MCN Videos

Sundance Seen Part 1

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The whispering of powder from a dull quiet sky. Snowflakes fall between the screenings. Then the sun is bright and powder dusts off the slopes.

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Sundance Reviews: The Wolfpack, Slow West

Unique ironies surround Crystal Moselle’s bewildering documentary, The Wolfpack, not the least of which is that the film opens with a group of brothers at home re-enacting Reservoir Dogs, a film that premiered at Sundance 23 years ago.

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Six Films To Watch At Sundance

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Attending Sundance this year means personally jumping through a lot of difficult hoops to make it happen, but this festival is becoming legendary—2014’s iteration eclipsed both Cannes and TIFF combined—and I simply couldn’t skip this year.

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Sundance 2014 Last Call

Happiness

As a documentarian, Balmès shows more than tells; his work tends to curate moments that strike him as meaningful into a largely abstract tapestry and let you make of them what you will. Consequently, Happiness is not a neatly delineated picture of narrative storytelling, nor is it quite traditionally structured documentary. True to form, the director’s work here tends toward the languid and fluid; we float gently along the placid life rhythm of this small village on a faraway mountaintop as the camera captures the subtle – and sometimes not so subtle – shifts in the cultural and social landscape wrought by the march of technological progress.

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Sundance 2014 Review: The Better Angels

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A film created to be seen on a big screen, where the gorgeous cinematography can fill your soul. Dialogue is sparse, used only to augment the narration and visuals, with the result that in many ways feels almost like watching a silent film with narration over it. Or perhaps, to be more accurate, it’s like immersing yourself into a black-and-white landscape of stunning beauty, where there happens to be this story happening around you. Edwards’ time spent as a cameraman on Malick’s films is evident here in the framing of shots, the extensive use of nature in storytelling, and his willingness to let his tale breathe in quiet spaces.

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Sundance 2014 Review: Listen Up Philip

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Sundance 2014 Review: What We Do In The Shadows

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Sundance 2014 Review: War Story

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Picturing Sundance 2014: 21 Images

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Sundance 2014 Review: Imperial Dreams

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Picturing Sundance 2014 x 13 (Plus 140-Character Grasps For Instantaneous Truth)

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Sundance 2014 Review: Obvious Child

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Sundance 2014 Review: Boyhood

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Sundance 2014 Review: I Origins

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Sundance 2014 Review: Hellion

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MCN Videos

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DP/30: Moonlight, Barry Jenkins

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Moonlight, Mahershala Ali

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Arrival, Joe Walker (super-sized chat w/ the editor)

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Lion, Greig Fraser (Feb 17… super-sized… no spoilers… good sound)

MCN Festivals

“F— it. Give me a Stella and a vodka and I will double-fist for the rest of the night.”
Waldo Salt Screenwriting Award-Winner Lake Bell On Needing To Breathe Through Her Butt More

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“The worst thing that we have in today’s movie culture is Rotten Tomatoes. It’s the destruction of our business. I have such respect and admiration for film criticism. When I was growing up film criticism was a real art. And there was intellect that went into that. And you would read Pauline’s Kael’s reviews, or some others, and that doesn’t exist anymore. Now it’s about a number. A compounded number of how many positives vs. negatives. Now it’s about, ‘What’s your Rotten Tomatoes score?’ And that’s sad, because the Rotten Tomatoes score was so low on Batman v Superman I think it put a cloud over a movie that was incredibly successful. People don’t realize what goes into making a movie like that. It’s mind-blowing. It’s just insane, it’s hurting the business, it’s getting people to not see a movie. In Middle America it’s, ‘Oh, it’s a low Rotten Tomatoes score so I’m not going to go see it because it must suck.’ But that number is an aggregate and one that nobody can figure out exactly what it means, and it’s not always correct. I’ve seen some great movies with really abysmal Rotten Tomatoes scores. What’s sad is film criticism has disappeared. It’s really sad.”
~ Brett Ratner Has A Sad

“The loss of a local newspaper critic is a real loss. People who know the local audience and know the local cultural scene are very important resources. You can’t just substitute the stuff that comes in from nowhere through syndication or the wire. I think at the same time, some of the newer outlets have really beefed up and improved their coverage and made room for criticism. The real problem is in the more specialized art forms — fine arts, classical music, dance and jazz, say. There is a real slowing of critical voices, partly because those art forms have smaller audiences. Newspapers and magazines can say that doesn’t get enough traffic, so we don’t have room for that. To me, that’s especially worrisome. This is the opposite of what newspapers are supposed to do, which is not to try to figure out what people are already interested in and recite that back to them, but to hopefully guide them to something that they should be interested in, connecting potential audiences with more interesting work.

“Then again, not everyone needs a critic. People have been going to movies for more than 100 years now, and probably the vast majority of those people have not read movie reviews or cared what critics thought. But there has always been an important subset that wants to know more, that wants to think about what they’ve seen and what they’re going to see, and wants someone to think along with. I think critics are important, not just as dispensers of consumer advice — though that’s certainly part of it, too — but as trusted voices and companions for people to argue with in your head when you’re going to movies or afterwards.”
~ A. O. Scott