The Weekend Report

The Weekend Report

Spinning to record highs, Spider-Man: Homecoming left the competition in the distance with an estimated $116.2 million debut. The absence of counter-programming again underlines the majors’ growing lack of confidence in that strategy.

A couple of exclusive debuts had encouraging starts, but only the meditative A Ghost Story raised goosebumps with a $106,000 launch from four hauntings. The slow rollout of The Big Sick continues as a commercial powerhouse, with $3.7 million from 326 screens. The season has also offered strong responses for Beatriz at Dinner, The Hero and Paris Can Wait. Canada has local heroes with Bon Cop Bad Cop 2 and Maudie.

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The Weekend Report

Despicable Me 3 led holiday moviegoing with an estimated $75.4 million. There was also good news for counterprogrammer Baby Driver, which vroomed into second place with its $20.3 million opening. The session also saw significant expansions for Southern gothic The Beguiled and the cross-cultural rom-com The Big SickBeguiled went medium-wide to an upbeat $3.2 million. Sick, still limited, maintained a sturdy $23,660 average and $1.7 million tally. Also holding its own in slow roll out was The Hero, with takings of $890,000.

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The Weekend Report

Transformers: The Last Knight led weekend moviegoing in its debut with an estimated $45.3 million. The alleged franchise “finale” was anticipated to be a commercial powerhouse with competition steering clear of its path … including counterprogrammers.

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The Weekend Report

Cars 3 sped to the top of weekend moviegoing with an estimated $53.3 million. It was also good news for the Tupac bio All Eyez on Me that ranked third with $26.4 million. The other two national newcomers were less vibrant. The shark threat nail biter 47 Meters Down had an OK start of $10.9 million but the female rave Rough Night pancaked with an $8 million debut.

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Wonder Woman lassoed top spot for a second weekend a with an estimated $57.5 million That was bad news for the high-profile The Mummy reboot that dug up only $32.2 million. The session featured two other national debuts: the spartan horror It Comes at Night ranked sixth with a chilly $5.9 million, while military pooch patrol Megan Leavey barked up $3.7 million.

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The Weekend Report

Wonder Woman wowed with an estimated debut of $100.7 million to lead session movie going. It was also good news for the frame’s other national newcomer the animated Captain Underpants: The First Epic Movie that bowed with $23.5 million to rank second overall.

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Memorial Day Three-Day Estimates

Pirates are not all Dead Men with $76.8 million on 4,276, while Guardians Vol. 2 steams to $26.3 million on 3,871 for a $339.6 million cume. A quiet third, Baywatch proves not so biggle with its jiggle, $22.9 million on 3,647.

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The Weekend Report

Pirates of the Caribbean: Dead Men Tell No Tales easily led the Memorial holiday with an estimated $61.9 million debut during the three-day portion of the weekend. (All figures reflect 3-day box office; chart will be updated on Monday). The session’s other national opener — and alternative ocean-splasher — Baywatch had a less auspicious beach experience at $18.1 million.

On Friday, Disney also became the first distributor to cross the $1 billion threshold domestically — it was also first to the mark in 2016 but 19 days earlier — with Beauty and the Beast passing $500 million on Sunday. Internationally, The Fate of the Furious became 2017’s first $1 billion box office behemoth.

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The Weekend Report

Alien: Covenant edged ahead of Guardians of the Galaxy Vol. 2 with an estimated $36.1 million to make off with a wobbling weekend box office crown. Teen romantic drama Everything, Everything won a distant third with $11.8 million and the latest episode of the Wimpy Kid franchise, the appropriately-entitled The Long Haul, bowed with a limpy $7.1 million.

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The Weekend Report

Guardians of the Galaxy Vol. 2 remained dominant in the marketplace with an estimated second weekend of $63.3 million. In the distance were the session’s two incoming national releases. Mother’s Day comedy adventure Snatched bowed to $17.4 million while King Arthur: Legend of the Sword put the morte in the fabled monarch with a $14.8 million debut.

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The Weekend Report

Guardians of the Galaxy Vol. 2, the only national opener, commanded roughly 74% of domestic moviegoing with an estimated $144.4 million haul. Guardians of the Galaxy’s set off a week earlier internationally and grossed $106 million from 37 territories. Its second international weekend added 18 markets and an additional $124 million box office. The foreign charge was led by a $48 million bow in China, with South Korea and Russia adding $13.3 million and $11.6 million, respectively. The only $10k-per-screen tallies aside from Guardians was A24’s The Lovers, which did $16,000 on four and the restoration of Stalker at Lincoln Center, grossing over $18,000 on a single journey.

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The third weekend of The Fate of the Furious again led weekend viewing with an estimated $19.4 million and a global gross that crossed into the rarified realm of $1 billion box office. The session had but one wide national release but it was international day-and-date newcomers that stole the thunder. The storm came from the Hispanic comedy How to Be a Latin Lover that ranked second with $11.8 million and highly-anticipated Indian historic epic Baahubali 2: The Conclusion, which smashed global records, including a U.S. debut of $10.3 million.

