By Ray Pride

Alejandrdo Jodorowsky

“Each art has its own rules and different forms, nothing more. All art consists of the same contenta human being expressing himself. The difference is only in the form, the content is all the same. All of my work consists of works of initiation. Its the complete opposite of Shakespeare. Take ‘Hamlet,’ for example. Hamlet doesnt change, and at the end, he dies like an idiot. Don Quixote de la Mancha continues being Don Quixote until the end of the book. In these books, theres no development in the characters, no spiritual development. Whats the point of all these classics if a person cannot change? The universe is changing, the universe is expanding. Everything is constantly changing. So when a human being remains unchanged, like a rock, clinging to what he or she is throughout an entire lifetime, its a tragedy. A human being has to be fluid, changing, expanding, developing, and at any given moment, has to ask, Why am I suffering? Why does this bother me? Why am I searching for something? Why do I hate such and such thing? Why cant I forgive and why cant I liberate myself from this? All of my work is that, its the development of a character who slowly but surely expands, self-actualizes, and reaches a higher spiritual level. My characters obtain wisdom. To arrive at such wisdom is to arrive at the joy of living.”
~ Alejandrdo Jodorowsky

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“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray