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Owen Gleiberman Offers The Goods On Godard

“Early on, there’s a chapter title that says “1. Remakes,” as if Godard were about to launch a riff on the corruption of Hollywood (if only!). The shot that follows is a retouched image of a nuclear bomb exploding. That’s a very Godardian black joke: the prospect of an atomic blast as a reboot of history. (It’s also a warning.) Speaking to us on the soundtrack, in a voice that’s now so low and sonorous and croaky with import that he sounds like Charles Aznavour crossed with Gollum, the 87-year-old Godard says, “War is here.” He means that it’s here, and also that it’s coming… The actions of citizens can’t be separated from the actions of their government; they’re all one. That’s a truth that too many — especially on the left [sic] — now try to hide from, but Godard doesn’t like to point fingers unless he’s pointing the finger at everyone…  He retains his squirmy fixation on the Middle East, in which the media’s dehumanization of the Arab world — a legitimate complaint — is balanced by Godard’s sanctification of the Arab world. (It’s a little like what he did in his late-’60s Marxist days, when Mao became hipper to him than the Euro-American bourgeoisie.)”
~ Owen Gleiberman Offers The Goods On Godard

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“I wanted that feeling that you could live in a city your entire life and never meet anyone who wasn’t like you.”
Gillian Flynn

“We’re all going to die so it makes it very easy. I haven’t always thought that way but I’ve realized it’s the truth. I think age gets you there, questioning your mortality… When you realize that, it’s so liberating, it’s so free, you can fly! There’s no need to hold on to anything. Like, think of the most embarrassing thing that’s ever happened to you; it’s probably happened to 500 million people as well. Who gives a shit!”
~ Steve McQueen