By Ray Pride Pride@moviecitynews.com

Bruce Beresford On The Digital Age

“The introduction of digital filmmaking means that virtually everyone connected with a film, and all too many not connected, can instantly be given copies on disc or simply by email of all the filmed material. It’s very easy to view this material at home or on an office desk, which means that snap judgments can be made by a large number of backroom meddlers. Further, the more technical of them can edit the scenes themselves on their own computers. It’s then a simple matter to get in touch with the director, on a set or on location, and inundate him with comments about what he’s shot along with advice on how to improve it. Despite all these difficulties many fine films are made all over the world; there are great directors in every country, dedicated to their art and imbued with the spirit that conquers every obstacle.”
~ Bruce Beresford On The Digital Age

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“I was fortunate to be in the two big film epics of the last part of the 20th century: Godfather and “Lonesome Dove” on television, which was my favorite part. That’s my “Hamlet.” The English have Shakespeare; the French, Molière. In Argentina, they have Borges, but the western is ours. I like that.”
~ Robert Duvall

“He’s not one of my heroes. He doesn’t touch me or inspire me. There are so many people who inspire me, so many people who touch my heart. It doesn’t matter if he’s not a hero of mine. It doesn’t matter if I don’t tell the whole world how honoured I am to share a prize with a man who made somebody play with words over the years. He’s a hero in cinema historically, but he’s not a personal hero of mine. Jean-Luc Godard did this press release and he mentioned he would never go and see Mommy in theatres because he already knew what Mommy was about: another ‘TV movie’ and that nowadays everything is predictable. He’s this old grinchy man. He’s the grinch from Switzerland in the mountain. Deaf, blind, smoking, literally. Basically being provocative about everything.”
~ Xavier Dolan On Jean-Luc Godard