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Not truly turb0charged, but way out in front, The Fate of the Furious cruised to an estimated $38.6 million to lead in its second weekend. A clutch of new releases proved disappointing overall, though Disney’s annual wildlife doc Born in China (opening on Earth Day) was comparatively okay with a $5 million debut.

The rest of the national debuts were below par with distaff revenge thriller Unforgettable bowing with $4.7 million, and the Armenian genocide romantic drama The Promise struggling to $4.1 million. Also grim was the Blair Witch-like Phoenix Forgotten at $1.8 million.

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It was top gear as the debut of The Fate of the Furious left the pack eating dust with an estimated $100.1 million. It was the only egg opening wide in this year’s Easter roll. A couple of limited releases strived to get into the marketplace (and failed) including the animated Spark: A Space Tail, which grossed $108,000 and golfing origin tale Tommy’s Honour with $220,000.

Exclusive freshman saw an up-tempo start for biodoc Chasing Trane with $15,200 on a solo riff. Also strong were the political “what if” Norman: The Moderate Rise and Tragic Fall of a New York Fixer that grossed $100,000 at five sites and a potent $114,000 bow for period adventure The Lost City of Z from four expeditions.

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The Weekend Report

The Boss Baby again edged out Beauty and the Beast for weekend bragging rights with two family movies grossing respective estimates of $26.4 million and $24.7 million. Smurfs: The Lost Village opened with a softish $13.7 million while the octo-heist yarn Going in Style had a surprisingly resilient $12.3 million launch. Best of the exclusive debs were the monster-relationship drama-comedy Colossal, which grossed $121,000 at four playlots and stiff-upper-lipped Brit Their Finest with $78,400.

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The Weekend Report

The Boss Baby animated an estimated $49.7 million to take the crown from Beauty and the Beast, which grossed $47.5 million. The session’s other incoming national release Ghost in the Shell, wound up with a disappointing $18.8 million. The frame’s onslaught of new exclusives didn’t generate a single potent grosser.

The Zookeeper’s Wife bowed to a solid $3.3 million. Holidays in India saw a flood of new pictures with only Punjabi Raab de Radio displaying any commercial heft. China’s The Devotion of Suspect X admired a $328,000 launch from 43 venues.

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The Weekend Report

Beauty and the Beast diminished by half but nonetheless towered over the competition with an estimated $89 million weekend. That left the incoming Power Rangers securely in second spot with a $40.1 million debut. The session’s two other newcomers had meh results with the Alieneque sci-fier Life opening to $12.4 million and the TV staple CHIPS puttering on the big screen to $7.5 million.

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The Weekend Report

Twas Beauty killed the Beast to an estimated record-breaking debut of $171.7 million. The frame’s other new wide release, the James Gunn-penned eerie thriller The Belko Experiment was a slim counterprogrammer with a $4 million launch.

Exclusive newcomers included Terrence Malick’s allegorical musical romantic triangle Song to Song with $51,700 from four bookings and the long-gestating sequel T2: Trainspotting that bowed domestically on five screens to $177,000 following two months of overseas exposure that’s injected $34 million.

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The Weekend Report

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Leonard Klady's Friday Estimates
Friday Screens % Chg Cume
Dunkirk 19.7 3720 New 19.7
Girls Trip 11.6 2591 New 11.6
Valerian and the City of a Thousand Planets 6.5 3553 New 6.5
Spider-Man: Homecoming 6.4 4130 -53% 236.1
War for the Planet of the Apes 6 4100 -66% 83.3
Despicable Me 3 3.7 3525 -40% 204.3
Baby Driver 1.7 2503 -36% 79.9
The Big Sick 1.4 2597 -43% 20.9
Wonder Woman 1.2 1971 -38% 385.7
Wish Upon 0.8 2154 -65% 8.8
Also Debuting
Fidaa 0.39 139
Vikram Vedha 61,300 48
The Black Prince 33,500 67
Munna Michael 19,800 72
Landline 19,400 4
The Midwife 5,100 3
Bloody Crayons 4,400 18
Meow 1,850 13
First Kill 1,550 12
The Fencer 1,450 2
The Untamed 1,100 1
3-Day Estimates Weekend % Chg Cume
No Good Dead 24.4 (11,230) NEW 24.4
Dolphin Tale 2 16.6 (4,540) NEW 16.6
Guardians of the Galaxy 7.9 (2,550) -23% 305.8
Teenage Mutant Ninja Turtles 4.8 (1,630) -26% 181.1
The Drop 4.4 (5,480) NEW 4.4
Let's Be Cops 4.3 (1,570) -22% 73
If I Stay 4.0 (1,320) -28% 44.9
The November Man 2.8 (1,030) -36% 22.5
The Giver 2.5 (1,120) -26% 41.2
The Hundred-Foot Journey 2.5 (1,270) -21% 49.4