Posts Tagged ‘Precious’

Weekend Box Office Report — November 28

Sunday, November 28th, 2010

Tangled Up in Blues … and Reds

A quartet of new releases for Thanksgiving failed to topple Harry Potter from the top of the charts during the gobble, gobble fest. The first part of the Potter finale — Deathly Hallows — grossed an estimated $51.2 million for the weekend portion of the holiday frame. Just a cluck behind was the animated Rapunzel of Tangled with $49.2 million ($69.1 million for the 5-days).

The other three wide release freshmen clustered in positions five to seven with indifferent results. The glitzy musical Burlesque crooned $11.4 million, rom-com Love and Other Drugs ingested $9.6 million and Faster added a tortoise-paced $8.2 million.

The big noise of the session proved to be the well positioned awards contender The King’s Speech that amassed a heady $86,000 screen average from just four venues. There was also an impressive $610,000 for local hockey comedy Lance et compte in Quebec, but a dull $212,000 for Bollywood entry Break Ke Baad. And a new seasonal Nutcracker in 3D was virtually D.O.A. with a $62,700 tally from 42 screens.

Adding it all up, Thanksgiving box office was a smidgen less than last year’s result.

Industry trackers generally predicted that Deathly Hallows would prevail at the box office but few anticipated that Tangled would be truly competitive with the Hogwart’s grad. They also generally over estimated the strengths of the remaining trio of new entries; especially Faster, which was given the edge over Love and Other Drugs.

Overall weekend numbers added up to roughly $187 million that translated into a 6% decline from the immediate prior session. It was also a slight 1% decline from Thanksgiving weekend 2009 when The Twilight Saga: New Moon and The Blind Side led with respectively $42.9 million and $40.1 million. The top new entry, Old Dogs, ranked fourth with $16.9 million.

The current session also saw expansions for 127 Hours and Fair Game that were encouraging but nonetheless displayed signs of fatigue. Still with critics groups just weeks away from announcements both films could well experience second winds. The potent arrival of The King’s Speech however has put that film in the forefront and its now vying with a real royal wedding as well as a smattering of pictures yet to be seen for late year honors.

__________________________________________________

Weekend Estimates – November 26-28, 2010

Title Distributor Gross (average) % change * Theaters Cume
Harry Potter & the Deathly Hollows, Part 1* WB 51.2 (12,420) -59% 4125 221.2
Tangled BV 49.2 (13,660) NEW 3603 69.1
Megamind Par 12.9 (3,770) -20% 3411 130.5
Unstoppable Fox 11.7 (3,670) -10% 3183 60.6
Burlesque Sony 11.4 (3,740) NEW 3037 16.8
Love and Other Drugs Fox 9.6 (3,920) NEW 2455 13.8
Faster CBS 8.2 (3,360) NEW 2451 11.8
Due Date WB 7.2 (2,830) -19% 2555 84.9
The Next Three Days Lionsgate 4.8 (1,860) -27% 2564 14.5
Morning Glory Par 4.0 (1,630) -24% 2441 26.4
127 Hours Searchlight 1.7 (5,900) 89% 293 4.4
Fair Game Summit 1.6 (3,960) 8% 396 6
For Colored Girls … Lionsgate 1.4 (2,360) -38% 605 36.6
Red Summit 1.4 (1,540) -43% 914 86.2
Skyline Uni/Alliance 1.1 (900) -70% 1189 20.1
The Social Network Sony .73 (2,510) -22% 291 90.4
Secretariat BV .66 (1.310) -32% 502 57.6
Lance et compte Seville .61 (6,930) NEW 88 0.61
The Girl Who Kicked the Hornet’s Nest Music Box/Alliance .36 (1,970) -10% 184 4.2
Despicable Me Uni .35 (1,320) 31% 266 249.7
The King’s Speech Weinstein Co. .34 (86,030) NEW 4 0.34
Inside Job Sony Classics .31 (2,330) -9% 132 2.6
Weekend Total ($500,000+ Films) $179.40
% Change (Last Year) -1%
% Change (Last Week) -6%
Also debuting/expanding
Break Ke Baad Reliance .21 (2,500) 85 0.33
Nutcracker 3D FreeStyle 62,700 (1,490) 42 0.09
Made in Dagenham Sony Classics 62.500 (5,680) 64% 11 0.12
The Legend of Pale Male Balcony 11,400 (11,400) 1 0.01
The Unjust CJ 7,200 (7,200) 1 0.01
Tere Ishq Nachaye Eros 4,200 (200) 21 0.01

Domestic Market Share (Jan. 1 – Nov. 21, 2010)

Distributor (releases) Gross Market Share
Warner Bros. (27) 1674.1 17.80%
Paramount (18) 1578.1 16.70%
Fox (17) 1333.8 14.10%
Buena Vista (15) 1174.6 12.50%
Sony (23) 1161.6 12.30%
Universal (18) 793.9 8.40%
Summit (11) 512.7 5.40%
Lionsgate (15) 500.4 5.30%
Overture (7) 81.8 0.90%
Fox Searchlight (7) 81.4 0.90%
Focus (7) 75.2 0.80%
Weinstein Co. (7) 62.6 0.70%
Sony Classics (21) 57.8 0.60%
MGM (1) 51.2 0.50%
CBS (2) 50 0.50%
Other * (296) 242.7 2.60%
9431.9 100.00%
* none greater than .04%

Top Limited Releases * (Jan. 1 – Nov. 21, 2010)

Title Distributor Gross
Hubble 3D WB 18,355,494
The Ghost Writer Summit 15,569,712
The Girl with the Dragon Tattoo Music Box/Alliance 11,282,938
The Young Victoria * Apparition/Alliance 11,131,232
Get Low Sony Classics 9,080,285
A Single Man * Weinstein Co. 7,935,872
The Girl Who Played with Fire Music Box/Alliance 7,837,823
Cyrus Fox Searchlight 7,461,082
Babies Focus 7,444,272
The Imaginarium of Doctor Parnasus * E1/Sony Classics 7,394,171
City Island Anchor Bay 6,671,036
The Last Station Sony Classics 6,617,867
The Secret in Their Eyes Sony Classics 6,391,436
It’s Kind of a Funny Story Focus 6,350,058
Winter’s Bone Roadside Attraction 6,225,414
Waiting for “Superman” Par Vantage 6,130,466
Under the Sea 3D * WB 5,504,062
Precious Lions Gate 5,085,319
I Am Love Magnolia 5,002,411
An Education * Sony Classics 4,963,224
* does not include 2009 box office

The Ultimate DVD Geek: Precious

Thursday, July 8th, 2010

Precious: Based on a Novel by Sapphire

The glamour of the Oscars, where Gabourey Sidibe was nominated for her performance in the central role, would fit perfectly into the dream sequences of Precious: Based upon a Novel by Sapphire, from Lionsgate, and the Awards served as a sort of an emotional epilog to the movie, one that to some extent counteracts the greater likelihood of the protagonist’s fate. In the film, her character, pregnant and (more…)

March 5

Friday, March 5th, 2010
……….……………………………
x
1
The Hurt Locker
1
1
2
1
1
1
1
1
2
1
2
1
1
1
1
147
2
Avatar
2
2
1
2
2
2
2
2
1
2
1
2
3
2
2
138
3
Inglourious Basterds
4
5
3
3
3
3
3
3
6
3
3
3
4
3
3
113
4
Up in the Air
3
3
4
4
5
4
5
4
4
4
5
5
2
4
4
106
5
Precious: Based on the Novel “Push” by Sapphire
5
4
5
5
6
6
4
5
5
8
4
4
7
5
5
87
6
Up
6
7
7
6
9
5
7
6
7
5
7
6
5
7
7
68
7
An Education
7
6
6
8
8
8
6
7
8
7
6
7
6
6
8
61
8
The Blind Side
9
10
10
7
4
7
9
10
3
6
10
10
8
10
6
46
9
District 9
8
9
8
9
10
9
8
8
10
9
8
9
9
8
9
34
10
A Serious Man
10
8
9
10
7
10
10
9
9
10
9
8
10
9
10
27

* Greg Ellwood moved Avatar to #1.
* Anne Thompson moved The Blind Side from #7 to #10, A Serious Man from #8 to #9, District 9 from #9 to #8, and Up from #10 to #7.
* Anthony Breznican moved The Hurt Locker from #3 to #1, Avatar from #1 to #2, and Up in the Air from #2 to #3

.

……….……………………………
x
1
Kathryn Bigelow
The Hurt Locker
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
75
2
James Cameron
Avatar
3
2
2
2
2
2
2
2
2
2
2
2
2
2
2
59
3
Quentin Tarantino
Inglourious Basterds
2
4
3
3
3
3
3
3
4
3
3
3
3
3
3
44
4
Jason Reitman
Up in the Air
4
3
5
5
5
4
4
4
3
4
5
5
4
4
4
27
5
Lee Daniels
Precious: Based on the Novel “Push” by Sapphire
5
5
4
4
4
5
5
5
5
5
4
4
5
5
5
20
………………………………………..
x
1
Jeff Bridges
Crazy Heart
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
75
2
Jeremy Renner
The Hurt Locker
2
2
5
4
2
5
2
2
2
2
2
2
2
2
3
51
3
George Clooney
Up in the Air
4
3
2
3
3
2
4
3
3
4
4
3
3
3
2
44
4
Colin Firth
A Single Man
3
4
3
2
4
4
3
4
4
3
3
4
4
4
4
37
5
Morgan Freeman
Invictus
5
5
4
5
5
3
5
5
5
5
5
5
5
5
5
18
……………………………………….
x
1
Sandra Bullock
The Blind Side
1
1
1
1
1
1
1
1
1
2
2
1
1
1
1
73
2
Meryl Streep
Julie and Julia
3
2
2
2
2
2
2
2
2
1
1
3
2
2
2
60
3
Carey Mulligan
An Education
4
4
3
3
4
4
3
3
4
3
3
4
3
3
3
39
4
Gabourey Sidibe
Precious: Based on the Novel ‘Push’ by Sapphire
2
3
4
4
3
3
4
4
5
4
4
2
4
4
4
36
5
Helen Mirren
The Last Station
5
5
5
5
5
5
5
5
3
5
5
5
5
5
5
17
* Pete Hammond moved Meryl Streep to #2.
.
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x
1
Mo’Nique
Precious: Based on the Novel “Push” by Sapphire
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
75
2
Maggie Gyllenhaal
Crazy Heart
3
4
4
4
2
5
2
3
3
4
2
2
2
2
3
45
3
Anna Kendrick
Up in the Air
4
2
2
2
5
3
3
2
4
2
3
4
3
2
43
4
Vera Farmiga
Up in the Air
2
3
3
3
4
4
4
4
2
3
4
3
4
4
37
5
Penelope Cruz
Nine
5
5
5
5
3
2
5
5
5
5
5
5
5
5
19
…………………………………….
x
1
Christoph Waltz
Inglourious Basterds
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
75
2
Woody Harrelson
The Messenger
3
2
2
3
3
4
2
2
4
2
2
2
3
2
3
51
3
Christopher Plummer
The Last Station
4
5
4
2
2
2
4
4
2
3
3
2
3
4
40
4
Stanely Tucci
The Lovely Bones
2
4
5
5
4
3
3
3
3
4
5
4
4
2
33
5
Matt Damon
Invictus
5
3
3
4
5
5
5
5
5
5
4
5
5
5
20
……..……………………………..
x
1
The Hurt Locker
1
2
1
2
2
1
1
2
1
1
1
1
1
2
2
69
2
Inglourious Basterds
2
1
2
1
1
2
2
1
2
2
2
2
2
1
1
66
3
Up
3
5
3
3
4
5
3
3
5
3
3
3
3
3
4
37
4
A Serious Man
5
4
4
4
3
4
4
5
3
4
5
5
4
3
27
5
The Messenger
4
3
5
5
5
3
5
4
4
5
4
4
5
5
23
………………………………………
x
1
Up in the Air
1
1
1
1
1
1
1
1
1
1
3
1
1
1
1
73
2
Precious: Based on the Novel “Push” by Sapphire
2
2
4
2
2
2
2
3
4
2
2
3
2
3
4
51
3
An Education
3
3
5
3
4
4
3
2
2
3
1
5
3
2
2
45
4
In the Loop
4
4
2
4
3
5
4
4
3
4
5
2
5
5
5
31
5
District 9
5
5
3
5
5
3
5
5
5
5
4
4
4
4
3
25
……….……………………………
x
The White Ribbon
Germany
1
1
1
3
3
1
2
1
2
2
1
2
2
2
1
61
Un Prophete
France
2
2
3
2
4
2
3
2
1
3
2
1
3
3
2
55
El Secreto de Sus Ojos
Argentina
4
4
2
1
1
3
1
3
3
1
4
1
1
4
51
Ajami
Israel
3
5
4
4
2
4
5
4
4
4
3
4
4
3
31
The Milk of Sorrow
Peru
5
3
5
5
5
5
4
5
5
5
5
5
5
5
17
……….……………………………
x
The Cove
Nominees TBD
1
1
1
1
3
1
1
1
1
1
1
1
1
1
1
73
Food, Inc
Robert Kenner, Elise Pearlstein
2
2
3
2
2
2
2
2
2
2
2
2
2
3
2
58
Most Dangerous Man in America: Daniel Ellsberg & the Pentagon Papers
Judith Ehrlich, Rick Goldsmith
3
4
2
4
1
3
3
5
3
5
3
5
4
3
36
Which Way Home
Rebecca Cammisa
5
5
5
5
5
5
4
3
4
4
4
3
3
2
5
28
Burma VJ
Anders Østergaard , Lise Lense-Møller
4
3
4
3
4
4
5
4
5
3
5
4
5
4
27
………………………………………..
x
Up
Pete Docter
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
75
Fantastic Mr. Fox
Wes Anderson
2
3
3
2
2
2
2
2
3
2
3
2
2
3
3
51
Coraline
Henry Selick
4
2
2
3
3
3
3
3
2
3
2
4
2
2
46
The Princess and the Frog
John Musker and Ron Clements
3
4
4
4
5
4
4
4
4
4
5
3
4
4
28
The Secret of Kells
Tomm Moore
5
5
5
5
4
5
5
5
5
5
4
5
5
5
16
……………………………………….
x
Avatar
Art Direction: Rick Carter and Robert Stromberg Set Decoration: Kim Sinclair
1
2
1
1
1
1
1
1
1
1
1
1
1
1
1
74
Sherlock Holmes
Art Direction: Sarah Greenwood Set Decoration: Katie Spencer
3
4
4
3
2
2
2
3
5
4
2
2
2
2
44
Nine
Art Direction: John Myhre Set Decoration: Gordon Sim
2
3
3
4
3
5
3
2
3
5
3
3
3
5
37
The Young Victoria
Art Direction: Patrice Vermette Set Decoration: Maggie Gray
4
5
5
2
4
3
4
4
4
3
5
2
4
4
3
34
The Imaginarium of Dr Parnassus
Art Direction: Dave Warren and Anastasia Masaro Set Decoration: Caroline Smith
5
1
2
5
5
4
5
5
2
2
4
5
5
4
30
………………………………………
x
Avatar
Mauro Fiore
1
1
1
1
2
1
2
1
1
2
1
1
1
1
1
72
The Hurt Locker
Barry Ackroyd
2
3
2
3
1
2
1
2
2
1
2
2
4
3
2
58
Inglourious Basterds
Robert Richardson
3
4
3
2
4
4
3
3
3
3
3
3
2
2
3
46
The White Ribbon
Christian Berger
5
2
5
4
3
3
4
4
4
4
4
4
3
4
5
32
Harry Potter & the Half-Blood Prince
Bruno Delbonnel
4
5
4
5
5
5
5
5
5
5
5
5
5
4
17
Greg Ellwood and Pete Hammond moved Avatar to #1.
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x
The Young Victoria
Sandy Powell
1
4
1
1
3
1
1
1
4
1
1
1
1
1
1
67
Bright Star
Janet Patterson
4
2
3
4
2
2
2
2
5
2
5
3
3
3
3
45
Nine
Colleen Atwood
2
5
2
3
1
5
3
4
1
5
2
2
2
2
45
Coco Before Chanel
Catherine Leterrier
3
1
4
2
4
3
5
3
3
4
3
2
4
5
4
40
The Imaginarium of Dr Parnassus
Monique Prudhomme
5
3
5
5
5
4
4
5
2
3
4
5
4
5
25
……..……………………………..
x
The Hurt Locker
Bob Murawski and Chris Innis
2
3
1
1
1
1
1
1
1
1
2
1
1
2
1
70
Avatar
Stephen Rivkin, John Refoua and James Cameron
1
2
2
2
2
2
2
2
2
2
1
2
2
1
2
63
Inglourious Basterds
Sally Menke
3
4
4
3
3
4
3
3
3
3
3
3
3
3
3
42
District 9
Julian Clarke
4
1
3
4
4
3
4
5
4
5
5
4
4
4
30
Precious
Joe Klotz
5
5
5
5
5
5
5
4
5
4
4
5
5
5
17
Susan Wloszczyna moved Hurt Locker to #1.
.
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x
Up
Michael Giacchino
1
1
1
1
1
3
1
1
1
1
3
1
1
1
1
68
Avatar
James Horner
3
2
2
2
2
1
3
2
2
2
1
2
2
3
2
60
The Hurt Locker
Marco Beltrami and Buck Sanders
2
4
5
5
3
2
2
5
3
3
2
3
3
5
3
41
Fantastic Mr. Fox
Alexandre Desplat
3
3
4
4
4
4
4
5
5
4
4
4
4
5
27
Sherlock Holmes
Hans Zimmer
5
4
3
5
5
5
3
4
4
5
5
2
4
25
Susan Wloszczyna moved Up to #1.
.
………………………………………
x
“The Weary Kind (Theme from Crazy Heart)
Crazy Heart
Music and Lyric by Ryan Bingham and T Bone Burnett
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
75
“Down in New Orleans”
The Princess and the Frog
Music and Lyric by Randy Newman
2
4
3
2
5
2
4
4
3
2
2
2
3
2
3
47
Take it All”
Nine
Music and Lyric by Maury Yeston
3
2
4
4
2
4
2
2
2
4
5
2
3
4
41
“Almost There”
The Princess and the Frog
Music and Lyric by Randy Newman
4
3
2
3
4
3
3
3
4
3
3
4
4
2
39
“Loin de Paname”
Paris 36
Music by Reinhardt Wagner Lyric by Frank Thomas
5
5
5
5
2
5
5
5
5
5
4
5
5
5
18
………………………………………
x
Avatar
Christopher Boyes and Gwendolyn Yates Whittle
1
1
1
1
2
1
1
1
2
1
1
1
1
1
2
72
The Hurt Locker
Paul N.J. Ottoson
2
4
2
2
1
2
2
2
1
2
2
3
2
2
1
60
Inglourious Basterds
Wylie Stateman
3
5
5
3
3
3
4
4
3
3
3
2
4
3
3
39
Star Trek
Mark Stoeckinger and Alan Rankin
4
2
3
4
5
4
3
3
4
5
4
3
4
4
32
Up
Michael Silvers and Tom Myers
5
3
4
5
4
5
5
5
5
4
5
5
5
5
19
Pete Hammond and Greg Ellwood moved Avatar to number one.
.
………………………………………
x
Star Trek
Barney Burman, Mindy Hall and Joel Harlow
2
1
1
1
2
1
1
1
1
1
1
3
1
1
2
70
The Young Victoria
Jon Henry Gordon and Jenny Shircore
1
3
2
2
1
2
2
2
3
2
2
1
2
2
1
62
Il Divo
Aldo Signoretti and Vittorio Sodano
3
2
3
3
3
3
3
3
2
3
3
2
3
3
3
48
* Anne Thompson moved Star Trek to #1.
………………………………………
x
Avatar
Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
1
1
1
1
2
1
1
1
2
2
1
2
2
1
2
69
The Hurt Locker
Paul N.J. Ottosson and Ray Beckett
2
2
2
2
1
2
2
2
1
1
2
1
1
2
1
66
Inglourious Basterds
Michael Minkler, Tony Lamberti and Mark Ulano
4
4
4
3
3
3
4
4
3
3
3
3
3
4
3
39
Star Trek
Anna Behlmer, Andy Nelson, Peter J. Devlin
3
3
3
4
5
4
3
3
4
5
4
4
5
4
30
Transformers: Revenge of the Fallen
Greg P. Russell, Gary Summers and Geoffrey Patterson
5
5
5
5
4
5
5
5
5
4
5
5
3
5
18
* Anne Thompson moved The Hurt Locker from #5 to #2, Transformers from #2 to #3, and Star Trek from #3 to #5
………………………………………
x
Avatar
Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
75
District 9
Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
3
2
2
3
2
2
3
3
3
2
2
2
3
2
50
Star Trek
Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
2
3
3
2
3
3
2
2
2
3
3
3
2
3
48

NOTE: Changes from last week are marked in bold.

The Gurus

Scott Bowles
…… USA Today
Anthony Breznican
…… USA Today
Greg Ellwood
——–HitFix
Pete Hammond
…… LAT Envelope
Eugene Hernandez
…… indieWIRE
Peter Howell
…… The Toronto Star
Dave Karger
…… Entertainment Weekly
Mark Olsen
…….LA Times


David Poland
…… MCN
Steve Pond
…… The Wrap
Sasha Stone
…… AwardsDaily.com
Sean Smith
…… Entertainment Weekly
Kris Tapley
…… In Contention
Anne Thompson
…… Thompson On Hollywood
Susan Wloszczyna
…… USA Today

Precious Reigns at Revamped Spirits

Friday, March 5th, 2010

The annual Independent Spirit Awards have been slouching toward mainstream for most of the last 10 years, or, roughly, since television fell in love with any awards show that could coax a celebrity to leave his or her Malibu cocoon for the price of a swag bag. Before that, hardly anyone walking down the red carpet was asked whose designs they were wearing, because the answer invariably was Levi Strauss or the Salvation Army.

Now, though, nominees and presenters are expected toe the same fashion line as those selected for the Oscars. Publicists cling to their clients, directing them toward pet paparazzi and celebrity outlets with the highest ratings and circulation. God forbid, there should be an unscripted moment on or off stage.
Nevertheless, it would be difficult to find anyone who didn’t enjoy spending a few hours on the beach on a sunny Saturday afternoon, among friends, in the service of independent and other low-budget films. Trophies tended to go to the right people and the food wasn’t bad.
Friday night, about 15 miles east of Santa Monica, a very different scenario played out. It’s unlikely that anyone was terribly surprised that Precious dominated the evening, winning trophies for Best Feature, Best Director, Best Female Lead and Best Supporting Actress, or that Crazy Heart grabbed Best First Feature” and Best Male Lead. The show’s logistics were what kept the independent community buzzing this week.
Film Independent dared mark its 25th anniversary ceremony by migrating East of La Brea, to Los Angeles’ revitalized Downtown. The trademark white tent was pitched on the second floor of a parking structure (a.k.a., L.A. Live Event Deck) across the street from the Nokia Theater, next door to a movie multiplex, within spitting distance of a veritable chain of chain restaurants and a short stroll to Staples Center, where the Clippers were playing something called the Thunder. Klieg lights raked the skies and parking tabs ranged from $5 to $20, although free street parking was available three blocks away. Almost as tellingly, Dick Clark Productions was enlisted to streamline the show.
Organizers argued that the move was made in an effort to “shake things up” from years past. They seemed to agree that things had gotten a bit stale, as the standards embraced by Spirits’ executives began to merge with those of television producers. How much damage had been done to the “brand” remained open to question. The 8 p.m. start – 11 p.m. for audiences on the East Coast – suggested that ratings may not have been the primary consideration.
Sadly, the show’s announcer felt it necessary to remind viewers on IFC telecast that the Spirits ceremony was the “uncensored and unpredictable” awards show, just as the Golden Globes were misleadingly pitched as “Hollywood’s biggest party.” Host Eddie Izzard did caution, however, that the C-word was verboten and F-bombs were discouraged. Happily, the latter boundary was destroyed early and often by presenter Ken Jeong, who repeated some of the dialogue that helped to push The Hangover into R-territory.
This year, too, a larger-than-usual number of movies nominated for Spirits also were competing for honors Sunday night at the Kodak Theater. Reporters, encamped in a smaller white tent adjacent to the Big Top, exploited the coincidence by asking winners, “what do you think will happen at the Oscars,” “how will you spend the day before the big night” and “who do you want to see win.” Duh, duh and duh.
The people’s favorite, Mo’Nique, was the easy reply to the first and third questions, of course. She continued her winning streak Friday and is the prohibitive favorite to take home an Oscar, as Mary, in Precious: Based on the Novel Push by Sapphire. Once again, she praised her co-star Gabourey Sidibe and director Lee Daniels. She also said that her greatest moment of the publicity campaign came after a DGA screening, when a fan came to her in tears and said, “I was Mary.” It represented for her the kind of response she’d been getting from people who identified with the characters in Precious, almost all of whom were unique to the big screen, outside the art-house circuit.
Backstage, Sidibe said that Oscar night won’t be the same, because she won’t be able to continue her tradition of watching The Simpsons, instead.

It has been duly noted in the local press that the absence of The Hurt Locker among this year’s nominees was the result of it being submitted for consideration in 2009. It was a quirk in the rules that Film Independent executive director, Dawn Hudson, said would be addressed.
No doubt, the emotional highlight of evening came when critic Roger Ebert’s contributions to independent film were recognized by the organization. The audience gave him a sustained standing ovation, as much for that as his courageous and very public battle with cancer. It was announced this week that Ebert and his wife have established the Chaz & Roger Ebert Truer Than Fiction Award, with a gift through their family foundation. It includes a $25,000 unrestricted grant, designed to support emerging directors of non-fiction features. This year’s winners were Bill and Turner Ross, for “45365.”
Another change for this year’s show came in the selection of interstitial entertainment. Instead of presenting song parodies, as has been the tradition, Jeff Bridges sang a song from Crazy Heart and Anvil performed a heavy heavy-metal song that might have been heard in Santa Monica. It certainly shook the concrete floor of the parking structure. Later, Anvil: The Story of Anvil would capture the Best Documentary trophy.
Among the other winners were: Woody Harrelson, for Best Supporting Male, The Messenger; (500) Days of Summer, Best Screenplay; An Education, for Best Foreign Film; Humpday, the John Cassavetes Award; and A Serious Man, for Best Cinematography and Robert Altman Award.

– Gary Dretzka
March 5, 2010

February 25

Thursday, February 25th, 2010
……….……………………………
x
1
The Hurt Locker
1
3
1
1
1
1
1
1
2
1
2
1
1
1
1
146
2
Avatar
2
1
2
2
2
2
2
2
1
2
1
2
3
2
2
137
3
Inglourious Basterds
4
5
3
3
3
3
3
3
6
3
3
3
4
3
3
113
4
Up in the Air
3
2
4
4
5
4
5
4
4
4
5
5
2
4
4
106
5
Precious: Based on the Novel “Push” by Sapphire
5
4
5
5
6
6
4
5
5
8
4
4
7
5
5
87
6
Up
6
7
7
6
9
5
7
6
7
5
7
6
5
10
7
65
7
An Education
7
6
6
8
8
8
6
7
8
7
6
7
6
6
8
61
8
The Blind Side
9
10
10
7
4
7
9
10
3
6
10
10
8
7
6
49
9
District 9
8
9
8
9
10
9
8
8
10
9
8
9
9
9
9
33
10
A Serious Man
10
8
9
10
7
10
10
9
9
10
9
8
10
8
10
28

……….……………………………
x
1
Kathryn Bigelow
The Hurt Locker
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
75
2
James Cameron
Avatar
3
2
2
2
2
2
2
2
2
2
2
2
2
2
2
59
3
Quentin Tarantino
Inglourious Basterds
2
4
3
3
3
3
3
3
4
3
3
3
3
3
3
44
4
Jason Reitman
Up in the Air
4
3
5
5
5
4
4
4
3
4
5
5
4
4
4
27
5
Lee Daniels
Precious: Based on the Novel “Push” by Sapphire
5
5
4
4
4
5
5
5
5
5
4
4
5
5
5
20
………………………………………..
x
1
Jeff Bridges
Crazy Heart
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
75
2
Jeremy Renner
The Hurt Locker
2
2
5
4
2
5
2
2
2
2
2
2
2
2
3
51
3
George Clooney
Up in the Air
4
3
2
3
3
2
4
3
3
4
4
3
3
3
2
44
4
Colin Firth
A Single Man
3
4
3
2
4
4
3
4
4
3
3
4
4
4
4
37
5
Morgan Freeman
Invictus
5
5
4
5
5
3
5
5
5
5
5
5
5
5
5
18
……………………………………….
x
1
Sandra Bullock
The Blind Side
1
1
1
1
1
1
1
1
1
2
2
1
1
1
1
73
2
Meryl Streep
Julie and Julia
3
2
2
3
2
2
2
2
2
1
1
3
2
2
2
59
3
Carey Mulligan
An Education
4
4
3
2
4
4
3
3
4
3
3
4
3
3
3
40
4
Gabourey Sidibe
Precious: Based on the Novel ‘Push’ by Sapphire
2
3
4
4
3
3
4
4
5
4
4
2
4
4
4
36
5
Helen Mirren
The Last Station
5
5
5
5
5
5
5
5
3
5
5
5
5
5
5
17
………………………………………
x
1
Mo’Nique
Precious: Based on the Novel “Push” by Sapphire
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
75
2
Maggie Gyllenhaal
Crazy Heart
3
4
4
4
2
5
2
3
3
4
2
2
2
2
3
45
3
Anna Kendrick
Up in the Air
4
2
2
2
5
3
3
2
4
2
3
4
3
2
43
4
Vera Farmiga
Up in the Air
2
3
3
3
4
4
4
4
2
3
4
3
4
4
37
5
Penelope Cruz
Nine
5
5
5
5
3
2
5
5
5
5
5
5
5
5
19
…………………………………….
x
1
Christoph Waltz
Inglourious Basterds
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
75
2
Woody Harrelson
The Messenger
3
2
2
3
3
4
2
2
4
2
2
2
3
2
3
51
3
Christopher Plummer
The Last Station
4
5
4
2
2
2
4
4
2
3
3
2
3
4
40
4
Stanely Tucci
The Lovely Bones
2
4
5
5
4
3
3
3
3
4
5
4
4
2
33
5
Matt Damon
Invictus
5
3
3
4
5
5
5
5
5
5
4
5
5
5
20
……..……………………………..
x
1
The Hurt Locker
1
2
1
2
2
1
1
2
1
1
1
1
1
2
2
69
2
Inglourious Basterds
2
1
2
1
1
2
2
1
2
2
2
2
2
1
1
66
3
Up
3
5
3
3
4
5
3
3
5
3
3
3
3
3
4
37
4
A Serious Man
5
4
4
4
3
4
4
5
3
4
5
5
4
3
27
5
The Messenger
4
3
5
5
5
3
5
4
4
5
4
4
5
5
23
………………………………………
x
1
Up in the Air
1
1
1
1
1
1
1
1
1
1
3
1
1
1
1
73
2
Precious: Based on the Novel “Push” by Sapphire
2
2
4
2
2
2
2
3
4
2
2
3
2
3
4
51
3
An Education
3
3
5
3
4
4
3
2
2
3
1
5
3
2
2
45
4
In the Loop
4
4
2
4
3
5
4
4
3
4
5
2
5
5
5
31
5
District 9
5
5
3
5
5
3
5
5
5
5
4
4
4
4
3
25
……….……………………………
x
The White Ribbon
Germany
1
1
1
3
3
1
2
1
2
2
1
2
2
2
1
61
Un Prophete
France
2
2
3
2
4
2
3
2
1
3
2
1
3
3
2
55
El Secreto de Sus Ojos
Argentina
4
4
2
1
1
3
1
3
3
1
4
1
1
4
51
Ajami
Israel
3
5
4
4
2
4
5
4
4
4
3
4
4
3
31
The Milk of Sorrow
Peru
5
3
5
5
5
5
4
5
5
5
5
5
5
5
17
……….……………………………
x
The Cove
Nominees TBD
1
1
1
1
3
1
1
1
1
1
1
1
1
1
1
73
Food, Inc
Robert Kenner, Elise Pearlstein
2
2
3
2
2
2
2
2
2
2
2
2
2
3
2
58
Most Dangerous Man in America: Daniel Ellsberg & the Pentagon Papers
Judith Ehrlich, Rick Goldsmith
3
4
2
4
1
3
3
5
3
5
3
5
4
3
36
Which Way Home
Rebecca Cammisa
5
5
5
5
5
5
4
3
4
4
4
3
3
2
5
28
Burma VJ
Anders Østergaard , Lise Lense-Møller
4
3
4
3
4
4
5
4
5
3
5
4
5
4
27
………………………………………..
x
Up
Pete Docter
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
75
Fantastic Mr. Fox
Wes Anderson
2
3
3
2
2
2
2
2
3
2
3
2
2
3
3
51
Coraline
Henry Selick
4
2
2
3
3
3
3
3
2
3
2
4
2
2
46
The Princess and the Frog
John Musker and Ron Clements
3
4
4
4
5
4
4
4
4
4
5
3
4
4
28
