MCN Videos

The Torontonian reviews This Is Where I Leave You

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Like a middling episode of House-”Arrested Development,” Shawn Levy’s This Is Where I Leave You—adapted from the Jonathan Tropper novel of the same name—is a dysfunctional family dramedy lacking in laughs and an emotional punch to really bring it home. The film gets by on its likable cast, but the fact that this film merely passes despite such a talented crop of comedic talent should speak to a general failure, or at least a sense of disappointment.

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Wrapping TIFF 2014

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It was a really good TIFF. Solid.

What was missing, really, were the home run hitting feature films. (Great docs… but we expect that.)

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Confessions of a Film Festival Junkie: It’s a Wrap

The Theory of Everything

Officially there were 366 features shown at the just completed edition of the Toronto International Film Festival. I saw about 30. So it should come as no surprise that few of this year’s public and jury prize winners managed to elude my grasp.

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The Torontonian reviews It Follows

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One of the most enjoyable aspects of David Robert Mitchell’s It Follows—alongside its brilliant cinematography and chilling scares—is the inventive premise, which is as much to fun to describe as it is to watch (tell your friends about the “sexually-transmitted ghost” movie and watch their faces turn from disgusted to wildly amused).

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Confessions of a Film Festival Junkie

A Pigeon Sat

It’s kinda official. To be honest I really haven’t noticed anyone taking notice of the fact that Toronto mayor Rob Ford hasn’t shown his face at the Toronto International Film Festival. Granted the local attendees don’t appear to be his constituency and there is a mayoral race coming up before the end of the year. In fact, there either was a debate scheduled (there are three others on the ballot) or one that went forward that Ford opted out of without extending much of a reason.

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The Torontonian Reviews NIGHTCRAWLER

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Confessions of a Film Festival Junkie: Toronto 2014 – Getting Started

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The Torontonian reviews Eden

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Confessions Of A Film Festival Junkie: TIFF 2014 Opening Days

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The TIFF 2014 Doc Sneak: Thom Powers Lays It Out For You

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The Torontonian Reviews GRAVITY

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The Torontonian Reviews UNDER THE SKIN

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The Torontonian Reviews PRISONERS

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The Torontonian Reviews PARKLAND

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The Torontonian Reviews BLUE RUIN

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MCN Videos

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Peter Jackson, The Hobbit: The Battle Of The Five Armies

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Boyhood, Patricia Arquette

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Big Eyes, Tim Burton

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Still Alice – Julianne Moore, Kristen Stewart, Westmorland & Glatzer

MCN Festivals

“People want to go home and have sex after your movie. Don’t make them feel urggghh. Don’t do that to your fellow sexually active people.”
In Toronto, Michael Moore Reminds Documentarians To Entertain 

“I’m telling you straight and true that Paul Dano‘s performance as the youngish Brian Wilson in Bill Pohlad‘s Love and Mercy is almost spookily great.”
Avers Jeff Wells

NY Times

“This movie was born in a blaze, and will be released in a blaze.”
Kevin Smith’s Tusk Gets Medicinal Marijuana Tie-In severe spoiler

NY Times

“People could call him a sociopath. But I wouldn’t at all. I would call it the birth of an artist. It’s poetry to him.”
Jake Gyllenhaal Tries A Festival-Friendly PR Tack For Nightcrawler

“I’m not sure if I’m allowed to talk about it yet, but screw it: I love this nasty little movie! It’s f—ing bonkers, and I can’t wait for you to see it.”
Kyle Buchanan Serves T. O. Buzz With His Starred-Up 15 Picks For The Fest

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“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies