MCN Videos

Sundance Seen Part 1

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The whispering of powder from a dull quiet sky. Snowflakes fall between the screenings. Then the sun is bright and powder dusts off the slopes.

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Sundance Reviews: The Wolfpack, Slow West

Unique ironies surround Crystal Moselle’s bewildering documentary, The Wolfpack, not the least of which is that the film opens with a group of brothers at home re-enacting Reservoir Dogs, a film that premiered at Sundance 23 years ago.

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Six Films To Watch At Sundance


Attending Sundance this year means personally jumping through a lot of difficult hoops to make it happen, but this festival is becoming legendary—2014’s iteration eclipsed both Cannes and TIFF combined—and I simply couldn’t skip this year.

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Sundance 2014 Last Call


As a documentarian, Balmès shows more than tells; his work tends to curate moments that strike him as meaningful into a largely abstract tapestry and let you make of them what you will. Consequently, Happiness is not a neatly delineated picture of narrative storytelling, nor is it quite traditionally structured documentary. True to form, the director’s work here tends toward the languid and fluid; we float gently along the placid life rhythm of this small village on a faraway mountaintop as the camera captures the subtle – and sometimes not so subtle – shifts in the cultural and social landscape wrought by the march of technological progress.

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Sundance 2014 Review: The Better Angels


A film created to be seen on a big screen, where the gorgeous cinematography can fill your soul. Dialogue is sparse, used only to augment the narration and visuals, with the result that in many ways feels almost like watching a silent film with narration over it. Or perhaps, to be more accurate, it’s like immersing yourself into a black-and-white landscape of stunning beauty, where there happens to be this story happening around you. Edwards’ time spent as a cameraman on Malick’s films is evident here in the framing of shots, the extensive use of nature in storytelling, and his willingness to let his tale breathe in quiet spaces.

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Sundance 2014 Review: Listen Up Philip

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Sundance 2014 Review: What We Do In The Shadows

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Sundance 2014 Review: War Story

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Picturing Sundance 2014: 21 Images

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Sundance 2014 Review: Imperial Dreams

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Picturing Sundance 2014 x 13 (Plus 140-Character Grasps For Instantaneous Truth)

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Sundance 2014 Review: Obvious Child

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Sundance 2014 Review: Boyhood

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Sundance 2014 Review: I Origins

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Sundance 2014 Review: Hellion

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MCN Videos

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Moonlight, Naomie Harris

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Moonlight, Mahershala Ali

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Class Divide, Marc Levin

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Amanda Knox, Rod Blackhurst & Brian McGinn

MCN Festivals

“F— it. Give me a Stella and a vodka and I will double-fist for the rest of the night.”
Waldo Salt Screenwriting Award-Winner Lake Bell On Needing To Breathe Through Her Butt More

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“Critics have said that I’ve made a career out of confounding expectations. Really? Because that’s all I do? That’s how I think about it. Confounding expectations. Like I stay up late at night thinking about how to do it. “What do you do for a living, man?” “Oh, I confound expectations.” You’re going to get a job, the man says, “What do you do?” “Oh, confound expectations. And the man says, “Well, we already have that spot filled. Call us back. Or don’t call us, we’ll call you.” Confounding expectations. I don’t even know what that means or who has time for it.”
~ Bob Dylan

“There was somebody from Creative Screenwriting Magazine who was here earlier, and she said ‘Have you got any advice for writers?’ and I said, ‘Yeah, write standing up’. Because this time around, I bought a cheap little stand off Amazon, and I wrote standing up, because it’s slightly uncomfortable – it’s not so uncomfortable that you can’t do it, it’s slightly uncomfortable. And it means you don’t end up going on the internet, basically, because you’re there to do a fucking job. So I’ll write for 25 minutes… then I’ll go and play on the PlayStation for a bit. And I do this all night. I go nocturnal. And then I go back and I’ll write a bit more, and then I go back to the PlayStation, and then I go back… And hopefully by then, I’ll lose track of time and then I’ll be writing for fucking ages, and then there’s a point where you get excited about it. So my advice for writers is always: write standing up, and get Scrivener, and write in 25 minute bursts, and get a PlayStation.”
~ Charlie Brooker

Z Weekend Report