By Ray Pride Pride@moviecitynews.com

Bruce Beresford On The Digital Age

“The introduction of digital filmmaking means that virtually everyone connected with a film, and all too many not connected, can instantly be given copies on disc or simply by email of all the filmed material. It’s very easy to view this material at home or on an office desk, which means that snap judgments can be made by a large number of backroom meddlers. Further, the more technical of them can edit the scenes themselves on their own computers. It’s then a simple matter to get in touch with the director, on a set or on location, and inundate him with comments about what he’s shot along with advice on how to improve it. Despite all these difficulties many fine films are made all over the world; there are great directors in every country, dedicated to their art and imbued with the spirit that conquers every obstacle.”
~ Bruce Beresford On The Digital Age

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“I don’t believe in the Nietzschean notion that what doesn’t destroy you makes you stronger. You see these soldiers come back with PTSD; they’ve been to war and seen death and experienced these existential crises one after the other. There are traumas in life that weaken us for the future. And that’s what’s happened to me. The various slings and arrows of life have not strengthened me. I think I’m weaker. I think there are things I couldn’t take now that I would have been able to take when I was younger.”
~ Woody Allen

“Hitchcock films the story with a wide-eyed, astonished, fascinated, and disturbed camera stare that seems to shudder and tremble every time Hedren is onscreen. Even the director’s cameo—in which he watches Hedren walking down a hotel corridor and then turns back to look at the camera, shamefacedly caught in his own leer—suggests his self-aware sense of visual carnality. The images offer an extraordinary swing between blasts of heat and an eerie chill, sometimes bringing the two together. Even the film’s exterior locations have a fluorescent buzz that captures an ambient sense of derangement.”
~ Richard Brody on Marnie

 

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