MCN Movies

The Hunger Games

Genre: Action, Adventure, Drama

Director:

  • Gary Ross

Writer:

    Cast:

    • Jennifer Lawrence
    • Josh Hutcherson
    • Elizabeth Banks
    • Liam Hemsworth
    • Woody Harrelson
    • Stanley Tucci

    Official Site:

    Articles

    Box Office Hell — May 11

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com Marvel’s The Avengers |97.5|87.5|98.0|100.0|111.0 Dark Shadows |38.5|34.8|38.0|35.0|33.0 Think Like a Man|4.5|4.3|4.5|4.7|5.0 The Hunger Games |3.1|3.7|3.5|3.8|4.0 The Pirates! Band of Misfits|3.0|3.5|n/a|3.7|3.7

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    Box Office Hell — May 4

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com Marvel’s The Avengers |158.0|171.8|155.0|160.0|170.0 Think Like a Man |9.0|10.3|10.0|9.0|9.0 The Pirates! Band of Misfits|6.7|7.4|6.5|6.5|6.3 The Hunger Games |6.0|7.1|7.5|7.0|6.5 The Five Year Engagement|5.6|6.4|n/a|6.0|5.7

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    Box Office Hell — April 20

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com The Lucky One |n/a|15.2|17.0|16.5|21.0 Think Like a Man |n/a|9.4|17.0|19.0|24.0 The Hunger Games |n/a|13.6|13.0|13.0|13.0 Titanic in 3-D|n/a|7.9|n/a|n/a|7.7 Chimpanzee|n/a|7.3|7.0|n/a|6.5

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    Box Office Hell – April 13

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com The Hunger Games |18.0|19.8|18.0|20.0|19.5 The Three Stooges |15.6|9.5|11.0|12.0|13.5 The Cabin in the Woods |14.2|16.7|15.0|15.0|14.5 American Reunion|11.5|11.4|11.0|10.0|11.7 Titanic in 3-D|8.5|10.3|10.0|11.0|11.8

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    Box Office Hell — April 6

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com American Reunion |32.5|21.3|24.0|29.5|n/a The Hunger Games |29.5|30.3|30.0|30.0|n/a Titanic in 3-D|26.5|28.2|25.0|22.0|n/a Wrath of the Titans|14.7|14.4|16.0|14.5|n/a Mirror Mirror |10.0|10.6|11.0|11.0|n/a

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    Box Office Hell — March 29

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com The Hunger Games |64.5|76.8|69.0|70.0|72.0 Wrath of the Titans|40.8|35.8|36.0|36.0|37.5 Mirror Mirror |24.8|18.3|20.0|27.0|24.0 21 Jump Street|12.3|12.4|12.0|13.0|11.8 Dr. Seuss’ The Lorax |8.0|7.7|7.0|7.5|7.8

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    Link-bait Optimizer The Atlantic Tubthumps For Hunger Games Best Pictures Oscar

    Link-bait Optimizer The Atlantic Tubthumps For Hunger Games Best Pictures Oscar

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    Weekend Estimates: March 25, 2012

    The Hunger Games|153.6 (37,130)|NEW|153.6 21 Jump Street|20.4 (6,550)|-44%|70.2 Dr. Seuss’ The Lorax|13.0 (3,540)|-43%|177.3 John Carter|5.0 (1,570)|-63%|62.4 Act of Valor|2.0 (910)|-46%|65.9 A Thousand Words|1.9 (1,050)|-40%|14.9 Project X|1.9 (920)|-53%|51.7 Safe House|1.4 (1,020)|-50%|122.5 Journey 2: The Mysterious Island|1.3 (1,000)|-44%|97.1 Casa de mi Padre|1.0 (2,170)|-55%|3.9

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    Review: The Hunger Games

    I’m not going to dissect the similarities and differences between The Hunger Games and Battle Royale, Koushun Takami’s 1999 Japanese pulp novel (adapted a year later into one of my favorite violent, equally pulpy moves of all time), which had a similar storyline about teens forced to battle to the death. Suffice it to say that yes, the general ideas and underlying themes of the two are similar, but while Battle Royale is good bloody dystopian fun, I think The Hunger Games has a better, more completely drawn story and interweaving of theme. And it has Katniss Everdeen, who’s a completely kick-ass female protagonist.

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    Box Office Hell — March 22

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com The Hunger Games |124.8|133.4|125.0|130.0|125.0 21 Jump Street|19.5|19.8|20.0|20.0|21.0 Dr. Seuss’ The Lorax |12.5|12.3|13.5|13.0|14.0 John Carter |6.0|5.7|7.0|7.0|7.0 One Thousand Words|2.0|2.1|n/a|2.0|2.1

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    Critics Roundup – March 22

    The Hunger Games |Yellow||Green|Green| The Raid: Redemption |||Green|| The Deep Blue Sea (NY, LA) |Yellow||Green|| Musical Chairs (NY) |||Green|| October Baby |||Red|| Free Men |Green||||

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    Review: The Hunger Games

    “What do you think the Devil is going to look like if he’s around? Nobody is going to be taken in if he has a long, red, pointy tail. No. I’m semi-serious here. He will look attractive and he will be nice and helpful and he will get a job where he influences a great…

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    Finger Wagging

    All of these sternly worded emails about the Hunger Games screenings in my inbox this week are simultaneously amusing and annoying. You MUST sign a review embargo agreement! You MUST NOT bring your cell phone to the screening! You MUST sign over your first-born son for us to sacrifice to the fickle Box Office Gods…

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    Soderbergh On Shooting A Few Days Of Second Unit For Hunger Games

    Soderbergh On Shooting A Few Days Of Second Unit For Hunger Games

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    Quote Unquotesee all »

    “One of my favorite things in watching any performance on film is when there isn’t a lot of cutting going on and when you get a chance to become really absorbed in the artist in hand. The same way we do, hopefully, at a concert, when we get a chance to really trip in to something that’s happening on stage. Whether the singer’s singing, or one of the other musicians is playing, we sort of stay there instead of cutting round with our eyes a lot.”
    ~ Jonathan Demme

    “We’ve talked about this before in the past, my obsession with the Shakespearean histories having the ideal combination of the sweet and the sour. In ‘Henry IV, Part II’ which we’ve discussed before, in the end of that story it’s very complex and haunting because Prince Hal becomes Henry the King, and he has transcended his hoodlum days and at the ceremony is Falstaff, his good friend with whom he has really fucked around and been a loser with, and Falstaff comes up to him and says, ‘Now that you’re king we can really party,’ and the king famously says, ‘I know thee not, old man.’ It becomes Henry IV’s anointment and Falstaff’s catastrophe. That’s life. I have experienced very little unfettered triumph. There are moments, such as when my children are born, but even that comes with new fears and anxieties. In a sense the better you can communicate that life is both at once, the more powerful over time something becomes. One strives for something where the threads are there because it lasts in way that is very palpable. The idea of a tragedy is powerful in literature and theater, but in cinema it doesn’t work, certainly not commercially, and less so critically. Why is that? I think it has to do with how movies are so close to us.”
    ~ James Gray