By Ray Pride Pride@moviecitynews.com

Jeff Wood

“‘Twin Peaks: The Return’ is a synthesis, if not the apotheosis, of all of Lynch’s periods as an artist, and the glass box, as its opening puzzle-piece, is something of a sigil for the notion of that retrospective, or archive, and the collective potency it might wield if it were distilled into one archival object. It also vividly recalls the production design of Lost Highway, itself a reiteration of his earliest work, with its deeply encoded, deeply interior spaces-by-design; and quite possibly as though the signature sound of interstitial spaces on the Lynchian end of the bandwidth might originate here, in this very box. The physicality of the box is palpable, and renders the cinematic space alive, imbued with a dimension beyond the theatrical artifice. It’s also deeply effective, causing the viewer to crane forward and wonder at the edge of our seat: ‘What the hell is it!?'”
~ Jeff Wood

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“TIFF doesn’t make attendance numbers for its Lightbox screenings publicly available, so it’s difficult to gauge exactly how many filmgoers the Lightbox is attracting (or how much money it’s bringing in). But the King Street West venue hasn’t become a significant draw for film enthusiasts. The Lightbox’s attendance has plunged – 49,000 fewer visitors last year, a drop of 27 per cent, according to figures recently reported in the Toronto Star. Its gallery space – designed to showcase the visions of cinema’s most iconic filmmakers – saw most of its exhibitions staff quietly axed this past fall. And its marketing barely escapes the Lightbox’s walls. Unless you are a TIFF member or one of the city’s most avid filmgoers, you could walk by the Lightbox and remain blissfully unaware of a single thing that goes on inside. TIFF “still has a world-class brand,” said Barry Avrich, a filmmaker and former board member, “but it’s going to take some fresh vision from retail, consumer programming and marketing experts, given how the lines have become intensely blurred when it comes to how people watch film. They will have to experiment with programming to find the right blend of function and relevance.”
~ Globe & Mail Epic On State of Toronto Int’l (paywalled)

“I’m 87 years old… I only eat so I can smoke and stay alive… The only fear I have is how long consciousness is gonna hang on after my body goes. I just hope there’s nothing. Like there was before I was born. I’m not really into religion, they’re all macrocosms of the ego. When man began to think he was a separate person with a separate soul, it created a violent situation.

“The void, the concept of nothingness, is terrifying to most people on the planet. And I get anxiety attacks myself. I know the fear of that void. You have to learn to die before you die. You give up, surrender to the void, to nothingness.

“Anybody else you’ve interviewed bring these things up? Hang on, I gotta take this call… Hey, brother. That’s great, man. Yeah, I’m being interviewed… We’re talking about nothing. I’ve got him well-steeped in nothing right now. He’s stopped asking questions.”
~ Harry Dean Stanton