MCN Videos

The Torontonian reviews This Is Where I Leave You

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Like a middling episode of House-“Arrested Development,” Shawn Levy’s This Is Where I Leave You—adapted from the Jonathan Tropper novel of the same name—is a dysfunctional family dramedy lacking in laughs and an emotional punch to really bring it home. The film gets by on its likable cast, but the fact that this film merely passes despite such a talented crop of comedic talent should speak to a general failure, or at least a sense of disappointment.

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Wrapping TIFF 2014

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It was a really good TIFF. Solid.

What was missing, really, were the home run hitting feature films. (Great docs… but we expect that.)

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Confessions of a Film Festival Junkie: It’s a Wrap

The Theory of Everything

Officially there were 366 features shown at the just completed edition of the Toronto International Film Festival. I saw about 30. So it should come as no surprise that few of this year’s public and jury prize winners managed to elude my grasp.

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The Torontonian reviews It Follows

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One of the most enjoyable aspects of David Robert Mitchell’s It Follows—alongside its brilliant cinematography and chilling scares—is the inventive premise, which is as much to fun to describe as it is to watch (tell your friends about the “sexually-transmitted ghost” movie and watch their faces turn from disgusted to wildly amused).

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Confessions of a Film Festival Junkie

A Pigeon Sat

It’s kinda official. To be honest I really haven’t noticed anyone taking notice of the fact that Toronto mayor Rob Ford hasn’t shown his face at the Toronto International Film Festival. Granted the local attendees don’t appear to be his constituency and there is a mayoral race coming up before the end of the year. In fact, there either was a debate scheduled (there are three others on the ballot) or one that went forward that Ford opted out of without extending much of a reason.

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The Torontonian Reviews NIGHTCRAWLER

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Confessions of a Film Festival Junkie: Toronto 2014 – Getting Started

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The Torontonian reviews Eden

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Confessions Of A Film Festival Junkie: TIFF 2014 Opening Days

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The TIFF 2014 Doc Sneak: Thom Powers Lays It Out For You

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The Torontonian Reviews GRAVITY

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The Torontonian Reviews UNDER THE SKIN

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The Torontonian Reviews PRISONERS

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The Torontonian Reviews PARKLAND

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The Torontonian Reviews BLUE RUIN

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MCN Videos

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Hail, Caesar: Alden Ehrenreich

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Hail, Caesar: Josh Brolin

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Robert Redford

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99 Homes, Michael Shannon

MCN Festivals

Toronto Int’l Gala Presentations Include New Delpy, Egoyan, Emmerich, Frears, Helgeland, Mehta, Moorhouse, Scott, Sollett, Vallée

“People want to go home and have sex after your movie. Don’t make them feel urggghh. Don’t do that to your fellow sexually active people.”
In Toronto, Michael Moore Reminds Documentarians To Entertain 

“I’m telling you straight and true that Paul Dano‘s performance as the youngish Brian Wilson in Bill Pohlad‘s Love and Mercy is almost spookily great.”
Avers Jeff Wells

NY Times

“This movie was born in a blaze, and will be released in a blaze.”
Kevin Smith’s Tusk Gets Medicinal Marijuana Tie-In severe spoiler

NY Times

“People could call him a sociopath. But I wouldn’t at all. I would call it the birth of an artist. It’s poetry to him.”
Jake Gyllenhaal Tries A Festival-Friendly PR Tack For Nightcrawler

“I’m not sure if I’m allowed to talk about it yet, but screw it: I love this nasty little movie! It’s f—ing bonkers, and I can’t wait for you to see it.”
Kyle Buchanan Serves T. O. Buzz With His Starred-Up 15 Picks For The Fest

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“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it’s important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice. I think it’s very, very important in a time where everything is commercialized, commodified, and branded, where advertising is constantly bleeding into other forms of discourse, for there to be an independent voice kind of speaking to—and to some extent on behalf of—the public.”
~ A. O. Scott On One Role Of The Critic

“Every night, we’d sit and talk for a long, long time and talk about the process and I knew he was very, very intrigued about what could be happening. Then of course, one of the fascinating things he told me about was how he had readers who were reading for him that never knew it was Stanley Kubrick. So if he heard of a novel, he would send it out to people. I think he did it through newspaper ads at the time. And he would send it out to people and ask for a kind of synopsis or a critique of the novel. And he would read those. And it was done anonymously. But he said there were housewives and there were barristers and all sorts of people doing that. And I thought, yeah, that’s a really good way to open up the possibilities. Because otherwise, you’re randomly looking, walking through a bookstore or an airport. I said, “How many people are doing this?” It was about 30 people.”
~ George Miller’s Conversations With Kubrick