MCN Movies

Haywire

Genre: Action, Thriller

Director:

  • Steven Soderbergh

Writer:

    Cast:

    • Gina Carano
    • Michael Fassbender
    • Ewan McGregor
    • Channing Tatum
    • Michael Douglas
    • Bill Paxton

    Official Site:

    Articles

    Critics Roundup — January 19

    Red Tails |Yellow||||Green Extremely Loud and Incredibly Close |||Red||Yellow Coriolanus |Yellow|||Yellow| The Flowers of War (limited) |Red||||Green Miss Bala |Green|||Green|Green Haywire |Green||||Green Crazy Horse (NY) |||Green|| Viral Factor |Yellow|||| Front Line |Yellow||||

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    Dating Gina Carano

    “The guys I date always want to test my strength and wrestle around,” she says, laughing. “By the end, they’re drenched in sweat.” Dating Gina Carano

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    Creating Haywire’s “Gun Jitsu”

    Creating Haywire‘s “Gun Jitsu”

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    Gina Carano Kicks It

    “We had this normal conversation. He was feeling me out. And I didn’t have any preconceived notions of him because I didn’t really know what a director really was.” Gina Carano Kicks It

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    Soderbergh Goes Long On Contagion, Career, IMAX, False Budgets, Capricious Ratings, Data Mining, Leni And Directors Who Are Tenacious “Termites”

    Soderbergh Goes Long On Contagion, Career, IMAX, False Budgets, Capricious Ratings, Data Mining, Leni And Directors Who Are Tenacious “Termites”

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    Soderbergh Going Comic-Con

    Soderbergh Going Comic-Con

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    Posters

      Quote Unquotesee all »

      “Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
      ~ Quentin Tarantino

      “The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
      ~ Hideo Kojima