By Ray Pride Pride@moviecitynews.com

ARP On Money

“My new film, Her Smell, cost less than First Reformed. The crew pulled off miracles and executed things that most people couldn’t dream of affording for twice our budget. We were ruthlessly efficient and I got everything I needed to make the script exactly as I wanted. The film did not sell for $13 million but I remain optimistic that its distribution and release in no way runs the risk of being relegated to esoterica. However, I am sorry to say, to the next 10 filmmakers who have a comparable film at a comparable budget level, I don’t think I made it any easier for you to get your script produced. We are seemingly stuck in a situation befitting classic American ideals where the rich (i.e. easygoing, mass-market crowdpleasers that sell to Schrader’s target companies) benefit or profit the most, the poor (relatively or extremely inexpensive movies) can no longer survive or justifiably exist, and the middle class (movies like Her Smell or First Reformed) are threatened with extinction due to being potentially unsustainable. And if we are not creating a sustainable means of production and also a marketplace for those coming up behind, then I must worry about the future as much as I fret about the present.”
~ Alex Ross Perry

Comments are closed.

Quote Unquotesee all »

“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier