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Gary Dretzka
Leonard
Klady
David Poland
Ray Pride
Patricia
Vidal
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In the meantime,
the great directing sample belongs to Scott Caan, whose debut
film, Dallas 362 is one of the most skillful efforts you will
ever see by a first-time director. He's not one of the world's great
visualists. In fact, when he tries to do something visually clever,
he usually overreaches. That is not his skill. His work with his actors
- again, the only failure being an overreach with an overscreechy Selma
Blair and her sidekick/boyfriend, whose name I would have if he
were listed in the program book.
(Note: This reminds
me of something I didn't write about The Human Stain, which is
that there is no mention at all of ANY of the actors in the black/young
section of the movie. What struck me about that is that the section
that is really supposed to be the critical element of the story is so
unsaleable that it didn't even make the festival book. That is a stain
on the film and this mostly stainless festival.)
Caan delivers us
the first Shawn Hatosy performance that explains why he keeps
getting shots in movies. It's not that he's been bad before. But never
special… until here. And here, he is strong and quirky and far more
interesting than he has ever been before. And Caan does more than that.
He gets a simple, clean and very effective performance out of Jeff
Goldblum, the way we loved him before he got more ticky than Nic
Cage in Matchstick Men. Kelly Lynch is right on target
in her portrayal of a too young widow who is as much her son's friend
as parent. And even though not being paid a lot of money or being hired
to be naked, Ms. Lynch does an honest post-coital scene that isn't titillating
or terribly tit aware at all, which is how it is in real life.
Caan's screenplay
is some good, some not so good. But he is not dumb. And I would be happy
to see him attached to any of the movies that studios can't get John
Stockwell for. Caan has an eye for the youth culture that I only
see when I go to certain hangouts where Caan also goes. His is the world
of beer commercials and Fiona Apple videos… but it is real. And
he doesn't get stupid or showy about it. He gives it to us warts and
all.
This is a movie
I will stop and watch when it eventually ends up on cable. It's not
a great movie. But it could be the beginning of a very strong career
behind the camera.
by
David Poland
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Dallas
362
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Director: Scott Caan
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Country: USA
Year: 2003
Time: 100 minutes
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Cast: Scott Caan, Shawn Hatosy,
Jeff Goldblum, Kelly Lynch,
Selma Blair, Heavy D
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Production
Company: Dallas & Rusty Productions, LLC
Executive Producer: Brian Williamson, Beau Flynn
Producer: Kip Konwiser,
Gregory K. Sabatino
Screenplay: Scott Caan
Cinematography: Phil Parmet
Editor: Andy B.
Production Designer: Chuck Voelter
Sound: Pawel Wdowczak
Music: Jeff Rabham
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