Night Moves

By Ray Pride Pride@moviecitynews.com

Nanni Moretti On We Have A Pope

“I’m used to people talking about my movies without having seen them first. After it was released, at least people had seen it when they talked about it. It went over well in Europe, particularly Italy and France. People have expectations of my films, which I always try not to meet. Many people expected a frontal attack on the Vatican. But I didn’t want to do that. I believe cinema should surprise the audience; whatever they’re expecting is probably waiting for them at home on TV. Cinema should surprise people.”
~ Nanni Moretti On We Have A Pope

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“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel

“I was fortunate to be in the two big film epics of the last part of the 20th century: Godfather and “Lonesome Dove” on television, which was my favorite part. That’s my “Hamlet.” The English have Shakespeare; the French, Molière. In Argentina, they have Borges, but the western is ours. I like that.”
~ Robert Duvall