MCN Movies

God Bless America

Genre: Comedy

Director:

  • Bobcat Goldthwait

Writer:

    Cast:

    • Joel Murray
    • Tara Lynne Barr
    • Mackenzie Brook Smith

    Official Site:

    Articles

    Critics Roundup — May 10

    Dark Shadows |Yellow||Green|Red|Green God Bless America (limited) |||Green|Green| I Wish (limited) ||||Green| Under African Skies (limited) ||||Green| Romeo and Juliet in Yiddish (NY) ||||Yellow| Where Do We Go Now? (NY, LA) |Green||Red|Yellow| Patience: After Sebald (NY) |||Green|| You Are Here (NY) |||Green|Green| The Cup|Yellow|||| Steve Jobs: Lost Interview|Yellow||||

    Read the full article »

    Review: GOD BLESS THIS MESS

    The only thing worse than the sudden, crushing realization that much of American pop culture is vile, hateful, and stupid is watching a movie in which the main character has this sudden, crushing realization, then proceeds to lecture other characters on said realization. As a result, Bobcat Goldthwait’s “God Bless America” is pretty much doomed from the start, since our hero, Frank (Joel Murray), launches into his diatribe a few minutes after the movie begins.

    Read the full article » 1 Comment »

    DP/30: God Bless America, writer/director Bobcat Goldthwait

    Earlier with Bob…. after the jump….

    Read the full article » 1 Comment »

    TIFF ’11 Review: God Bless America

    Think of God Bless America, directed by Bobcat Goldthwait, as kind of a mix of Falling Down and Super — but funnier than Falling Down, considerably more accurately satirical than Super, and relentlessly violent in a blackly comedic way, without being meaninglessly so.

    Read the full article » 3 Comments »

    Quote Unquotesee all »

    “Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
    1. Spectacle (IMAX-style blockbusters)
    2. Family (cartoon like features)
    3. Horror (teen-driven), and
    4. Film Club (formerly arthouse but now anything serious).

    There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
    ~ Paul Schrader

    “Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
    ~ Eric Allen Hatch