chart | Best Actor | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total | ||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 |
Adam Driver Marriage Story |
1 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 3 | 1 | 1 | 2 | 2 | 13 | 84 | |||
| 2 |
Joaquin Phoenix Joker |
6 | 5 | 1 | 1 | 2 | 3 | 1 | 2 | 2 | 3 | 3 | 1 | 1 | 13 | 73 | |||
| 3 |
Robert De Niro The Irishman |
2 | 2 | 4 | 4 | 3 | 2 | 3 | 6 | 4 | 2 | 5 | 4 | 5 | 13 | 58 | |||
| 4 |
Leonardo DiCaprio Once Upon A Time... |
7 | 3 | 5 | 5 | 6 | 6 | 4 | 5 | 4 | 7 | 3 | 4 | 12 | 37 | ||||
| 5 |
Jonathan Pryce The Two Popes |
4 | 6 | 6 | 5 | 5 | 3 | 1 | 7 | 2 | 5 | 10 | 36 | ||||||
|
Antonio Banderas Pain and Glory |
3 | 5 | 3 | 4 | 7 | 5 | 7 | 5 | 4 | 6 | 10 | 31 | |||||||
|
Eddie Murphy Dolemite is My Name |
5 | 6 | 7 | 4 | 4 | 7 | 6 | 6 | 7 | 3 | 10 | 25 | |||||||
|
Taron Egerton Rocketman |
3 | 6 | 7 | 3 | 8 | ||||||||||||||
|
Adam Sandler Uncut Gems |
4 | 7 | 7 | 3 | 6 | ||||||||||||||
|
Christian Bale Ford v Ferrari |
7 | 6 | 2 | 3 | |||||||||||||||
| One Vote Wonders | |||||||||||||||||||
|
Paul Walter Hauser Richard Jewell |
6 | 1 | 2 | ||||||||||||||||
| Rank | Last Chart | Best Supporting Actress | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total | ||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 |
Laura Dern Marriage Story |
3 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 12 | 79 | ||||
| 2 |
Jennifer Lopez Hustlers |
1 | 2 | 4 | 5 | 3 | 2 | 2 | 6 | 5 | 3 | 2 | 5 | 12 | 56 | ||||
| 3 |
Margot Robbie Bombshell |
2 | 3 | 6 | 3 | 4 | 6 | 3 | 3 | 1 | 1 | 7 | 3 | 12 | 54 | ||||
| 4 |
Florence Pugh Little Women |
4 | 4 | 3 | 2 | 5 | 3 | 5 | 4 | 4 | 3 | 7 | 11 | 44 | |||||
| 5 |
Annette Bening The Report |
7 | 4 | 2 | 7 | 4 | 3 | 6 | 7 | 23 | |||||||||
|
Shuzhen Zhao The Farewell |
5 | 5 | 7 | 4 | 6 | 7 | 6 | 5 | 6 | 9 | 21 | ||||||||
|
Da’vine Joy Randolph Dolemite is My Name |
2 | 6 | 5 | 7 | 6 | 4 | 6 | 18 | |||||||||||
|
Scarlett Johansson JoJo Rabbit |
7 | 1 | 7 | 2 | 4 | 15 | |||||||||||||
|
Thomasin McKenzie JoJo Rabbit |
5 | 5 | 5 | 3 | 9 | ||||||||||||||
|
Kathy Bates Richard Jewell |
4 | 4 | 2 | 8 | |||||||||||||||
|
Nicole Kidman Bombshell |
6 | 6 | 6 | 3 | 6 | ||||||||||||||
| One Vote Wonders | |||||||||||||||||||
|
Maggie Smith Downton Abbey |
7 | 1 | 1 | ||||||||||||||||
|
Anne Hathaway Dark Waters |
7 | 1 | 1 | ||||||||||||||||
|
Julia Butters Once Upon A Time... |
7 | 1 | 1 | ||||||||||||||||
| Rank | Last Chart | Best Supporting Actor | Adams | Bahr | Ellwood | Howell | Johnson | Karger | Morales | Patterson | Poland | Pond | Rogers | Sneider | Stone | Votes | Total | ||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 |
Brad Pitt Once Upon a Time... |
7 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 12 | 75 | ||||
| t-2 |
Al Pacino The Irishman |
2 | 3 | 5 | 4 | 1 | 2 | 2 | 3 | 2 | 2 | 3 | 6 | 12 | 61 | ||||
| t-2 |
Tom Hanks A Beautiful Day in the Neighborhood |
1 | 2 | 2 | 3 | 2 | 4 | 3 | 5 | 3 | 3 | 4 | 3 | 12 | 61 | ||||
| 4 |
Joe Pesci The Irishman |
3 | 4 | 3 | 2 | 4 | 5 | 5 | 2 | 5 | 3 | 2 | 1 | 12 | 57 | ||||
| 5 |
Anthony Hopkins The Two Popes |
4 | 5 | 5 | 4 | 4 | 6 | 6 | 7 | 22 | |||||||||
|
Willem Dafoe The Lighthouse |
4 | 5 | 6 | 6 | 7 | 4 | 6 | 16 | |||||||||||
|
Shia LaBeouf Honey Boy |
5 | 7 | 7 | 5 | 7 | 5 | 9 | ||||||||||||
|
Jamie Foxx Just Mercy |
7 | 3 | 5 | 3 | 9 | ||||||||||||||
|
Sterling K Brown Waves |
6 | 7 | 7 | 6 | 7 | 7 | 6 | 8 | |||||||||||
|
Alan Alda Marriage Story |
6 | 7 | 6 | 5 | 4 | 8 | |||||||||||||
|
Tracy Letts Ford v Ferrari |
6 | 5 | 2 | 5 | |||||||||||||||
| One Vote Wonders | |||||||||||||||||||
|
Wesley Snipes Dolemite is My Name |
4 | 1 | 4 | ||||||||||||||||
|
Song Kang-ho Parasite |
6 | 1 | 2 | ||||||||||||||||
The Gurus, At Your Service
Thelma Adams: Author, Critic, Oscar Expert
Robyn Bahr: Freelance (Hollywood Reporter, Vanity Fair, Guardian)
Gregory Ellwood: The Playlist
Peter Howell: Toronto Star
Mark Johnson: Awards Circuit
Dave Karger: TCM, IMDb
Tomris Laffly: Freelance (RogerEbert.com, Time Out New York, Film Journal International)
Wilson Morales: BlackFilm.com
Michael Patterson: Michael’s Telluride Film Blog; Twitter; Facebook
David Poland
Steve Pond: The Wrap
Nathaniel R: The Film Experience
Sasha Stone: Awards Daily
Jeff Sneider: Collider
"Netflix, the great disrupter whose algorithms and direct-to-consumer platform have forced powerful media incumbents to rethink their economic models, now seems to need a big strategy change itself. It got me thinking about the simple idea that my film and TV production company Blumhouse is built on: If you give artists a lot of creative freedom and a little money upfront but a big stake in the movie’s or TV show’s commercial success, more often than not the result will be both commercial (the filmmakers are incentivized to make films that will resonate with audiences) and artistically interesting (creative freedom!). This approach has yielded movies as varied as Get Out (made for $4.5 million, with worldwide box office receipts of more than $250 million), Whiplash (made for $3.3 million, winner of three Academy Awards), The Invisible Man (made for $7 million, earned more than $140 million) and Paranormal Activity (made for $15,000, grossed more than $190 million).From the beginning, the most important strategy I used to persuade artists to work with me was to make radically transparent deals: We usually paid the artists (“participants” in Hollywood lingo) the absolute minimum allowable by union contracts upfront, with the promise of healthy bonuses based on actual box office results—instead of the opaque 'percentage points' that artists are usually offered. Anyone can see box office results immediately, so creators don’t quarrel with the payouts. In fact, when it comes time for an artist to collect a bonus based on box office receipts, I email a video clip of myself dropping the check off at FedEx to the recipient."
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No Responses to “Gurus o’ Gold: Actress, Actor, Supporting Actress, Supporting Actor”