By Ray Pride Pride@moviecitynews.com

Tom Shone Defends Dan Kois And Richard Schickel Against Dargis & Scott

“The top twenty most critically rated films of the year and the top twenty most popular films of the year have absolutely nothing in common with one another. It’s not that they stray and squabble over the occasional movie: they share not a single film between them. And yet A O Scott wants us to believe that the film critic community have a “lingering bias” against art movies, and a quiver of put-downs for any film which dares defy the “orthodoxies of escapist ideology”? He has to be joking.”
~ Tom Shone Defends Dan Kois And Richard Schickel Against Dargis et Scott

Comments are closed.

Quote Unquotesee all »

“During the mid-’70s, keyboardist Ian McLagan finds himself in a room with Dylan and Led Zeppelin’s infamously brutish manager Peter Grant: ‘Hello, Bob. I’m Peter Grant, I manage Led Zeppelin.’ After a short silence, Dylan replies: ‘I don’t come to you with my problems.'”
~ “37 Hilarious Bob Dylan Stories

Kyle Buchanan: I think the deal with a lot of white, male critics is there’s a very empirical way that they write that they write their movie reviews that always puzzled me. Movies are such subjective things. Back in the day, I used to be the film critic for The Advocate, and it was really striking to me when I would go into screening rooms and I was by far the youngest. They were filled with old white men. And when you watch a film like Black Snake Moan, that’s playing with a whole lot of gender and race issues, I was like, Are like 70-year-old white men like really the sole voices that I want to hear on this movie? It just didn’t feel right.

Jen Yamato I’ve been very pleasantly surprised to see the receptions Moonlight has gotten. But one of the films that I was disappointed to see not get more traction was American Honey. I distinctly remember sitting in a screening room full of mostly older white guys and thinking during the film, How are any of them going to relate to this movie?

~ Taking On The “Old White Guys”