MCN Movies

The Smurfs

Genre: Animation, Family, Fantasy

Director:

  • Raja Gosnell

Writer:

    Cast:

    • Jayma Mays
    • Neil Patrick Harris
    • Anton Yelchin
    • Sofía Vergara
    • Hank Azaria
    • Katy Perry
    • Alan Cumming
    • Paul Reubens
    • B.J. Novak
    • George Lopez
    • Kenan Thompson
    • Fred Armisen
    • Jonathan Winters
    • Adam Wylie
    • John Oliver
    • Jeff Foxworthy

    Official Site: http://www.smurfhappens.com/

    Articles

    Box Office Hell — August 12

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com Rise of the Planet of the Apes|27.7|32.8|25.0|27.0|26.0 Final Destination 5|24.8|21.4|22.0|23.0|20.0 30 Minutes or Less |18.6|16.5|15.0|16.0|17.0 The Help|14.8|18.9|17.0|20.0|18.0 The Smurfs |12.0|13.4|13.5|13.0|13.0 Glee Live 3D |12.0|10.9|8.3|9.0|8.0

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    Box Office Hell — August 5

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com Rise of the Planet of the Apes|47.8|n/a|41.0|42.0|39.0 The Smurfs |21.7|n/a|20.0|23.0|20.5 The Change-Up |18.2|n/a|18.0|16.0|19.0 Cowboys and Aliens|17.5|n/a|16.0|15.0|15.0 Captain America: The First Avenger|12.7|n/a|13.0|13.0|13.0

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    Box Office Hell — July 28

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com Cowboys and Aliens|44.2|n/a|40.0|n/a|39.0 Captain America: The First Avenger|33.5|n/a|29.0|n/a|30.0 Harry Potter and the Deathly Hallows, Pt 2 |20.7.|n/a|24.0|n/a|23.5 The Smurfs |20.5|n/a|20.0|n/a|25.0 Crazy Stupid Love|15.2|n/a|18.0|n/a|17.0

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    4,891 SMURFS FANS SET NEW GUINNESS WORLD RECORD TITLE FOR LARGEST GATHERING OF PEOPLE DRESSED AS SMURFS WITHIN A 24-HOUR PERIOD IN MULTIPLE VENUES ON GLOBAL SMURFS DAY

    CULVER CITY, Calif., June 25, 2011 – Today, in honor of Global Smurfs Day, Smurfs fans in 11 cities around the world set a new Guinness World Records title for the Largest Gathering of People Dressed as Smurfs within a 24-hour Period in Multiple Venues, it was announced today by Marc Weinstock, president, Worldwide Marketing…

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    Cool Brez Shows The Way From Jellystone Park To Barham Blvd.

    Cool Brez Shows The Way From Jellystone Park To Barham Blvd.

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    Quote Unquotesee all »

    DEADLINE: How does a visualist feel about people watching your films on a phone or VOD?
    REFN: It depends on what kind of movie you make. We had great success with Only God Forgives on multiple platforms in the U.S. Young people will decide how they see it, when they want to see it. Don’t try to fight it. Embrace it. That’s a wonderful opportunity. We’re at the most exciting time since the invention of the wheel, in terms of creativity because distribution and accessibility have changed everything. A camera is still a camera whether it’s digital or not; there’s still sound; an actor is an actor. Ninety-nine percent of what you do is going to be seen on a smart phone – I know this is the greatest thing ever made because it allows people to choose, watching what you do on this format or go into a theater and see it on a screen. That means more people than ever will see what I do, which is personally satisfying in terms of vanity. But you have to be able to adapt, to accept things in different order and length than we’re used to. We are in a very, very exciting time.
    ~ Nic Refn to Jen Yamato

    DEADLINE: You mention Tarantino, who with Christopher Nolan and a few other giants, saved film stock from extinction. To him, showing a digital film in a theater is the equivalent of watching TV in public. Make an argument for why digital is a good film making canvas.
    REFN: Costwise, it’s a very effective way for young people to start making movies. You can make your movie on an iPhone. It’s wonderful seeing how my own children use technology to enhance creativity. For me it’s a wonderful canvas. Sure, I love grain in film. I love celluloid. But I also like creativity. I like crayons, I like pencils, I like paint. It’s all relative. Technology is more inclusive. A hundred years ago when film was invented, it was an elitist club. Very few people got to make it, very few people controlled it and very few people owned it. A hundred years later, storytelling through images is everyone’s domain. It’s ultimate capitalism. There are no rules, and no barriers and no Hays Code. Where does this go in another hundred years? I don’t know but I would love to see it.
    ~ Nic Refn To Jen Yamato