MCN Movies

Apollo 18

Genre: Horror, Sci-Fi, Thriller

Director:

  • Gonzalo López-Gallego

Writer:

    Cast:

      Official Site: http://apollo18movie.net/

      Articles

      Box Office Hell – September 2

      Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com Apollo 18 |15.8|13.3|14.0|14.0|15.0 The Help|14.0|10.2|15.0|15.0|16.5 Shark Night 3-D|15.3|11.0|8.0|10.0|9.5 Colombiana |6.8|4.7|7.0|7.5|8.2 The Debt|6.0|5.6|7.0|9.0|7.0

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      Critics Roundup — September 2

      The Debt |Yellow|||| Detective Dee and the Mystery of the Phantom Flame (limited) |Green||Green|| Green Shark Night 3-D |||||Red Resurrect Dead: The Mystery of the Toynbee Tiles (NY) |||Green|Green| A Good Old Fashioned Orgy |||Red||Red Gainsbourg: A Heroic Life (limited) |Green||||

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      Blair Witch, We Have A Problem: NASA Not So High On Apollo 18

      Blair Witch, We Have A Problem: NASA Not So High On Apollo 18

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      THE WEINSTEIN COMPANY ACQUIRES “APOLLO 18” AT AFM

      Santa Monica, CA (November 7, 2010) – The Weinstein Company has acquired “Apollo 18,” the sci-fi thriller based on the screenplay by Brian Miller, winner of the inaugural Astana International Action Film Festival screenplay competition, founded by “Wanted” director Timur Bekmambetov.  Trevor Cawood is set to direct the project. Bekmambetov and Michele Wolkoff, President of Development…

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      Quote Unquotesee all »

      “Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
      1. Spectacle (IMAX-style blockbusters)
      2. Family (cartoon like features)
      3. Horror (teen-driven), and
      4. Film Club (formerly arthouse but now anything serious).

      There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
      ~ Paul Schrader

      “Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
      ~ Eric Allen Hatch