By Ray Pride Pride@moviecitynews.com

Colin Trevorrow

Not only did I grow up on these stories, like all of us did, I think that the values of Star Wars are values that I hold very close and very dear in my life. The message of the way that the Force teaches you to treat other people and show respect for others, and the way it guides you through life, is really important to me. And I hope everybody would realize that that set of stories has affected me as deeply in my life as it has affected them. Movies are very personal, and art is very personal, and for people to try to turn that into something that is salacious or something that will get clicks is frustrating and sad. There tends to be a lot of assumptions made about control, but the reality is, it’s a collaboration. It’s not me locked in a room with the producers trying to get in and me saying, ‘I’m making my decisions!’ It is a much more collaborative process. I think that except for very, very rare circumstances, there is no such thing as final cut anymore. And I think the best-case scenario for any film is that the producer and the writer and the director are all on the same page and making the same movie.”
~ Colin Trevorrow, July 2017

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“TIFF doesn’t make attendance numbers for its Lightbox screenings publicly available, so it’s difficult to gauge exactly how many filmgoers the Lightbox is attracting (or how much money it’s bringing in). But the King Street West venue hasn’t become a significant draw for film enthusiasts. The Lightbox’s attendance has plunged – 49,000 fewer visitors last year, a drop of 27 per cent, according to figures recently reported in the Toronto Star. Its gallery space – designed to showcase the visions of cinema’s most iconic filmmakers – saw most of its exhibitions staff quietly axed this past fall. And its marketing barely escapes the Lightbox’s walls. Unless you are a TIFF member or one of the city’s most avid filmgoers, you could walk by the Lightbox and remain blissfully unaware of a single thing that goes on inside. TIFF “still has a world-class brand,” said Barry Avrich, a filmmaker and former board member, “but it’s going to take some fresh vision from retail, consumer programming and marketing experts, given how the lines have become intensely blurred when it comes to how people watch film. They will have to experiment with programming to find the right blend of function and relevance.”
~ Globe & Mail Epic On State of Toronto Int’l (paywalled)

“I’m 87 years old… I only eat so I can smoke and stay alive… The only fear I have is how long consciousness is gonna hang on after my body goes. I just hope there’s nothing. Like there was before I was born. I’m not really into religion, they’re all macrocosms of the ego. When man began to think he was a separate person with a separate soul, it created a violent situation.

“The void, the concept of nothingness, is terrifying to most people on the planet. And I get anxiety attacks myself. I know the fear of that void. You have to learn to die before you die. You give up, surrender to the void, to nothingness.

“Anybody else you’ve interviewed bring these things up? Hang on, I gotta take this call… Hey, brother. That’s great, man. Yeah, I’m being interviewed… We’re talking about nothing. I’ve got him well-steeped in nothing right now. He’s stopped asking questions.”
~ Harry Dean Stanton