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There's
no denying that The Fighting Temptations has the sort of cornball, simplistic
elements of movies from the 1930s that seamed appropriate to that era
but have generally aged poorly. Granted, sagas involving characters
that stray and are returned to the fold are older than Bible tales and,
when told well, still deliver an effective emotional punch. Though the
charms of this musical, comedy-drama aren't lofty, they are nonetheless
charms delivered simply and with the gusto of fun to be had, songs to
be sung and everybody on and off screen smiling as the end credits roll.
Unlike the Thomas
Wolfe dicta, in the movies you can go home again. Darrin Fox (Cuba Gooding
Jr.) wasn't even a teenager when his mother was given the choice of
the choir or pursuing a "godless" career singing rhythm, blues
and jazz. She chose the latter and took the next train out of her small
Georgia town with her young son. Almost a quarter century later, Darrin
is on the make at a Manhattan advertising agency. However, just when
it looks like he's clinched a big promotion, it's discovered that his
Ivy League portfolio was printed at Kinkos.
But at that fortuitous
moment, Darrin receives the call that his beloved Aunt Sally has died
and he's expected back for the funeral and reading of the will (his
mother had an untimely death several years earlier). So, he sidesteps
the repo men and hops a train headin' South.
It's an admittedly
cumbersome set up to get to the gist of the film. Aunt Sally bequeaths
him $150,000 in stock on the condition that he take over her duties
as local choir master and qualify for the annual Gospel Explosion in
Ohio. Aside from the fact that the only C-note he's familiar with has
a picture of Benjamin Franklin, he accepts, even pretending to be a
record producer. The rest of the tale follows a familiar path that begins
with the vocal equivalent of the Bad News Bears, the wooing of the talented
Lilly (Beyonce Knowles) who's personal story mirrors that of Darrin's
mother and the transformation of this sow's ear of a choir into the
silky sounding purse with a shot at the prize. It even has a villain
in the form of Paulina (LeTanya Richardson), the woman who wanted to
take over from Aunt Sally and just happens to be church treasurer.
While it would be
a gross simplification to say that the plot is merely an excuse for
some great singing, it is true that the filmmakers are deft about pushing
the story into the wings when the local barbers (members of the O'Jays)
segue into an inspired version of Paul Simon's Loves Me Like a Rock
or Shirley Caesar belts out a gospel standard. The same can be said
for a lot of great musicals and though The Fighting Temptations is likable
and well made, it is not a great musical.
There's no question
that the story allows for some entertainingly colorful turns from a
large cast that embraces gospel greats, rappers, comics and pop divas.
But in the midst of it all is Gooding, a fine if largely underrated
(Oscar included) actor with the ability to bend and twist to the needs
of both the pro and semi-pro players. He is the glue of the piece not
simply because he's one of the few performers believable and sympathetic
as a fast talking sharpie but in an endearing selflessness that imbues
all his work.
The film does have
a difficult to define color blindness not unlike Steve Martin's character
in The Jerk who has to be forcefully told that he is not black. Race
appears to have never raised its head in this largely black version
of Brigadoon, and appears to be off the agenda at the very white bread
ad agency in New York. Still, I feel compelled to give The Fighting
Temptations the American Bandstand seal of appeal _ it's easy to dance
to, I like the lyrics, the kids seem to like it. I rate it a 75.
A Paramount Pictures
release of an MTV/Handprint Entertainment production. Produced by David
Gale, Loretha Jones, Jeff Pollack. Director, Jonathan Lynn. Screenplay,
Elizabeth Hunter, Saladin Patterson. Camera, Affonso Beato. Editor,
Paul Hirsch. Music, Jimmy Jam, Terry Lewis, James "Big Jim"
Wright. Production design, Victoria Paul. Costumes, Mary Jane Fort,
Tracey White. Choreography, Eartha Robinson, Shawnette Heard.
Cuba Gooding Jr. (Darrin Fox), Beyonce Knowles (Lilly), LeTanya Richardson
(Paulina Pritchett), Mike Epps (Lucius), Steve Harvey (Miles Smoke),
Wendell Pierce (Reverend Lewis).
-
Leonard Klady