MCN Videos

The Torontonian reviews This Is Where I Leave You

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Like a middling episode of House-“Arrested Development,” Shawn Levy’s This Is Where I Leave You—adapted from the Jonathan Tropper novel of the same name—is a dysfunctional family dramedy lacking in laughs and an emotional punch to really bring it home. The film gets by on its likable cast, but the fact that this film merely passes despite such a talented crop of comedic talent should speak to a general failure, or at least a sense of disappointment.

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Wrapping TIFF 2014

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It was a really good TIFF. Solid.

What was missing, really, were the home run hitting feature films. (Great docs… but we expect that.)

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Confessions of a Film Festival Junkie: It’s a Wrap

The Theory of Everything

Officially there were 366 features shown at the just completed edition of the Toronto International Film Festival. I saw about 30. So it should come as no surprise that few of this year’s public and jury prize winners managed to elude my grasp.

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The Torontonian reviews It Follows

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One of the most enjoyable aspects of David Robert Mitchell’s It Follows—alongside its brilliant cinematography and chilling scares—is the inventive premise, which is as much to fun to describe as it is to watch (tell your friends about the “sexually-transmitted ghost” movie and watch their faces turn from disgusted to wildly amused).

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Confessions of a Film Festival Junkie

A Pigeon Sat

It’s kinda official. To be honest I really haven’t noticed anyone taking notice of the fact that Toronto mayor Rob Ford hasn’t shown his face at the Toronto International Film Festival. Granted the local attendees don’t appear to be his constituency and there is a mayoral race coming up before the end of the year. In fact, there either was a debate scheduled (there are three others on the ballot) or one that went forward that Ford opted out of without extending much of a reason.

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The Torontonian Reviews NIGHTCRAWLER

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Confessions of a Film Festival Junkie: Toronto 2014 – Getting Started

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The Torontonian reviews Eden

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Confessions Of A Film Festival Junkie: TIFF 2014 Opening Days

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The TIFF 2014 Doc Sneak: Thom Powers Lays It Out For You

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The Torontonian Reviews GRAVITY

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The Torontonian Reviews UNDER THE SKIN

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The Torontonian Reviews PRISONERS

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The Torontonian Reviews PARKLAND

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The Torontonian Reviews BLUE RUIN

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MCN Videos

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Arrival, Joe Walker (super-sized chat w/ the editor)

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Lion, Greig Fraser (Feb 17… super-sized… no spoilers… good sound)

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Hidden Figures, Ted Melfi

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Land of Mine, Martin Zandvliet (Los Angeles, Feb 2017)

MCN Festivals

Toronto Int’l Gala Presentations Include New Delpy, Egoyan, Emmerich, Frears, Helgeland, Mehta, Moorhouse, Scott, Sollett, Vallée

“People want to go home and have sex after your movie. Don’t make them feel urggghh. Don’t do that to your fellow sexually active people.”
In Toronto, Michael Moore Reminds Documentarians To Entertain 

“I’m telling you straight and true that Paul Dano‘s performance as the youngish Brian Wilson in Bill Pohlad‘s Love and Mercy is almost spookily great.”
Avers Jeff Wells

NY Times

“This movie was born in a blaze, and will be released in a blaze.”
Kevin Smith’s Tusk Gets Medicinal Marijuana Tie-In severe spoiler

NY Times

“People could call him a sociopath. But I wouldn’t at all. I would call it the birth of an artist. It’s poetry to him.”
Jake Gyllenhaal Tries A Festival-Friendly PR Tack For Nightcrawler

“I’m not sure if I’m allowed to talk about it yet, but screw it: I love this nasty little movie! It’s f—ing bonkers, and I can’t wait for you to see it.”
Kyle Buchanan Serves T. O. Buzz With His Starred-Up 15 Picks For The Fest

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“All of the security, all of the waiters, all of the musicians … that’s 3,000 people!” The shopping required fifty tractor trailers. The are thirty gallons of cocktail sauce; 350 pounds of smoked salmon; 200 pounds of brussels sprouts, 250 pounds parmesan cheese; 3,600 eggs; 6,000 mini-brioche buns; five gallons of hot fudge; 20 pounds pickled ginger; 30 pounds edible gold dust; 7,000 miniature chocolate Oscars. There are 1,400 bottles of Piper-Heidsieck champagne and 2,200 bottles from Francis Ford Coppola’s winery. This will be served in and upon 13,000 glasses, 4,500 bamboo skewers, 4,800 ramekins and 6,000 cocktail forks.”
~ Wolfgang Puck Goes Oscar Dinner Shopping

“While these images seem to reveal all, they disclose nothing beneath the surface. All that we know is what we see onscreen and that Seberg’s face is delicate and lightly creased. She’s rarely shown smiling, although there are instances when she laughs emphatically, moments that feel uncomfortable and artificial, as if she were trying out an emotion she had forgotten. We know the texture of her skin; the patterns on the walls; the depth of field; the quality of the light; the contrast of the black-and-white film; the level of grain; the dowdiness of her clothes. She’s partial to granny dresses, or maybe they’re nightgowns, and when she stands in front of a window, the sunlight glows softly, creating a kind of ravishing halo effect: Saint Jean.”
~ Manohla Dargis On Philippe Garrel’s Les Hautes Solitudes