Night Moves

By Ray Pride Pride@moviecitynews.com

Tom Shone Defends Dan Kois And Richard Schickel Against Dargis & Scott

“The top twenty most critically rated films of the year and the top twenty most popular films of the year have absolutely nothing in common with one another. It’s not that they stray and squabble over the occasional movie: they share not a single film between them. And yet A O Scott wants us to believe that the film critic community have a “lingering bias” against art movies, and a quiver of put-downs for any film which dares defy the “orthodoxies of escapist ideology”? He has to be joking.”
~ Tom Shone Defends Dan Kois And Richard Schickel Against Dargis et Scott

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“The city to me is the only possible vehicle we have to measure human achievement. We’re an urban species now. If you look at Karachi or Mexico City or Hong Kong or London or New York or Yonkers or Baltimore or any of these other places, the pastoral is now a part of human history. We’re either going to figure out how to live together in these increasingly crowded, increasingly multi-cultural population centers or we’re not. We’re either going to get great at this or we’re going to fail as a species.”
~ David Simon

“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel