By Ray Pride Pride@moviecitynews.com

Bela Tarr

“I’m not a teacher. I believe there are no rules. Everyone has to find their own way. In the 21st century, you can make a movie with an iPhone or other devices. There are really no rules. You have to liberate students. That’s my role. To see that people are free and powerful. That they are brave enough. I want to remind them that life is hard. I want to show them that they can’t be provincial They shouldn’t just think about their homeland or their own monolithic culture. The world is so big. Our students come from Japan, Korea, Singapore, India, Argentina, Columbia, Mexico, the U.S., all corners of the world. When they are working together they learn from each other. We don’t have teachers. I just invite some interesting directors. In the last semester, I invited Pedro Costa and Carlos Reygadas. Victor Erice has visited us. I was working with them. If you are a young filmmaker and have the chance to work or meet with these people, it’s wonderful. For example, Carlos is from Mexico. He has a completely different vision from other filmmakers. We wanted to talk about human beings and respecting life. My role is to be a liberator and some of the students are doing very interesting stuff. Making films nowadays can be very cheap. In Sarajevo, we didn’t have very much money. Sometimes we were shooting with an iPhone. It was low budget/high energy. I like life, it brings me joy. When I’m shooting it also helps. You have to wait patiently until you see a take that works. Then it’s really done, it’s happened. Filmmaking is like hunting. You have to wait and wait until the situation really transmits life and it’s there. If you’re lucky you can get it into the can, take it to the lab, and watch it, and it’s okay.”
~ Bela Tarr

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“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch