By Ray Pride Pride@moviecitynews.com

Werner Herzog Is Always A Professional

“Saving the world is a very suspicious concept. I’m as responsible as it gets in my situation. I drive my car less than 10% of what I used to drive 20 years ago. I’m not into consumerism. But when it comes to the end of the human race, there are certain suspects. Microbes can come and wipe us out. It can happen fast. Avian virus or mad cow disease, you name it. Microbes are really after us. Or a cataclysmic volcanic eruption which would darken the skies for 10 years – that’s gonna be real trouble. Or a meteorite hitting us, or something man-made. I don’t believe we’ll see a nuclear holocaust but there are quite a few scenarios out there. Anarchy and cannibalism? Yes but there would be survivors. Maybe 10% would survive, enough to replenish the species. I’m talking about total extinction. We are not sustainable. Martin Luther was asked, what would you do if tomorrow the world would come to an end, and he said, ‘I would plant an apple tree today.’ This is a real good answer. I would start shooting a movie.”
~ Werner Herzog Is Always A Professional

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“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman