MCN Videos

Sundance: New Frontier Round-up

DICKGIRL

If you’re going to sell me that you have a six-player “epic ‘80s fantasy” experience featuring female warriors, man, I want some interactivity with that that goes beyond white-labeling last year’s cat cannon functionality reworked to shoot lasers out of my arms, and I want some story and character development that makes the female warriors feel actually incepted out of story and a hero’s journey, with enough substance wrapped around the experience to give me a connection to my character and the other avatars and to care why we are there.

Read the full article »

The Daily Buzz from Sundance (Day 10)

daily-buzz-clean

We have a special episode today, in which we begin by meeting and discussing filmmaking opportunities for women with Iyabo Boyd and Senain Kheshgi. We then moved on to discuss the film Last Race with director Michael Dweck. We finish by speaking with part of the hilarious and talented team behind the episodic Halfway There, including director Rick Rosenthal, writer Nick Morton, and actors Matthew Lillard and Sara Shahi.

Read the full article »

The Daily Buzz from Sundance (Day 9)

daily-buzz-clean

Ever had a project that you were super-passionate about but didn’t know how to fund? Elise McCave of Kickstarter discusses how to crowdfund for your passion projects. Heather Lenz talks about directing Kusama, and we talk about Game Changers with Louie Psihoyos, Joseph Pace and James Wilks. We end with the team behind Science Fair, Cristina Costantini, Darren Foster, Kashfia, Robbi, and Dr. McCalla.

Read the full article »

The Daily Buzz from Sundance (Day 8)

daily-buzz-clean

We cover Roll with Me, Zion and Nancy as well as talk to AAPI directors about their films. We start with two diverse AAPI directors, Bing Liu and Cecilia Hsu, then discuss Roll with Me with Lisa Frances, Jorja Fox and Gabriel Cordell. We also speak with Floyd Russ, director of Zion, and one of that short film’s producers. Director Christina Choe joins us for her psychological drama Nancy.

Read the full article »

The Daily Buzz from Sundance (Day 7)

daily-buzz-clean

Today we have Chloe Zhao, director of The Rider,  on planning a film with budget restrictions. Co-directors of Genesis 2.0, Christian Frei and Maxim Arbugaev, talk about filming in the heart of Siberia. And we welcome female shorts directors, Anna Margaret Hollyman, of Maude, and Emily Anne Hoffman, of Nevada.

Read the full article »

The Daily Buzz from Sundance (Day 6)

Read the full article »

The Daily Buzz from Sundance (Day 4)

Read the full article »

The Daily Buzz from Sundance (Day 3)

Read the full article »

The Daily Buzz from Sundance (Day 2)

Read the full article »

The Daily Buzz Podcast from Sundance

Read the full article »

Sundance Seen Part 1

Read the full article »

Sundance Reviews: The Wolfpack, Slow West

Read the full article »

Six Films To Watch At Sundance

Read the full article »

Sundance 2014 Last Call

Read the full article »

Sundance 2014 Review: The Better Angels

Read the full article »
MCN Videos

DP/30see all »

hayley atwell howards 1280

Howard’s End, Hayley Atwell

hereditary alex wolff 1280

Hereditary, Alex Wolff

ray donovan paula 1280

Ray Donovan, Paula Malcomson

the king jarecki 1280

The King, Eugene Jarecki

MCN Festivals

“F— it. Give me a Stella and a vodka and I will double-fist for the rest of the night.”
Waldo Salt Screenwriting Award-Winner Lake Bell On Needing To Breathe Through Her Butt More

View More Curated Headlines »

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch