MCN Movies

Prometheus

Genre: Action, Horror, Sci-Fi

Director:

  • Ridley Scott

Writer:

    Cast:

    • Noomi Rapace
    • Michael Fassbender
    • Charlize Theron
    • Idris Elba
    • Guy Pearce

    Official Site:

    Articles

    Why Sir Ridley Endorsed UK’s Secret Cinema For Prometheus

    Why Sir Ridley Endorsed UK’s Secret Cinema For Prometheus

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    “I disliked Prometheus intensely. I do think that having acrimonious feelings towards the film is the actual point…”

    “I disliked Prometheus intensely. I do think that having acrimonious feelings towards the film is the actual point…”

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    A Blastr Blogger, An Archaeologist, A Geologist, Two Physicists And An Animal Biologist Walk Into Prometheus…

    A Blastr Blogger, An Archaeologist, A Geologist, Two Physicists And An Animal Biologist Walk Into Prometheus…

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    Box Office Hell — June 22

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com Brave |64.7|59.7|58.0|53.0|59.0 Abraham Lincoln: Vampire Hunter |22.1|15.3|16.0|15.0|14.0 Madagascar 3: Europe’s Most Wanted|18|19.4|19.0|17.0|16.5 Prometheus |9.0|10.3|9.0|9.0|10.7 Snow White and the Huntsman|7.6|8.4|n/a|11.5|n/a Seeking a Friend for the End of the World |6.7|6.7|6.0|7.0|8.5

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    Box Office Hell – June 15

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com Madagascar 3: Europe’s Most Wanted|33|34.3|33.0|33.0|35.0 Rock of Ages |27.3|19.6|25.0|28.0|30.5 That’s My Boy |25.5|21.7|23.0|23.0|28.0 Prometheus |24.0|26.2|23.0|21.5|23.5 Snow White and the Huntsman|11.0|12.4|11.0|11.5|13.0

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    Geoffrey O’Brien On “The Sublime Horrors of Ridley Scott”

    Geoffrey O’Brien On “The Sublime Horrors of Ridley Scott”

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    Prometheus’ Species Origins Explained In Hieroglyphs

    Prometheus‘ Species Origins Explained In Hieroglyphs

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    SPOILERS: Lindelof On The Last Scene Of Prometheus And A Robot’s “Curious Crush”

    SPOILERS: Lindelof On The Last Scene Of Prometheus And A Robot’s “Curious Crush”

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    Prometheus Reviewed In Comics Form

    Prometheus Reviewed In Comics Form

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    Critics Roundup — June 7

    Prometheus |Yellow||Green||Green Madagascar 3: Europe’s Most Wanted |||||Green Peace, Love and Misunderstanding (limited) |Yellow||Red|Yellow| Safety Not Guaranteed |Green|||Green|Yellow Lola Versus (limited) |||||Yellow Paul Williams: Still Alive (NY) |||Green|Green| Children of Paradise (LA) ||||Green|Green Double Trouble (LA) |Yellow||||

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    Box Office Hell — June 8

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com Prometheus |59.3|68.6|47.0|56.0|51.0 Madagascar 3: Europe’s Most Wanted|53.5|58.4|45.0|48.0|49.0 Snow White and the Huntsman|28.0|28.3|25.0|26.0|26.0 Men in Black 3 |14.6|15.5|14.0|13.0|14.0 Marvel’s The Avengers |11.0|12.8|11.0|12.0|11.0

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    Damen Lindelof On Finding The Right Amount Of “Cowbell” For Prometheus

    “While this is harder gratification, it’s like the Friday New York Times crossword puzzle—it’s so much harder than Monday’s, but also so much more rewarding.” Damen Lindelof On Finding The Right Amount Of “Cowbell” For Prometheus

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    Sir Ridley On His Old Testament Tendencies

    “The only guy in ‘Paradise Lost’ having a good time is that son-of-a-bitch dark angel.” Sir Ridley On His Old Testament And Other Tendencies

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    Lindelof On Withholding Information In Prometheus

    Lindelof On Withholding Information In Prometheus

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    Prometheus… The 1D Trailer

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    Quote Unquotesee all »

    “I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
    ~ Lauren Milici On “The Final Girl”

    “‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
    ~ Greil Marcus On Michael Jackson