By Ray Pride Pride@moviecitynews.com

Robert De Niro

“We make movies to entertain audiences. Audiences vote by seeing them; critics vote by writing about them; and then posterity takes its time to decide if they’re art — or not. I’ve been thinking about this a lot lately because of our government’s hostility towards art. The budget proposal, among its other draconian cuts to life-saving and life-enhancing programs, eliminates the National Endowment for the Arts, the National Endowment for the Humanities and the Corporation for Public Broadcasting. For their own divisive political purposes, the administration suggests that the money for these all-inclusive programs goes to rich liberal elites. This is what they now call an ‘alternative fact,’ but I call it bullshit. By being here tonight, you are supporting arts for everyone. You’re supporting the slapstick of Charlie Chaplin, the great body of work of Marty Scorsese and Barry Levinson, the dumb-ass comedies of Robert De Niro, the ‘overrated performances of Meryl Streep’ and your own taste and needs.”
~ Robert De Niro

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What’s up with your people mover shot, where it seems like people are kind of floating along?
Oh, my signature shot? That’s just a new way for people to move! It’s really become my Alfred Hitchcock cameo. I did not invent that shot, but Ernest and I did it on the set of Mo Better Blues, when Shorty had to walk [through the park], and I thought, “Let’s try it.” But after that, we tried to have a reason for it. For example, that wonderful sequence in Malcolm X where you hear the great song, “A Change Is Gonna Come.” The final scene is like that, Malcolm floating along to his destiny. In 25th Hour, after Philip Seymour Hoffman has kissed Anna Paquin, we did a shot like that, and it shows his state of mind. In Inside Man, after Denzel thinks he’s witnessed the murder of a hostage, we did the floating shot there.

So you just like the way it looks?
Yeah!
~ Spike Lee To Matt Zoller Seitz

“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster