By Ray Pride Pride@moviecitynews.com

Actor Finn Jones

“There’s so much outrage in the internet these days, right? Why don’t people just — look, the issue is that people are judging before they’ve even seen the show. And that’s problematic. C’mon. Don’t get angry and start a mob when you don’t even — you haven’t even seen the show! You don’t even know what we’re doing with it. It’s unjust. It’s unfair. Whatever issues they have may be true of the comic books; it was written in the ’70s. It was a very different time to where we’re at now. Very, very different. I get it. There needs to be more diversity in film and television, in all fucking aspects of life. There needs to be more diversity, period. Unfortunately, this show was picked, for whatever reason. I don’t fully understand, really, but what I say is, Watch the show. Watch the show, then make your opinions. It’s like, whatever. I get the frustration. There is a frustration in the world right now, and I support that frustration completely. But what I don’t support is having frustration on something when you’ve not even seen the product yet. It’s blind rage. It’s really harmful. People need to chill the fuck out before they actually — they need to think about what they’re doing. Because it can be harmful. Also, c’mon, let’s get angry at the real fucking injustices in the world, yeah? The real problems in the world. Not just in television. There’s some real shit happening in the world right now that people need to get angry about. Let’s get angry about that. Not just a TV show that hasn’t even aired yet. You know?”
~ “Iron Fist” Actor Finn Jones

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“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch