By Ray Pride Pride@moviecitynews.com

Soderbergh On iPhone Filmmaking

“I’ve been shooting stuff on my phone with intention and purpose for a couple years. I started seriously thinking at the end of the year last year that I gotta find something that really works for that. And just by chance a writer friend of mine called me up out of the blue looking for work. I said, “I don’t have anything for you, but if you can write me a super low-budget thriller/horror type thing, I’ll shoot it June 1.” This was mid-January. Three weeks later, a script shows up, and I love it. I said, “Let’s go.” It was so liberating. I’m going to do it again. … The ability to put the lens anywhere I wanted in a matter of seconds, if not minutes, was incredibly freeing. You want to put a camera above somebody’s head, you’ve got to lash a rope to it and tie it to something so it doesn’t kill them. This, you just stick it on a piece of velcro and shoot. If I literally want to lay it on the floor, I can. It’s a 4K capture. I’ve seen it on a giant screen; nobody, if they didn’t already know, would ever suspect. It looks like a normal movie.”
~ Soderbergh On iPhone Filmmaking

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What about replacing Mr. Spacey with another actor? Mr. Plummer, perhaps.
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~ Publicizing Sir Ridley’s Deadline Dash

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris