DP/30

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“In the review, I referenced a painful and insidious stereotype solely in order to praise Ms. Rhimes and her shows for traveling so far from it. If making that connection between the two offended people, I feel bad about that. But I think that a full reading allows for a different takeaway than the loudest critics took. The same applies to your question about “less than classically beautiful.” Viola Davis said it about herself in the NYT magazine, more bluntly.  I commended Ms. Rhimes for casting an actress who doesn’t conform to television’s narrow standards of beauty; I have said the same thing about Helen Mirren in “Prime Suspect.” I didn’t think Times readers would take the opening sentence literally because I so often write arch, provocative ledes that are then undercut or mitigated by the paragraphs that follow. (links below) Regrettably, this stereotype is still too incendiary to raise even in arguing that Ms. Rhimes had killed it once and for all.”
Alessandra Stanley On Alessandra Stanley

“Fight Club was a movie where half the financing fell out before we started shooting. Bill Mechanic to his credit said: ‘I’m making this movie.’ Laura Ziskin, may she rest in peace, was there every step of the way saying: ‘Go, keep going, it’s great, we love the dailies, it’s amazing.’ When we cut the movie together and showed them the final thing is the first time everyone realized they were going to get fired. It’s a great cocktail story about doing this movie that’s so dark and twisted and then they see it and go, oh my god, what’s the poster here? How do we get people to see this? The marketing department shit all over the movie and said: ‘Men don’t want to see Brad Pitt with his shirt off and women don’t want to see him bloody so you’re fucked.’ So they devised a campaign for the film to sell it to people watching the World Wrestling Federation. I wanted to sell it as a satire. Madness. People go to the movies to see things they haven’t seen before. Call me a radical.”
~ David Fincher On Fight Club