MCN Movies

The Amazing Spider Man

Genre: Action, Adventure

Director:

  • Marc Webb

Writer:

    Cast:

    • Andrew Garfield
    • C. Thomas Howell
    • Campbell Scott
    • Embeth Davidtz
    • Irrfan Khan
    • Emma Stone
    • Martin Sheen
    • Rhys Ifans
    • Denis Leary

    Official Site: http://www.theamazingspiderman.com/

    Articles

    Editor Alan Edward Bell On Moving From Indies Like (500) Days Of Summer To The Amazing Spider-Man

    Editor Alan Edward Bell On Moving From Indies Like (500) Days Of Summer To The Amazing Spider-Man

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    Box Office Hell — July 6

    Our Players|||| The Amazing Spider-Man |||| Ted |||| Magic Mike |||| Brave |||| Katy Perry: Part of Me ||||

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    Critics Roundup — July 5

    The Amazing Spider-Man |||Yellow|Yellow|Green Savages |||Yellow||Green Starry Starry Night (NY) ||||Green| The Do-Deca Pentathlon (limited) |||Red|| The Magic of Belle Isle (limited) |||Red|| Last Ride (NY) |||Green||

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    Box Office Hell — June 29

    Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com Brave |36.3|42.3|40.0|39.0|33.0 Magic Mike |31.3|35.7|30.0|34.0|29.0 Ted |27.5|27.6|24.0|28.0|26.0 Tyler Perry’s Madea’s Witness Protection |23.5|24.0|18.0|22.0|24.0 Madagascar 3: Europe’s Most Wanted|11.0|11.4|12.0|11.5|11.5

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    Flinging The New Amazing Spider-Man Trailer

    Flinging The New Amazing Spider-Man Trailer

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    Turn On The Title: It’s The Amazing Spider-Man

    Turn On The Title: It’s The Amazing Spider-Man

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    Quote Unquotesee all »

    “Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
    1. Spectacle (IMAX-style blockbusters)
    2. Family (cartoon like features)
    3. Horror (teen-driven), and
    4. Film Club (formerly arthouse but now anything serious).

    There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
    ~ Paul Schrader

    “Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
    ~ Eric Allen Hatch