By Ray Pride

David Lowery On Music

“Daniel Hart, who’s written the score to all of my films, has a band called Dark Rooms. And while we were doing the score for ‘Pete’s Dragon,’ he was also beginning to record songs for his next record with his band. He played that song for me one morning and I just became obsessed with it. I couldn’t stop listening to it; I was just driving around LA listening to it constantly, and it was right in early days of developing the project. The script existed, but we were just starting to put the pieces together, and I went into the script and just wrote the song into the script. It became the emotional centerpiece of the movie. It felt exactly the way I want the movie to feel.

“There’s sort of a hopeless longing to his vocals in this song. It’s very, very sad, and we feel this sense of desperately reaching out for something you can’t quite grab. Those emotions are what this movie was all about. I felt that he had already accomplished what I wanted to do with this movie with that song, and the best thing I could do was to just, you know, borrow it, and let the song lend those qualities to the movie at key moments.There’s a lot going on there. It’s as rich and as beautiful and transportive as any film I could ever hope to make. Once we had that song in there, Daniel knew that the score would be incredibly vital. He felt that the rest of the score should play upon that song. So every piece of score begins with an element from that song. Whether it’s a little piece of the strings, or a little bit of the vocals, every piece of the score is based on that song. And from there it goes off into completely different directions.”
~ David Lowery On Music

Comments are closed.

Quote Unquotesee all »

“I think [technology has[ its made my life faster, it’s made the ability to succeed easier. But has that made my life better? Is it better now than it was in the eighties or seventies? I don’t think we are happier. Maybe because I’m 55, I really am asking these questions… I really want to do meaningful things! This is also the time that I really want to focus on directing. I think that I will act less and less. I’ve been doing it for 52 years. It’s a long time to do one thing and I feel like there are a lot of stories that I got out of my system that I don’t need to tell anymore. I don’t need to ever do The Accused again! That is never going to happen again! You hit these milestones as an actor, and then you say, ‘Now what? Now what do I have to say?'”
~ Jodie Foster

“If there’s one rule Hollywood has metaphysically proven in its century of experimentation, it’s that there’s no amount of money you can’t squander in the quest for hits.

“Netflix has spent the past couple years attempting to brute-force jailbreak this law. Its counter-theory has seemed to be, sure, a billion dollars doesn’t guarantee quality but how about three billion dollars? How about five billion dollars? Seven?

“This week’s latest cinematic opus to run across no-man’s-land into the machine-gun emplacements has been the Jared Leto yakuza movie ‘The Outsider.’ Once again, debuting on Netflix, another thing called a movie that at one glance doesn’t look like any kind of movie anyone has ever seen before, outside of off-prime time screenings at the AFM.

“If you’re working at a normal studio, you have one or two of these total misfires in a year and people start calling for your head. How many is Netflix going on? Fifteen? Twenty? This quarter? Any normal company would be getting murdered over results like that.”
~ Richard Rushfield