MCN Videos

The Torontonian reviews This Is Where I Leave You


Like a middling episode of House-“Arrested Development,” Shawn Levy’s This Is Where I Leave You—adapted from the Jonathan Tropper novel of the same name—is a dysfunctional family dramedy lacking in laughs and an emotional punch to really bring it home. The film gets by on its likable cast, but the fact that this film merely passes despite such a talented crop of comedic talent should speak to a general failure, or at least a sense of disappointment.

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Wrapping TIFF 2014


It was a really good TIFF. Solid.

What was missing, really, were the home run hitting feature films. (Great docs… but we expect that.)

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Confessions of a Film Festival Junkie: It’s a Wrap

The Theory of Everything

Officially there were 366 features shown at the just completed edition of the Toronto International Film Festival. I saw about 30. So it should come as no surprise that few of this year’s public and jury prize winners managed to elude my grasp.

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The Torontonian reviews It Follows

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One of the most enjoyable aspects of David Robert Mitchell’s It Follows—alongside its brilliant cinematography and chilling scares—is the inventive premise, which is as much to fun to describe as it is to watch (tell your friends about the “sexually-transmitted ghost” movie and watch their faces turn from disgusted to wildly amused).

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Confessions of a Film Festival Junkie

A Pigeon Sat

It’s kinda official. To be honest I really haven’t noticed anyone taking notice of the fact that Toronto mayor Rob Ford hasn’t shown his face at the Toronto International Film Festival. Granted the local attendees don’t appear to be his constituency and there is a mayoral race coming up before the end of the year. In fact, there either was a debate scheduled (there are three others on the ballot) or one that went forward that Ford opted out of without extending much of a reason.

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The Torontonian Reviews NIGHTCRAWLER

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Confessions of a Film Festival Junkie: Toronto 2014 – Getting Started

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The Torontonian reviews Eden

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Confessions Of A Film Festival Junkie: TIFF 2014 Opening Days

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The TIFF 2014 Doc Sneak: Thom Powers Lays It Out For You

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The Torontonian Reviews GRAVITY

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The Torontonian Reviews UNDER THE SKIN

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The Torontonian Reviews PRISONERS

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The Torontonian Reviews PARKLAND

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The Torontonian Reviews BLUE RUIN

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MCN Videos

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The Danish Girl, Alicia Vikander

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Son of Saul, director László Nemes, actor Géza Röhrig

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Youth, Jane Fonda

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Youth, Harvey Keitel

MCN Festivals

Toronto Int’l Gala Presentations Include New Delpy, Egoyan, Emmerich, Frears, Helgeland, Mehta, Moorhouse, Scott, Sollett, Vallée

“People want to go home and have sex after your movie. Don’t make them feel urggghh. Don’t do that to your fellow sexually active people.”
In Toronto, Michael Moore Reminds Documentarians To Entertain 

“I’m telling you straight and true that Paul Dano‘s performance as the youngish Brian Wilson in Bill Pohlad‘s Love and Mercy is almost spookily great.”
Avers Jeff Wells

NY Times

“This movie was born in a blaze, and will be released in a blaze.”
Kevin Smith’s Tusk Gets Medicinal Marijuana Tie-In severe spoiler

NY Times

“People could call him a sociopath. But I wouldn’t at all. I would call it the birth of an artist. It’s poetry to him.”
Jake Gyllenhaal Tries A Festival-Friendly PR Tack For Nightcrawler

“I’m not sure if I’m allowed to talk about it yet, but screw it: I love this nasty little movie! It’s f—ing bonkers, and I can’t wait for you to see it.”
Kyle Buchanan Serves T. O. Buzz With His Starred-Up 15 Picks For The Fest

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“At a recent screening of Creed, as the familiar fanfare of Bill Conti’s beloved Rocky score signaled the start of the final round of the big fight, the audience burst into spontaneous applause. This was no sneak-preview crowd, primed with free admission and popcorn, but a room full of critics and journalists armored in professional skepticism. A cynic might say that the cheering was a Pavlovian reflex set off by a piece of commercial entertainment in the hands of a skilled, manipulative director. This cynic, however, was too busy choking up and clapping to form the thought.”
A. O. Scott On Creed

The physical object is so banalized nowadays, you have to bring something else. And the audience is completely ready to get that, and want that, voilà. It’s difficult because it’s a lot of work and there are a lot of requirements, but you have to try to be more and more unique; if not, you’re just releasing a DVD in the old way, and even if a title might interest some cinephiles, it won’t be enough regarding the fact that they could see on S-VOD for ten bucks hundreds of movies. So how do you bring this audience who’s continuing following you because they have the same feeling of cinephilia to acquire what you’re releasing ? And even though we can see of course that the 3000-limited-edition of Body Double is to be able to go out-of-print very quickly, at the same time it will increase interest on the title itself.
~ Carlotta Films’ Vincent Paul-Boncour