By Ray Pride Pride@moviecitynews.com

Vadim Rizov

“Let’s talk about capital a bit more. Festival bumpers are nobody’s favorite kind of short film (content) — I’ve literally never heard anyone say how much they loved seeing that opening scroll of sponsors and vague images. Still, this year’s edition seemed to be driving everyone particularly off the walls. A series of words were slathered over stills in a font and colors that basically rip off the cover of ‘The Life of Pablo'; once the word salad is over, the music drops out and is recapitulated for the sponsor crawl. At one of my screenings, someone took their iPhone out and recorded this segment, presumably so they could hear this wonderful tune whenever they wanted for the rest of their life, and the running time for that back half alone turned out to be 39 seconds. One bright person at a party had a good idea of how to respond to this: every time a new word pops up, lean over to whoever’s sitting next to you and whisper “story.” This piece of content was credited as being animated by one studio + one person, but had three brand consultants listed; how do I get that full-time gig? It seems like a dream. Let’s not even get to into the “volunteer appreciation” bumper, lest I induce myself into an apoplectic rage. OK, fine: NB that it’s a bunch of quotes about The Power of Storytelling, sourced from, inter alia, Plato, Margaret Atwood and Robert Redford (all on the same plane!), who I’m sure wrote his own statement, just like I’m sure sponsor Kenneth Cole was one of the three (!) credited co-writers for a segment that takes all of a minute. If all of this seems like a specialized form of whining — well, it is, because it’s definitely a privilege and perk to be able to attend this festival as paid work. Nonetheless, I think it’s important to keep in mind how money works and shapes everything around us, especially in a realm where the question of where financing is coming from and what it takes to get it is especially pertinent. I’m unwilling to make a synoptic diagnosis about what kind of festival this shaped up to be or how it bodes for 2018 In Film; my one note here is that scanning the credits for every film almost always answers the question, ‘Why is this film screening here?’ There’s always a name tied to a known network of creators, which both makes sense and limits the chance for gatecrashers and new talent from the outside.”
~ Vadim Rizov

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“Don’t work with assholes. Ever. No matter what they’re offering, no matter what they bring to the table. If they’re the sort of person where the phone rings at 10 o’clock at night and you wince because you see that it’s them, then don’t do business with them. One asshole will ruin your life. I’ve managed my entire TV and filmmaking career to work with people I like and respect. If the point comes where I don’t like or respect someone, I don’t work with them anymore.”

– Anthony Bourdain

The Atlantic: You saw that the Academy Awards recently held up your 2001 acceptance speech as the Platonic ideal of an Oscar speech. Did you have a reaction?

Soderbergh: Shock and dismay. When that popped up and people started texting me about it, I said, “Oh, it’s too bad I’m not there to tell the story of how that took place.” Well. I was not sober at the time. And I had nothing prepared because I knew I wasn’t going to win [Best Director for Traffic]. I figured Ridley, Ang or Daldry would win. So I was hitting the bar pretty hard, having a great night, feeling super-relaxed because I don’t have to get up there. So the combination of a 0.4 blood alcohol level and lack of preparation resulted in me, in my state of drunkenness crossed with adrenaline surge. I was coherent enough to know that [if I tried to thank everyone], that way lies destruction. So I went the other way. There were some people who appreciated that, and there were some people who really wanted to hear their names said, and I had to apologize to them.
~ Steven Soderbergh