By Ray Pride Pride@moviecitynews.com

Bela Tarr

“I’m not a teacher. I believe there are no rules. Everyone has to find their own way. In the 21st century, you can make a movie with an iPhone or other devices. There are really no rules. You have to liberate students. That’s my role. To see that people are free and powerful. That they are brave enough. I want to remind them that life is hard. I want to show them that they can’t be provincial They shouldn’t just think about their homeland or their own monolithic culture. The world is so big. Our students come from Japan, Korea, Singapore, India, Argentina, Columbia, Mexico, the U.S., all corners of the world. When they are working together they learn from each other. We don’t have teachers. I just invite some interesting directors. In the last semester, I invited Pedro Costa and Carlos Reygadas. Victor Erice has visited us. I was working with them. If you are a young filmmaker and have the chance to work or meet with these people, it’s wonderful. For example, Carlos is from Mexico. He has a completely different vision from other filmmakers. We wanted to talk about human beings and respecting life. My role is to be a liberator and some of the students are doing very interesting stuff. Making films nowadays can be very cheap. In Sarajevo, we didn’t have very much money. Sometimes we were shooting with an iPhone. It was low budget/high energy. I like life, it brings me joy. When I’m shooting it also helps. You have to wait patiently until you see a take that works. Then it’s really done, it’s happened. Filmmaking is like hunting. You have to wait and wait until the situation really transmits life and it’s there. If you’re lucky you can get it into the can, take it to the lab, and watch it, and it’s okay.”
~ Bela Tarr

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

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~ Anthony Bourdain