I got caught up in a whirlwind of post-production meetings when I returned to Seattle, and didn’t get a chance to write up a few more notable films. Here’s a final roundup of a few more noteworthy films I saw at this year’s fest.
Taut, compelling Aussie horror-thriller about Amelia, a single mom struggling with the death of her husband, and her anxiety-ridden young son, who are stalked by a mysterious creature called The Babadook after a strange book shows up at their house. I know, it sounds kind of like an episode of Goosebumps, but up until the end it’s a pretty tight, engaging psychological thriller. Is the Babadook real, or is it a manifestation of maternal guilt and mourning? Femme writer-director Jennifer Kent explores these questions through the imagery of the story most effectively … until the last few minutes, when an ending that (to me) completely breaks from the theme of the rest of the film left me scratching my head, wondering if I’d projected that more was going on intellectually in the film than there actually is. It’s a strong enough film up until that point, an intriguing exploration of grief and survivors guilt, tied up neatly by some terrific performances, spot-on art direction, and spooky pacing — but man, I wish Kent would lose that ending.