The Secret of Kells
Tomm Moore
5
5
5
5
4
5
5
5
5
5
4
5
5
5
16
……………………………………….
x
Avatar
Art Direction: Rick Carter and Robert Stromberg Set Decoration: Kim Sinclair
1
2
1
1
1
1
1
1
1
1
1
1
1
1
1
74
Sherlock Holmes
Art Direction: Sarah Greenwood Set Decoration: Katie Spencer
3
4
4
3
2
2
2
3
5
4
2
2
2
2
44
Nine
Art Direction: John Myhre Set Decoration: Gordon Sim
2
3
3
4
3
5
3
2
3
5
3
3
3
5
37
The Young Victoria
Art Direction: Patrice Vermette Set Decoration: Maggie Gray
4
5
5
2
4
3
4
4
4
3
5
2
4
4
3
34
The Imaginarium of Dr Parnassus
Art Direction: Dave Warren and Anastasia Masaro Set Decoration: Caroline Smith
5
1
2
5
5
4
5
5
2
2
4
5
5
4
30
………………………………………
x
Avatar
Mauro Fiore
1
1
2
3
2
1
2
1
1
2
1
1
1
1
1
69
The Hurt Locker
Barry Ackroyd
2
3
1
1
1
2
1
2
2
1
2
2
4
3
2
61
Inglourious Basterds
Robert Richardson
3
4
3
2
4
4
3
3
3
3
3
3
2
2
3
45
The White Ribbon
Christian Berger
5
2
5
4
3
3
4
4
4
4
4
4
3
4
5
32
Harry Potter & the Half-Blood Prince
Bruno Delbonnel
4
5
4
5
5
5
5
5
5
5
5
5
5
4
17
…………………………………….
x
The Young Victoria
Sandy Powell
1
4
1
1
3
1
1
1
4
1
1
1
1
1
1
67
Bright Star
Janet Patterson
4
2
3
4
2
2
2
2
5
2
5
3
3
3
3
45
Nine
Colleen Atwood
2
5
2
3
1
5
3
4
1
5
2
2
2
2
45
Coco Before Chanel
Catherine Leterrier
3
1
4
2
4
3
5
3
3
4
3
2
4
5
4
40
The Imaginarium of Dr Parnassus
Monique Prudhomme
5
3
5
5
5
4
4
5
2
3
4
5
4
5
25
……..……………………………..
x
The Hurt Locker
Bob Murawski and Chris Innis
2
3
1
1
1
1
1
1
1
1
2
1
1
2
2
69
Avatar
Stephen Rivkin, John Refoua and James Cameron
1
2
2
2
2
2
2
2
2
2
1
2
2
1
1
64
Inglourious Basterds
Sally Menke
3
4
4
3
3
4
3
3
3
3
3
3
3
3
3
42
District 9
Julian Clarke
4
1
3
4
4
3
4
5
4
5
5
4
4
4
30
Precious
Joe Klotz
5
5
5
5
5
5
5
4
5
4
4
5
5
5
17
………………………………………
x
Up
Michael Giacchino
1
1
1
1
1
3
1
1
1
1
3
1
1
1
4
68
Avatar
James Horner
3
2
2
2
2
1
3
2
2
2
1
2
2
3
1
60
The Hurt Locker
Marco Beltrami and Buck Sanders
2
4
5
5
3
2
2
5
3
3
2
3
3
5
2
41
Fantastic Mr. Fox
Alexandre Desplat
3
3
4
4
4
4
4
5
5
4
4
4
4
5
27
Sherlock Holmes
Hans Zimmer
5
4
3
5
5
5
3
4
4
5
5
2
3
25
………………………………………
x
“The Weary Kind (Theme from Crazy Heart)
Crazy Heart
Music and Lyric by Ryan Bingham and T Bone Burnett
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
75
“Down in New Orleans”
The Princess and the Frog
Music and Lyric by Randy Newman
2
4
3
2
5
2
4
4
3
2
2
2
3
2
3
47
Take it All”
Nine
Music and Lyric by Maury Yeston
3
2
4
4
2
4
2
2
2
4
5
2
3
4
41
“Almost There”
The Princess and the Frog
Music and Lyric by Randy Newman
4
3
2
3
4
3
3
3
4
3
3
4
4
2
39
“Loin de Paname”
Paris 36
Music by Reinhardt Wagner Lyric by Frank Thomas
5
5
5
5
2
5
5
5
5
5
4
5
5
5
18
………………………………………
x
Avatar
Christopher Boyes and Gwendolyn Yates Whittle
1
1
2
2
2
1
1
1
2
1
1
1
1
1
2
70
The Hurt Locker
Paul N.J. Ottoson
2
4
1
1
1
2
2
2
1
2
2
3
2
2
1
62
Inglourious Basterds
Wylie Stateman
3
5
5
3
3
3
4
4
3
3
3
2
4
3
3
39
Star Trek
Mark Stoeckinger and Alan Rankin
4
2
3
4
5
4
3
3
4
5
4
3
4
4
32
Up
Michael Silvers and Tom Myers
5
3
4
5
4
5
5
5
5
4
5
5
5
5
19
………………………………………
x
Star Trek
Barney Burman, Mindy Hall and Joel Harlow
2
1
1
1
2
1
1
1
1
1
1
3
1
2
2
69
The Young Victoria
Jon Henry Gordon and Jenny Shircore
1
3
2
2
1
2
2
2
3
2
2
1
2
1
1
63
Il Divo
Aldo Signoretti and Vittorio Sodano
3
2
3
3
3
3
3
3
2
3
3
2
3
3
3
48
………………………………………
x
Avatar
Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
1
1
1
1
2
1
1
1
2
2
1
2
2
1
2
69
The Hurt Locker
Paul N.J. Ottosson and Ray Beckett
2
2
2
2
1
2
2
2
1
1
2
1
1
5
1
63
Inglourious Basterds
Michael Minkler, Tony Lamberti and Mark Ulano
4
4
4
3
3
3
4
4
3
3
3
3
3
4
3
39
Star Trek
Anna Behlmer, Andy Nelson, Peter J. Devlin
3
3
3
4
5
4
3
3
4
5
4
4
3
4
32
Transformers: Revenge of the Fallen
Greg P. Russell, Gary Summers and Geoffrey Patterson
5
5
5
5
4
5
5
5
5
4
5
5
2
5
19
………………………………………
x
Avatar
Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
75
District 9
Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
3
2
2
3
2
2
3
3
3
2
2
2
3
2
50
Star Trek
Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
2
3
3
2
3
3
2
2
2
3
3
3
2
3
48

