By Ray Pride Pride@moviecitynews.com

Werner Herzog

Kinski always says it’s full of erotic elements. I don’t see it so much erotic. I see it more full of obscenity. It’s just – Nature here is vile and base. I wouldn’t see anything erotical here. I would see fornication and asphyxiation and choking and fighting for survival and… growing and… just rotting away. Of course, there’s a lot of misery. But it is the same misery that is all around us. The trees here are in misery, and the birds are in misery. I don’t think they – they sing. They just screech in pain. It’s an unfinished country. It’s still prehistorical. The only thing that is lacking is – is the dinosaurs here. It’s like a curse weighing on an entire landscape. And whoever… goes too deep into this has his share of this curse. So we are cursed with what we are doing here. It’s a land that God, if he exists has – has created in anger. It’s the only land where – where creation is unfinished yet. Taking a close look at – at what’s around us there – there is some sort of a harmony. It is the harmony of… overwhelming and collective murder. And we in comparison to the articulate vileness and baseness and obscenity of all this jungle – Uh, we in comparison to that enormous articulation – we only sound and look like badly pronounced and half-finished sentences out of a stupid suburban… novel… a cheap novel. We have to become humble in front of this overwhelming misery and overwhelming fornication… overwhelming growth and overwhelming lack of order. Even the – the stars up here in the – in the sky look like a mess. There is no harmony in the universe. We have to get acquainted to this idea that there is no real harmony as we have conceived it. But when I say this, I say this all full of admiration for the jungle. It is not that I hate it, I love it. I love it very much. But I love it against my better judgment.”
~ Werner Herzog

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“TIFF doesn’t make attendance numbers for its Lightbox screenings publicly available, so it’s difficult to gauge exactly how many filmgoers the Lightbox is attracting (or how much money it’s bringing in). But the King Street West venue hasn’t become a significant draw for film enthusiasts. The Lightbox’s attendance has plunged – 49,000 fewer visitors last year, a drop of 27 per cent, according to figures recently reported in the Toronto Star. Its gallery space – designed to showcase the visions of cinema’s most iconic filmmakers – saw most of its exhibitions staff quietly axed this past fall. And its marketing barely escapes the Lightbox’s walls. Unless you are a TIFF member or one of the city’s most avid filmgoers, you could walk by the Lightbox and remain blissfully unaware of a single thing that goes on inside. TIFF “still has a world-class brand,” said Barry Avrich, a filmmaker and former board member, “but it’s going to take some fresh vision from retail, consumer programming and marketing experts, given how the lines have become intensely blurred when it comes to how people watch film. They will have to experiment with programming to find the right blend of function and relevance.”
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“I’m 87 years old… I only eat so I can smoke and stay alive… The only fear I have is how long consciousness is gonna hang on after my body goes. I just hope there’s nothing. Like there was before I was born. I’m not really into religion, they’re all macrocosms of the ego. When man began to think he was a separate person with a separate soul, it created a violent situation.

“The void, the concept of nothingness, is terrifying to most people on the planet. And I get anxiety attacks myself. I know the fear of that void. You have to learn to die before you die. You give up, surrender to the void, to nothingness.

“Anybody else you’ve interviewed bring these things up? Hang on, I gotta take this call… Hey, brother. That’s great, man. Yeah, I’m being interviewed… We’re talking about nothing. I’ve got him well-steeped in nothing right now. He’s stopped asking questions.”
~ Harry Dean Stanton