By Ray Pride Pride@moviecitynews.com

Bilge Ebiri Likes Song To Song

Song to Song continues the mosaic-like stylization of To the Wonder and Knight of Cups — an indulgence that has turned much of the critical establishment off to Malick. But it takes it in new directions, too. To the Wonder was effectively a dance performance in which characters’ movements revealed their relationships and emotions; Knight of Cups was a debauched fantasia in which the bizarre, rapidfire progression of images and sounds and bodies mimicked the protagonist’s intoxicated, alienated mental state. Song to Song in some ways stands as the most earnest and optimistic of the three films, for here the focus is on the derangement of love, on how the literal imbalance and freefall of passion eventually turn into the equilibrium of constancy.”
~ Bilge Ebiri Likes Song To Song

Comments are closed.

Quote Unquotesee all »

Feature films are suffering a kind of bad time right now, in my opinion, because the feature films that play in theaters are blockbusters. That seems to fill the theaters, but the art-house cinema is gone. If I made a feature film, it might play in L.A. and New York, a couple of other places, for a week in a little part of a cineplex, and then it would go who knows where. I built this to be on the big screen. It will be on a smaller screen, but it’s built for the big screen. You want a feature film to play on a big screen with big sound, and utilize all the best technology to make a world. It’s really tough after all that work to not get it in the theater. So I say that cable television is a new art house, and it’s good that it’s here.”
~ David Lynch

“The purpose of film isn’t to present the kindness of the world.”
~ Isabelle Huppert