The Gurus

Scott Bowles
…… USA Today
Anthony Breznican
…… USA Today
Greg Ellwood
——–HitFix
Pete Hammond
…… LAT Envelope
Eugene Hernandez
…… indieWIRE
Peter Howell
…… The Toronto Star
Dave Karger
…… Entertainment Weekly
Mark Olsen
…….LA Times

David Poland
…… MCN
Steve Pond
…… The Wrap
Sasha Stone
…… AwardsDaily.com
Sean Smith
…… Entertainment Weekly
Kris Tapley
…… In Contention
Anne Thompson
…… Thompson On Hollywood
Susan Wloszczyna
…… USA Today

Precious, director Lee Daniels Redux (February 2010)

Wednesday, February 24th, 2010

February 11

Thursday, February 11th, 2010

Has anything changed in your
opinion since nominations?
If so, what?
Scott Bowles Nope
Anthony Breznican I don’t think much has changed. Jeff Bridges wins. Sandra Bullock wins. Christoph Waltz. Mo’Nique. Best picture — Avatar? Probably. But looking at the formula for calculating the 10 votes to include second and third choices makes me wonder how solid that is. Does that potentially benefit The Hurt Locker? Dark-horse Up in the Air? Invictus? (Wait, nevermind …) Probably Bigelow for director. Avatar for picture. Up in the Air gets adapted screenplay for Reitman, while Inglourious Basterds wins original screenplay for Tarantino. And overall, the Academy spreads the wealth during a very strong year.
Gregory Ellwood I think the only thing that has changed – ever so slightly – is that people would actually be surprised of Streep won Best Actress. It’s pretty much expected that Bullock will win.
Pete Hammond I think the Best Picture race is appearing more fluid because of the uncertainty of how the preferential balloting will affect certain films. Still no matter how many times I come up with an alternative premise that tries to make the race interesting and suspenseful I then talk to a handful of Oscar voters who tell me they are voting for The Hurt Locker. Go figure. No other changes in the acting races. They appear locked as far as I can see although the actress race has gotten more aggressive but will it help? We’ll see. It’s Bullock’s to lose at this point.
Eugene Hernandez In the wake of her DGA win and continued momentum for The Hurt Locker, Kathryn Bigelow seems to be solidly on track for the directing Oscar. Meanwhile Jeff Bridges, Christoph Waltz and Mo’Nique appear headed for wins, as well. I think Sandra Bullock is well positioned, but keep an eye on Meryl Streep. At this stage, is anyone willing to consider a surprise in this category: Gabourey Sidibe or Carey Mulligan. Not out of the question. Also, I’m keeping an eye on the doc category. Food Inc. seems solid, but The Cove got a boost this week with news of a release in Japan. Don’t count out Daniel Ellsberg, which is a strong film. Finally, best picture: In any other year I’d predict The Hurt Locker at this moment, but given the new ballot with ten nominees… We’ll all be holding our breath down to the final award of the night. Just what the Academy ordered.
Peter Howell I don’t think anything has changed, apart from firming up of the top prospects. I’ve talked to lot of people who are FINALLY going to see The Hurt Locker as result of the noms — which is good.
Dave Karger No, we’re definitely in a lull right now…
Mark Olsen
Nothing has changed, things have just solidified/been confirmed. It’s kind of the scourge of the extended awards season and our microscopic coverage, that we take much of the surprise out of it both for ourselves and anyone else who actually follows along. Of course, if things weren’t quite so predictable/understandable we’d all be out of business, so…
David Poland Well, there’s a lot of talk. Seems to me that the thing that has changed is that viewers of The Hurt Locker in The Academy has probably jumped from 40% to 90%. That’s a huge win.
Steve Pond What’s changed is that we’re looking for things to write about, and there aren’t as many of those things as there were a week ago.

Movement in the races, momentum shifts, that kind of thing? Not so much.

Sean Smith
Sasha Stone What has changed is that we are entering the second phase of the Oscar race. Not many people seem to notice that there was a date extension, which means that there are a few weeks with ballots outstanding. This is very different from the past several years when there wasn’t any time to mull over the frontrunners. That means there will be more careful consideration of the contenders.

Avatar has been seriously hurt by not winning the DGA or the PGA, or having any SAG nominations — heading into the Oscar race with no acting nor writing nominations means that it is weakest at the heart of the voting academy, where actors kind of rule. This change took place, it feels like, because of the momentum put forth by Cameron’s winning the Golden Globe. Voters after that in the various races seemed to go, “hold on a minute, THAT is the best film of 2009?” At the same time, though Avatar has become the highest earner, the week that ballots went out its position dipped to one behind Dear John. Had it remained in a dominant spot throughout these next few weeks it still might have been enough.What has changed, though, ultimately, is not a question we can answer because none of us have ever been through a ten-picture race. What is exciting is that anything is possible and no one should be surprised if a film not expected to win turns up in the number one spot, like Up or Precious, or even Inglourious Basterds. For me the miracle of this race, the truly surprising thing about it so far, is how well a small film written off by almost everyone (one that continues to be written off) keeps winning despite its box office returns. On the one hand, this could be seen as an anti-Cameron vote, on the other hand, wow.

The Oscar race is usually about the team who played it best. But this year it feels like it’s actually about the movie. That means that, perhaps, Hollywood might not be ready just yet to give up their nuts and bolts filmmaking and embrace the brave new world of computer-generated worlds and emotion-capture actors. On the other hand, maybe they are.

Kris Tapley Immediately after the Oscar nominations were announced, journalists in the broader media began to dig into the red meat of ” Avatar vs. The Hurt Locker” and all the nifty headlines it conjured.  But at least in fringe corners of the web — where this nonsense is a focus (raises hand) — an awareness of the Best Picture category’s use of the preferential ballot has begun to pick up steam.  This is, after all, one more change in protocol that could have as big an impact as “the 10.”  Suddenly Avatar is understood as a more polarizing film than its competition, and therefore weak to surprise attacks from consensus favorites like Up, Up in the Air or even Inglourious Basterds.  That The Hurt Locker rarely inspires active disapproval probably makes the slow realization moot, but the simple fact that the race can’t be boiled to two contenders is at least making the rounds.
Anne Thompson It’s hard to imagine anything dive-bombing Christoph Waltz and Mo’Nique’s Oscar chances. Sandra Bullock is not a lock to beat Meryl Streep. Many older Academy members are rooting for Hollywood’s most-nominated actress, who hasn’t won an Oscar since 1983’s Sophie’s Choice. And The Hurt Locker‘s Jeremy Renner, who actually played the piano and sang on The View, is challenging veteran Jeff Bridges, whose singing in Crazy Heart not only makes the movie, but should win him his first Oscar. Does Renner have a shot? Most folks didn’t call Adrien Brody’s win for The Pianist. But it’s Bridges’ turn.As for best picture and director, it’s Avatar vs. The Hurt Locker all the way. The trick is to convince people that Avatar isn’t just a great technological achievement but a movie to be taken seriously. That’s why I wonder: if Academy members vote for The Hurt Locker for best picture, wouldn’t they consider giving Cameron best director? Who else could have accomplished what he did on Avatar? It’s a director’s achievement. If it’s a popularity contest, self-effacing Bigelow wins against her egoistic ex-mate. But the Academy didn’t “like” Cameron last time, when Titanic won 11 Oscars. The major difference: Oscar voters took historic romantic period epic Titanic more seriously than tree-hugging sci-fi Avatar.
Susan Wloszczyna The excitement over Avatar and its record box office has subsided, Cameron gave a couple just-OK acceptance speeches and now it looks as if The Hurt Locker and — given the weighted voting — Inglourious Basterds might have a better chance at winning best picture. That surprises me since I would think Hollywood would celebrate the green the blue people brought in and how Cameron proved that 3D is not just a gimmick. Up in the Air seems to be deflating by the minute whereas Precious is taking its op-ed blows pretty well. As much as I am behind Team Bigelow, part of me would love to see a sci-fi film actually win the top prize.

Scott Bowles
…… USA Today
Anthony Breznican
…… USA Today
Greg Ellwood
——–HitFix
Pete Hammond
…… LAT Envelope
Eugene Hernandez
…… indieWIRE
Peter Howell
…… The Toronto Star
Dave Karger
…… Entertainment Weekly
Mark Olsen
…….LA Times


David Poland
…… MCN
Steve Pond
…… The Wrap
Sasha Stone
…… AwardsDaily.com
Sean Smith
…… Entertainment Weekly
Kris Tapley
…… In Contention
Anne Thompson
…… Thompson On Hollywood
Susan Wloszczyna
…… USA Today

Precious screenwriter Geoffrey Fletcher

Sunday, February 7th, 2010

February 2

Tuesday, February 2nd, 2010
……….……………………………
x
1
The Hurt Locker
3
1
1
1
2
1
2
2
1
3
1
1
1
2
142
2
Avatar
1
2
2
2
1
2
1
1
2
2
2
4
2
1
129
3
Inglourious Basterds
4
3
4
4
3
5
3
4
3
1
3
3
4
4
106
4
Up in the Air
2
4
3
6
5
3
5
5
4
5
4
2
3
3
100
5
Precious: Based on the Novel “Push” by Sapphire
6
5
5
5
4
4
4
9
8
4
5
6
5
5
79
6
Up
7
7
6
10
6
8
7
6
5
9
7
8
6
8
54
7
An Education
9
6
9
9
8
7
6
7
7
8
8
5
8
7
50
8
The Blind Side
8
8
7
3
7
9
8
3
6
10
10
7
9
6
52
9
District 9
5
9
8
8
9
6
9
8
9
6
6
9
7
9
46
10
A Serious Man
10
10
10
7
10
10
10
10
10
7
9
10
10
10
21

……….……………………………
x
1
Kathryn Bigelow
The Hurt Locker
1
1
1
1
1
1
1
1
1
1
1
1
2
1
69
2
James Cameron
Avatar
3
2
2
2
2
2
2
2
2
2
2
2
1
2
56
3
Quentin Tarantino
Inglourious Basterds
4
3
3
3
3
3
3
3
3
3
3
4
3
4
38
4
Jason Reitman
Up in the Air

2
5
4
5
4
4
4
4
4
5
4
3
4
3
29
5
Lee Daniels
Precious: Based on the Novel “Push” by Sapphire
5
4
5
4
5
5
5
5
5
4
5
5
5
5
17

………………………………………..
x
1
Jeff Bridges
Crazy Heart
1
1
1
1
1
1
1
1
1
1
1
1
1
1
70
2
George Clooney
Up in the Air
2
2
2
2
2
3
2
3
2
3
4
3
2
2
47
3
Jeremy Renner
The Hurt Locker
3
5
4
3
5
2
4
2
3
2
2
2
4
3
40
4
Colin Firth
A Single Man
4
3
3
4
4
4
3
4
4
4
3
5
3
4
32
5
Morgan Freeman
Invictus
5
4
5
5
3
5
5
5
5
5
5
4
5
5
18
……………………………………….
x
1
Sandra Bullock
The Blind Side
1
1
1
1
1
1
1
1
2
2
1
1
1
1
68
2
Meryl Streep
Julie and Julia
2
2
2
2
2
2
2
2
1
1
2
2
2
2
58
3
Carey Mulligan
An Education
4
4
4
5
4
3
3
4
3
4
4
3
3
4
32
4
Gabourey Sidibe
Precious: Based on the Novel ‘Push’ by Sapphire
3
5
3
4
3
4
4
5
4
3
3
4
4
3
32
5
Helen Mirren
The Last Station
5
3
5
3
5
5
5
3
5
5
5
5
5
5
20
………………………………………
x
1
Mo’Nique
Precious: Based on the Novel “Push” by Sapphire
1
1
1
1
1
1
1
1
1
1
1
1
1
1
70
2
Anna Kendrick
Up in the Air
2
2
2
3
3
2
2
4
2
3
2
2
4
2
49
3
Vera Farmiga
Up in the Air
3
3
3
4
4
4
4
2
3
4
3
5
3
3
35
4
Maggie Gyllenhaal
Crazy Heart
4
4
4
2
5
3
3
5
4
2
4
3
2
4
35
5
Penelope Cruz
Nine

5
5
5
5
2
5
5
3
5
5
5
4
5
5
21
…………………………………….
x
1
Christoph Waltz
Inglourious Basterds
1
1
1
1
1
1
1
1
1
1
1
1
1
70
2
Woody Harrelson
The Messenger
3
2
2
3
4
2
2
4
3
2
3
3
3
3
45
3
Stanely Tucci
The Lovely Bones
2
5
4
4
3
3
4
3
4
4
2
4
2
2
38
4
Christopher Plummer
The Last Station
4
4
3
2
2
4
5
2
2
5
5
2
4
4
36
5
Matt Damon
Invictus
5
3
5

5

1
5
5
3
5
5
3
4
5
5
5
21
……..……………………………..
x
1
The Hurt Locker
2
1
2
2
1
1
2
1
1
2
2
1
2
2
62
2
Inglourious Basterds
1
3
1
1
2
2
1
2
2
1
1
4
1
1
61
3
Up
3
2
3
4
5
3
3
5
3
4
5
2
3
4
35
4
The Messenger
4
4
5
5
3
4
4
4
5
5
3
3
5
5
25
5
A Serious Man
5
5
4
3
4
5
5
3
4
3
4
5
4
3
27
………………………………………
x
1
Up in the Air
1
1
1
1
2
1
1
1
1
2
1
1
1
2
67
2
Precious: Based on the Novel “Push” by Sapphire
3
5
2
2
1
2
3
4
3
1
2
3