By Ray Pride Pride@moviecitynews.com

Frank Darabont

“Guys and gals,
“I am in a state of absolutely boiling rage right now. You need to grasp my fury. I have never been a screamer, but I am now. The work being done on this episode has turned me into one. Congratulations, you all accomplished what I thought was impossible. You’ve turned me into a raging asshole. Thanks a lot, you fuckers.

“Everybody, especially our directors, better wake the fuck up and pay attention. Or I will start killing people and throwing bodies out the door.

“Fuck you all for giving me chest pains because of the staggering fucking incompetence, blindness to the important beats, and the beyond-arrogant lack of regard for what is written being exhibited on set every day. I deserve better than a heart attack because people are too stupid to read a script and understand the words.

“Please let’s stop invoking the “writers room.” There IS no writers room, which you know as well as I do. I am the writers room. The lazy fucking assholes who were supposedly going to be my showrunners threw that responsibility on me after wasting five months of my time.

“If it were up to me, I’d have not only fired [them] when they handed me the worst episode 3 script imaginable, I’d have hunted them down and fucking killed them with a brick, then gone and burned down their homes. I haven’t even spoken to those worthless talentless hack sons-of-bitches since their 3rd draft was phoned in after five months of all their big talk and promises that they’d dig deep and have my back covered.

“They didn’t have my back, they rammed knives into it.”

~ Frank Darabont

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch