By Ray Pride

Manohla Dargis

“I was 18 when I saw Manhattan and I despised it because I knew that its reveries were built on a lie that few adults, including film critics, seemed willing to acknowledge. Perhaps that’s partly why I appreciated I Love You, Daddy the first time I saw it. Louis C.K. seemed to be pointing at Mr. Allen with a queasy homage that was getting at the truth of Manhattan even as I Love You, Daddy circled — and circled — its own creator’s complicity in female exploitation. When I watched I Love You, Daddy a second time, the jokes no longer landed; its shocks felt uglier, cruder. But for once a filmmaker seemed to be admitting to the misogyny that we know is always there and has often been denied or simply waved off, at times in the name of art. The revelations about Louis C.K. and others are killing any pretense that any of this is objective. It’s very personal, and it always has been.”
Manohla Dargis

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“I think [technology has[ its made my life faster, it’s made the ability to succeed easier. But has that made my life better? Is it better now than it was in the eighties or seventies? I don’t think we are happier. Maybe because I’m 55, I really am asking these questions… I really want to do meaningful things! This is also the time that I really want to focus on directing. I think that I will act less and less. I’ve been doing it for 52 years. It’s a long time to do one thing and I feel like there are a lot of stories that I got out of my system that I don’t need to tell anymore. I don’t need to ever do The Accused again! That is never going to happen again! You hit these milestones as an actor, and then you say, ‘Now what? Now what do I have to say?'”
~ Jodie Foster

“If there’s one rule Hollywood has metaphysically proven in its century of experimentation, it’s that there’s no amount of money you can’t squander in the quest for hits.

“Netflix has spent the past couple years attempting to brute-force jailbreak this law. Its counter-theory has seemed to be, sure, a billion dollars doesn’t guarantee quality but how about three billion dollars? How about five billion dollars? Seven?

“This week’s latest cinematic opus to run across no-man’s-land into the machine-gun emplacements has been the Jared Leto yakuza movie ‘The Outsider.’ Once again, debuting on Netflix, another thing called a movie that at one glance doesn’t look like any kind of movie anyone has ever seen before, outside of off-prime time screenings at the AFM.

“If you’re working at a normal studio, you have one or two of these total misfires in a year and people start calling for your head. How many is Netflix going on? Fifteen? Twenty? This quarter? Any normal company would be getting murdered over results like that.”
~ Richard Rushfield