By Ray Pride Pride@moviecitynews.com

Laura Kipnis On The Moment

“The mantra lately heard across the land is that sexual harassment isn’t about sex, it’s about power. I wonder if this underthinks the situation: Is the man who won’t stop talking about sex a man convinced of his power, or one who’s desperate to impress you with his prowess? Failing to notice the precariousness of power encourages compliance, especially among the women targeted. If recent events tell us anything, it’s that power is a social agreement, not a stable entity. The despots had power because they did things that were socially valued and profitable, but the terms of the agreement can shift abruptly… Looking for political analogues, I found myself leafing through my old copy of Antonio Gramsci’s ‘Prison Notebooks’… Social upheavals like the current one—chaotic and improvised, yet destined—happen when certain echelons retract their consent to existing conditions and make new demands. Gramsci calls it ‘war of position.’ Toppling power isn’t about storming the Bastille these days, it’s about changing the way people talk and think. If our upheavals come dressed in different garb, creating a crisis of authority for those in power is still how the world changes. But we’re also reminded by recent events that the agents of progress can be unlikely: just as the military was a major force in desegregation, now we have corporations acting like progressives on sexual harassment. Or ostensibly—what looks like progress can also be a way of dispersing protest, Gramsci would say. But speaking of unlikely agents, that one of the more significant battlefield wins recently was achieved by a former Miss America, Gretchen Carlson, is tough for those who’d prefer their feminist victories to come from women with better feminist credentials.”
~ Laura Kipnis On The Moment

Comments are closed.

Quote Unquotesee all »

“Film festivals, for those who don’t know, are not exactly the glitzy red carpet affairs you see on TV. Those do happen, but they’re a tiny part of the festival. The main part of any film festival are the thousands of people with festival passes hanging on lanyards beneath their anoraks, carrying brochures for movies you have never and will never hear of, desperately scrabbling to sell whatever movie it is to buyers from all over the world. Every hotel bar, every cafe, every restaurant is filled to the brim with these people, talking loudly about non-existent deals. The Brits are the worst because most of the British film industry, with a few honourable exceptions, are scam artists and chancers who move around from company to company failing to get anything good made and trying to cast Danny Dyer in anything that moves. I’m seeing guys here who I first met twenty years ago and who are still wearing the same clothes, doing the same job (albeit for a different company) and spinning the same line of bullshit about how THIS movie has Al Pacino or Meryl Streep or George Clooney attached and, whilst that last one didn’t work out, THIS ONE is going to be HUGE. As the day goes on, they start drinking and it all gets ugly and, well, that’s why I’m the guy walking through the Tiergarten with a camera taking pictures of frozen lakes and pretending this isn’t happening.

“Berlin is cool, though and I’ve been lucky to be doing meetings with some people who want to actually get things done. We’ll see what comes of it.”
~ Julian Simpson 

“The difference between poetry and prose, and why if you’re not acculturated to poetry, you might resist it: that page is frightening. Why is it not filled? The two categories of people who don’t feel that way are children and prisoners. So many prison poets; they see that gap and experience it differently. I’m for the gap!”
~ Poet Eileen Myles