By Ray Pride Pride@moviecitynews.com

Onur Tukel

“I am terrible at interviews if I haven’t thought about my answers ahead of time. I’m much better when I can write down the answers. I speak very impulsively, and the entire time I’m having a panic attack. I tend to tune out when people talk to me, and I assume when I talk, the person I’m talking to does the same. So, while I’m talking, I’m having an internal conversation with myself: ‘Is she listening. Am I being engaging? Do I sound intelligent?’ I don’t know how to think, process, and speak at the same time. It’s always just speak first and think later. Then comes regret. After that, remorse… I like having my hands on all the aspects. It keeps me engaged, and distracted from the horrors of the real world. I write from fear, and I have new fears every day: Is a new terrorist attack coming? Do I have cancer? What’s that weird bump on my inner thigh? Wait, there’s another one… on my testicles!”
~ Filmmaker Onur Tukel On The Occasion Of Catfight

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“There are different signs that this is not stopping. I don’t think that anger and frustration and those feelings can go away. I hope they don’t. The attention and support for the victims needs to be continued, more than people worried about these abusers and what’s next for them, how are they going to move on — shut up. You know what? If any of these people come back, I would say, “I can’t wait to see who is actually going to support them.” That is going to be the glaring horror. Who is going to be, like, “This is a pressing issue, and we need to get them back?” If a janitor was so great at cleaning the building but also tended to masturbate in front of people, would the people at that building be like, “Yes, he masturbated, but I’ve never seen anyone clean so thoroughly, and I was just wondering when he’s going to get his job back, he’s so good at it.” No, it would be, “That’s not acceptable.” It’s fame and power that people are blinded by.”
~ Tig Notaro in the New York Times

“It’s never been easy. I’ve always been one of the scavenger dogs of film financing, picking up money here and there. I’ve been doing that all my life. This was one was relatively easy because certain costs have gone down so much. I made this film in 20 days whereas 30 years ago, it would have been made in 42.”
~ Paul Schrader