By Ray Pride

Nanni Moretti On We Have A Pope

“I’m used to people talking about my movies without having seen them first. After it was released, at least people had seen it when they talked about it. It went over well in Europe, particularly Italy and France. People have expectations of my films, which I always try not to meet. Many people expected a frontal attack on the Vatican. But I didn’t want to do that. I believe cinema should surprise the audience; whatever they’re expecting is probably waiting for them at home on TV. Cinema should surprise people.”
~ Nanni Moretti On We Have A Pope

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“The eye solicited alone makes the ear impatient, the ear solicited alone makes the eye impatient. Use these impatiences. Power of the cinematographer who appeals to the two senses in a governable way. Against the tactics of speed, of noise, set tactics of slowness, of silence.”
Robert Bresson

“I used to always think that was something low-budget films could use more of — a sense of geography — and now I even think it’s big-budget movies. So often when I see a movie, I don’t know where I am and I can’t quite follow — because the pacing is always so quick, and it’s a lot of long lenses and constantly editing where you’re changing the shot. There’s something refreshing for me about looking down the street and seeing a character and panning all the way over and seeing the other character and go, okay, I know where everybody is. Now when I cut to the other character, I wonder what the other person is doing because I know where he is. I know he’s around the corner because they just showed me that, and it creates not only a sense of geography logically in the movie, but it makes the movie larger than the screen. It makes you think about it and it creates suspense. We used to be really good about that, but [with] the ADD-ness of people now, we’re always moving the plot along so fast, you don’t get a sense of where you are and where everybody is and that’s doing a disservice to movies.”
~ Ti West On What More Movies Need

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