By Ray Pride Pride@moviecitynews.com

Joe Carnahan On Eli Roth’s Death Wish

“It’s being shot right now, they’re off shooting a version of that script with Bruce Willis, I think in Montreal, maybe Chicago? I’m not sure. It’s, you know, if you don’t have something nice to say, you probably shouldn’t say it. I got a glimpse of that script, that was reported to be kind of a re-engineering of my script, and I would be less than hospitable if I commented on that. And whatever, I think they’re gonna get exactly what they want, and that wasn’t what I was interested in doing, and bully to them for sticking their guns, and I’m content to stick to mine, and that script will live to fight another day. That’s what I’m gonna look forward to, because it’s so radically different from what I did that I’m confident I can rework that into something just as good as it is on the page. It’s really a great script, man… I think I’ll wait a few years and explore that, because I believe that it’s, in terms of that genre and revenge vigilante, I just thought it was so cool. And it’s set in a completely different place. A big part of mine was where it was set, which is L.A. It wasn’t cold weather, it wasn’t a Chicago or New York film, it was an L.A. film, and it was much more of a Michael Mann kind of world, Collateral kind of world, than it was the original Bronson. And I think they’re going back to something that hews more closely to that, which is fine, but I’ll be interested to see what it does and what the reception is.”
~ Joe Carnahan On Eli Roth’s Death Wish

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“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray

“I have long defined filmmaking and directing in particular as just a sort of long-term act of letting go,” she said. “It’s honestly just gratifying that people are sort of reapproaching or reassessing the film. I like to just remind everyone that the movie is still the same — it’s the same movie, it’s the movie we always made, and it was the movie we always wanted to make. And maybe it just came several years too early.”
~ Karyn Kusama