MCN Movies

Haywire

Genre: Action, Thriller

Director:

  • Steven Soderbergh

Writer:

    Cast:

    • Gina Carano
    • Michael Fassbender
    • Ewan McGregor
    • Channing Tatum
    • Michael Douglas
    • Bill Paxton

    Official Site:

    Articles

    Critics Roundup — January 19

    Red Tails |Yellow||||Green Extremely Loud and Incredibly Close |||Red||Yellow Coriolanus |Yellow|||Yellow| The Flowers of War (limited) |Red||||Green Miss Bala |Green|||Green|Green Haywire |Green||||Green Crazy Horse (NY) |||Green|| Viral Factor |Yellow|||| Front Line |Yellow||||

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    Dating Gina Carano

    “The guys I date always want to test my strength and wrestle around,” she says, laughing. “By the end, they’re drenched in sweat.” Dating Gina Carano

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    Creating Haywire’s “Gun Jitsu”

    Creating Haywire‘s “Gun Jitsu”

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    Gina Carano Kicks It

    “We had this normal conversation. He was feeling me out. And I didn’t have any preconceived notions of him because I didn’t really know what a director really was.” Gina Carano Kicks It

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    Soderbergh Goes Long On Contagion, Career, IMAX, False Budgets, Capricious Ratings, Data Mining, Leni And Directors Who Are Tenacious “Termites”

    Soderbergh Goes Long On Contagion, Career, IMAX, False Budgets, Capricious Ratings, Data Mining, Leni And Directors Who Are Tenacious “Termites”

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    Soderbergh Going Comic-Con

    Soderbergh Going Comic-Con

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    Posters

      Quote Unquotesee all »

      “Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
      1. Spectacle (IMAX-style blockbusters)
      2. Family (cartoon like features)
      3. Horror (teen-driven), and
      4. Film Club (formerly arthouse but now anything serious).

      There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
      ~ Paul Schrader

      “Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
      ~ Eric Allen Hatch