By Ray Pride Pride@moviecitynews.com

From “The Demon Seesaw,” 1989, Frank Langella

“‘Some basic truths about us, some fundamentals: married, single, divorced, rich, broke, breaking in or holding on, the morning after Oscar, Tony or Emmy, or struggling along without recognition; whether we are newcomers, superstars, an enduring light, a flash in the pan, a has-been or a comeback king, from low self-esteem to insufferable arrogance – we are the seesaw kids. Kids who hold on tight and wait, wait for the call, the audition, the part, the review – and then we do it again. Those are the ground rules. You accept them if you are an actor. And you accept the demons.”
~ From “The Demon Seesaw,” 1989, Frank Langella

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“I had a knockoff Michael Kors bag that said MLK instead of MK. Jada told me that I shouldn’t have knockoff stuff. I told her that my philosophy is, Whatever the bag costs, I should be able to keep that amount of cash in the bag. If it’s a $300 purse, I have to put $300 in cash in that purse. I do not want a bag that is more expensive than the cash I have to put in it. Things are going good for me now, so I am graduating to your Fendis and your Guccis. But I better have the cash equivalent, or I’m not buying the purse. And if things start to go wrong, I’m going right back to my knockoffs. When you’re somebody like me, who’s been homeless, clothes are not that important. Clothes are not a roof over my head, food in my ­stomach, my family’s health—that’s what money is for. But fashion helps get more money. So, we ride.”
~ Tiffany Haddish

“It’s the job of the artist, to exploit connections. You see, I speak on behalf of the world of the artist without hesitation! People don’t realize that the part of the playwright is finding something for people to talk about. If you are writing about a historical episode, or two characters in ‘Hamlet,’ you have a structure for free.”
~ Tom Stoppard