MCN Movies

The Hunger Games

Genre: Action, Adventure, Drama

Director:

  • Gary Ross

Writer:

    Cast:

    • Jennifer Lawrence
    • Josh Hutcherson
    • Elizabeth Banks
    • Liam Hemsworth
    • Woody Harrelson
    • Stanley Tucci

    Official Site:

    Articles

    Box Office Hell — May 11

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com Marvel’s The Avengers |97.5|87.5|98.0|100.0|111.0 Dark Shadows |38.5|34.8|38.0|35.0|33.0 Think Like a Man|4.5|4.3|4.5|4.7|5.0 The Hunger Games |3.1|3.7|3.5|3.8|4.0 The Pirates! Band of Misfits|3.0|3.5|n/a|3.7|3.7

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    Box Office Hell — May 4

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com Marvel’s The Avengers |158.0|171.8|155.0|160.0|170.0 Think Like a Man |9.0|10.3|10.0|9.0|9.0 The Pirates! Band of Misfits|6.7|7.4|6.5|6.5|6.3 The Hunger Games |6.0|7.1|7.5|7.0|6.5 The Five Year Engagement|5.6|6.4|n/a|6.0|5.7

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    Box Office Hell — April 20

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com The Lucky One |n/a|15.2|17.0|16.5|21.0 Think Like a Man |n/a|9.4|17.0|19.0|24.0 The Hunger Games |n/a|13.6|13.0|13.0|13.0 Titanic in 3-D|n/a|7.9|n/a|n/a|7.7 Chimpanzee|n/a|7.3|7.0|n/a|6.5

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    Box Office Hell – April 13

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com The Hunger Games |18.0|19.8|18.0|20.0|19.5 The Three Stooges |15.6|9.5|11.0|12.0|13.5 The Cabin in the Woods |14.2|16.7|15.0|15.0|14.5 American Reunion|11.5|11.4|11.0|10.0|11.7 Titanic in 3-D|8.5|10.3|10.0|11.0|11.8

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    Box Office Hell — April 6

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com American Reunion |32.5|21.3|24.0|29.5|n/a The Hunger Games |29.5|30.3|30.0|30.0|n/a Titanic in 3-D|26.5|28.2|25.0|22.0|n/a Wrath of the Titans|14.7|14.4|16.0|14.5|n/a Mirror Mirror |10.0|10.6|11.0|11.0|n/a

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    Box Office Hell — March 29

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com The Hunger Games |64.5|76.8|69.0|70.0|72.0 Wrath of the Titans|40.8|35.8|36.0|36.0|37.5 Mirror Mirror |24.8|18.3|20.0|27.0|24.0 21 Jump Street|12.3|12.4|12.0|13.0|11.8 Dr. Seuss’ The Lorax |8.0|7.7|7.0|7.5|7.8

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    Link-bait Optimizer The Atlantic Tubthumps For Hunger Games Best Pictures Oscar

    Link-bait Optimizer The Atlantic Tubthumps For Hunger Games Best Pictures Oscar

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    Weekend Estimates: March 25, 2012

    The Hunger Games|153.6 (37,130)|NEW|153.6 21 Jump Street|20.4 (6,550)|-44%|70.2 Dr. Seuss’ The Lorax|13.0 (3,540)|-43%|177.3 John Carter|5.0 (1,570)|-63%|62.4 Act of Valor|2.0 (910)|-46%|65.9 A Thousand Words|1.9 (1,050)|-40%|14.9 Project X|1.9 (920)|-53%|51.7 Safe House|1.4 (1,020)|-50%|122.5 Journey 2: The Mysterious Island|1.3 (1,000)|-44%|97.1 Casa de mi Padre|1.0 (2,170)|-55%|3.9

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    Review: The Hunger Games

    I’m not going to dissect the similarities and differences between The Hunger Games and Battle Royale, Koushun Takami’s 1999 Japanese pulp novel (adapted a year later into one of my favorite violent, equally pulpy moves of all time), which had a similar storyline about teens forced to battle to the death. Suffice it to say that yes, the general ideas and underlying themes of the two are similar, but while Battle Royale is good bloody dystopian fun, I think The Hunger Games has a better, more completely drawn story and interweaving of theme. And it has Katniss Everdeen, who’s a completely kick-ass female protagonist.

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    Box Office Hell — March 22

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com The Hunger Games |124.8|133.4|125.0|130.0|125.0 21 Jump Street|19.5|19.8|20.0|20.0|21.0 Dr. Seuss’ The Lorax |12.5|12.3|13.5|13.0|14.0 John Carter |6.0|5.7|7.0|7.0|7.0 One Thousand Words|2.0|2.1|n/a|2.0|2.1

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    Critics Roundup – March 22

    The Hunger Games |Yellow||Green|Green| The Raid: Redemption |||Green|| The Deep Blue Sea (NY, LA) |Yellow||Green|| Musical Chairs (NY) |||Green|| October Baby |||Red|| Free Men |Green||||

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    Review: The Hunger Games

    “What do you think the Devil is going to look like if he’s around? Nobody is going to be taken in if he has a long, red, pointy tail. No. I’m semi-serious here. He will look attractive and he will be nice and helpful and he will get a job where he influences a great…

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    Finger Wagging

    All of these sternly worded emails about the Hunger Games screenings in my inbox this week are simultaneously amusing and annoying. You MUST sign a review embargo agreement! You MUST NOT bring your cell phone to the screening! You MUST sign over your first-born son for us to sacrifice to the fickle Box Office Gods…

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    Soderbergh On Shooting A Few Days Of Second Unit For Hunger Games

    Soderbergh On Shooting A Few Days Of Second Unit For Hunger Games

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    Quote Unquotesee all »

    “When Bay keeps these absurd plot-gears spinning, he’s displaying his skill as a slick, professional entertainer. But then there are the images of motion—I hesitate to say, of things in motion, because it’s not clear how many things there are in the movie, instead of mere digital simulations of things. It doesn’t matter. What matters is that there’s a car chase through London, seen from the level of tires, that could have gone on for an hour, um, tirelessly. What matters is that the defenestrated Cade saves himself by leaping from drone to drone in midair like a frog skipping among lotus pads; that he and Vivian slide along the colossal, polished expanses of sharply tilting age-old fields of metal like luge Olympians. What matters is that, when this heroic duo find themselves thrust out into the void of inner space from a collapsing planet, it has a terrifyingly vast emptiness that Bay doesn’t dare hold for more than an instant lest he become the nightmare-master. What matters is that the enormous thing hurtling toward Earth is composed in a fanatical detail that would repay slow-motion viewing with near-geological patience. Bay has an authentic sense of the gigantic; beside the playful enormity of his Transformerized universe, the ostensibly heroic dimensions of Ridley Scott’s and Christopher Nolan’s massive visions seem like petulant vanities.”
    ~ Michael Bay Gives Richard Brody A Tingle

    How do you see film evolving in this age of Netflix?

    I thought the swing would be quicker and more violent. There have been two landmark moments in the history of French film. First in 1946, with the creation of the CNC under the aegis of Malraux. He saved French cinema by establishing the advance on receipts and support fund mechanisms. We’re all children of this political invention. Americans think that the State gives money to French films, but they’re wrong. Through this system, films fund themselves!

    The other great turning point came by the hand of Jack Lang in the 1980s, after the creation of Canal+. While television was getting ready to become the nemesis of film, he created the decoder, and a specific broadcasting space between film and television, using new investments for film. That once again saved French film.

    These political decisions are important. We’re once again facing big change. If our political masters don’t take control of the situation and new stakeholders like Netflix, Google and Amazon, we’re headed for disaster. We need to create obligations for Internet service providers. They can’t always be against film. They used to allow piracy, but now that they’ve become producers themselves, they’re starting to see things in a different light. This is a moment of transition, a strong political act needs to be put forward. And it can’t just be at national level, it has to happen at European level.

    Filmmaker Cédric Klapisch